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    what's up down the alley

    Houston's Alley Theatre reveals new season full of mystery, stage favorites, and Texas tales

    Tarra Gaines
    Apr 7, 2020 | 10:10 am

    The Alley Theatre brings Houston performing arts lovers some hopeful news with the just-announced 2020-2021 season, revealing Houston’s oldest theater ready to take some innovative onstage risks while working to keep audiences safe.

    With a lineup that offers five world premiere works, many with development ties to the Alley All New Festival and Reading Series, the company has also made the decision to begin the new season in September, instead of trying to come back this summer with a Summer Chills production.

    For those still saddened by the cutting of short of the spring and summer offerings, well, look for some rescheduling with the world premiere Amerikin and comedy Dead Man’s Cell Phone finding a home in the new season.

    “After the cancellation of the latter half of the current season, due to safety precautions surrounding COVID-19, I’m happy to bring back two of those productions for this upcoming season,” said artistic director Rob Melrose in a statement about the scheduling changes. “Sadly, we’re forgoing producing a Summer Chills production out of an abundance of caution. But I hope Houstonians will be glad to finally get to see two productions we were so sad to lose this season. I'm also proud that the Alley is presenting five world premiere productions as well as a wide range of offerings featuring our Resident Acting Company. In spite of all obstacles, it is going to be a wonderful new season!"

    So without further theatrical ado, here’s a preview of what’s to come in happier performing arts times.

    Clue (September 18-October 25)
    Originally announced as the fun Summer Chills play for a cool late-summer treat, the Alley has decided to make this new comedy the opening star of the 20-21 lineup. Yes, it’s based on the ’80s farcical mystery movie that was based on the board game that asked players to discover who murdered Mr. Boddy. Whether the play will have multiple endings like the original film is still a mystery but we’re rolling the dice on a fun night to get us back into the live theater spirit.

    Amerikin (October 9-November 8 in the Neuhaus Theatre)
    The first of the two works from this season that the Alley is determined the show must go on (later). The company originally harvested this work from its All New Festival, play reading series, to produce it as a world premiere a year or two later. In this play by Chisa Hutchinson, a new father desperate for community, casually follows his buddy’s advice and tries to join a white supremacist group, but the results of his ancestry test prove surprising.

    A Christmas Carol–A Ghost Story of Christmas (November 19-December 30)
    The Alley sings a spooky yet celebratory song as this will be the 30th-anniversary production of this Michael Wilson thrills, chills and eventual good cheer adaptation of the Dickens classic.

    What-A-Christmas (December 1-27 in the Neuhaus Theatre)
    Scrooge has some Texas-styled humbug competition this year in this world premiere one-woman show commissioned by the Alley. Texan playwright Isaac Gómez sets this Tejana Carol at a very familiar What-A-fast-food joint as millennial Margot spends Christmas Eve confronting some ghosts of her past, present, and future. Will she discover Houston Christmas spirit by sunrise?

    Noir (January 21-February 21, 2021)
    A new year rings in the third of the Alley world premiere, and a rarity in most Alley season lineup, a musical. Though inspired by classic film noir and radio plays, the story will likely resonate in a very 2020 timely way. An isolated man who never leaves his apartment, becomes obsessed with the lives of his new neighbors. The musical intrigue comes from some major Broadway players with music and lyrics by Duncan Sheik (Spring Awakening), book and lyrics by Kyle Jarrow (The SpongeBob Musical). Darko Tresnjak (A Gentleman’s Guide to Love and Murder) directs the production.

    Baskerville: A Sherlock Holmes Mystery (March 12-April 4, 2021)
    Last year, the Alley had a double hit with two Ken Ludwig adaptations of classics, The Three Musketeers and Murder on the Orient Express, so it’s not too surprising they’ll go deer stalking with Ludwig once more for a decidedly different take on one of Sir Arthur Conan Doyle’s most famous Holmes adventures. You might deduce already there will be a twist. In this theatrical case, five actors will take on the roles of more than 40 characters all together. Expect lots of costume and accent comic quick-changes before the villain is revealed.

    Born With Teeth (April 2-May 2, 2021 in the Neuhaus Theatre)
    This fourth world premiere of the season and another work the Alley gave some early development help with a reading last fall offers a tale of intrigue, jealousy, and lots of unresolved sexual and artistic tension. Liz Duffy Adams’s historical what-if story imagines young writers and rivals Bill and Kit (that’s William Shakespeare and Christopher Marlowe to you and me) collaborating on one of the Henry VI plays amid the deadly political conspiracies of Elizabethan England.

    Dead Man’s Cell Phone (April 30-May 23, 2021)
    The second of the shows from this 2019-20 season that gets pushed into the next, this work from one of contemporary theaters most unique voices, Sarah Ruhl, will open almost a year exactly from one it was originally slated. In this comedy, a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.

    Waiting for Godot (May 21-June 20 in the Neuhaus Theatre)
    Samuel Becket’s absurdist masterpiece about two men waiting for something, anything, or perhaps nothing at all might take on a whole new perspective after our global time in limbo. So far in his Alley tenure as AD when Melrose chooses to direct, he seems to make a practice of tackling brand new work or putting new spins on classics. We’re curious what visions will appear when he directs Godot in the intimate Neuhaus space.

    High School Play: A Nostalgia Fest (June 11-July 4, 2021)
    The end of the season and last of the world premieres gets Texas squared — as the Alley partners with Dallas Theatre Center to bring this new work by Texas native Vichet Chum to the stage. Take a deep dive into the world of Texas high school theater competitions, which, as any debate and theater kid in Texas cities large and small can tell us, is a very real (competitive and dramatic) thing. In this coming of age comedy when two coaches make a controversial pick for one-act play competition, the small town community takes issue while the kids fight to theater-on.

    The Alley opens its 2020-2021 season in September with a new play based on the comic cult film based on the board game, Clue.

    Cast from the film Clue
    Photo courtesy of the Alamo Drafthouse
    The Alley opens its 2020-2021 season in September with a new play based on the comic cult film based on the board game, Clue.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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