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    Art For A Cause

    Unique art project highlights Houston's human trafficking problem with grains of red sand

    Elizabeth Rhodes
    Mar 19, 2015 | 12:01 pm

    Texas-born artist Molly Gochman is making moves for social change through a community art project that focuses on a horrendous problem happening right in our own backyard. Houston is one of the nation's largest hubs for human trafficking, and one out of every four people trafficked in the United States will pass through the city.

    The 36-year-old artist, now based in New York City, hopes to raise awareness of this type of modern-day slavery — which she has observed first-hand in countries around the world — through her activist artwork piece called the Red Sand Project. The project invites participants to fill cracks in the sidewalk with red sand, meant to remind people to pay attention to the oft overlooked and marginalized population of human trafficking victims instead of simply ignoring a group who have fallen through the metaphoric cracks.

    "Someone should be puzzled when they see a person bent over doing something odd like putting red sand into a crack. I'm inviting curiosity which leads to people asking me what I am doing."

    Participants are encouraged to share photos of their 'transformations' via social media and tag them with #RedSandProject.

    Earlier this month Gochman staged a number of events encouraging Houstonians to participate, including locations in the Museum District and at the Aurora Picture Show, and create their own red sand-filled cracks for all to see.

    "The sidewalk installations give me an opportunity to engage with people on the street," Gochman explained via email. "It allows me to bring the subject of human trafficking into public discussion by presenting an opportunity to question. Houstonians generally don't spend a lot of time on sidewalks. Someone should be puzzled when they see a person bent over doing something odd like putting red sand into a crack. I'm inviting curiosity which leads to people asking me what I am doing.

    "Human trafficking isn’t a term they expect to hear when I respond. When I explain that addressing human trafficking requires addressing vulnerabilities that lead to trafficking and that my odd behavior is an invitation for people to be mindful of vulnerable populations around us, they usually want to learn more."

    In addition to individual contributions, Gochman created a large-scale installation on a grassy property at Caroline and Dennis Street where a large crevice, resembling a crack in the ground, was filled with red sand. In several weeks, the sand-filled gash will be covered with dirt and grass will be pinned on top so that it merges with the existing turf. As the grass grafts with the ground, a scar-shaped mount will appear and serve as a living installation.

    Gochman does not profit from her 'social good' art piece, hoping instead that her work will inspire people to become activists on their own.

    "Even if people don't know what the earthwork or sidewalk installations signify, these artistic interventions will stimulate contemplation of a previously ignored surface," she said. "Art offers an opportunity to soften and reflect, which can result in people becoming more empathetic. Empathy is essential for pushing progressive cultural change. Cultural change is gradual and doesn’t happen overnight. Red Sand Project is one of many voices slowly nudging this change along."

    The large-scale 'earthwork' installation of the Red Sand Project is currently on view at Caroline and Dennis Street.

    Red Sand Project earthwork 1
    Courtesy of Molly Gochman
    The large-scale 'earthwork' installation of the Red Sand Project is currently on view at Caroline and Dennis Street.
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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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