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    Calendar Closeup

    Your weekly guide to Houston: Five (plus) don't-miss events — crazy space party included

    Joel Luks
    Mar 5, 2014 | 10:59 am

    Screw this return of the spirit of the polar vortex. Let's not allow Mother Nature to get in the way of going out and having a good old time as this week offers quite the range of things to do. For starters, we have an out-of-this-world party, a Texas style foodie challenge, a celebration of independence, a world premiere sur la pointe and the beginning of a long-running film festival.

    "The Space Ball" benefiting Fresh Arts

    Meatball, cornball, lowball — a handful such "balls" were considered for the theme of this balls-to-the-wall artsy affair that raises funds for Fresh Arts, a group that advocates and supports local artists and arts organizations. May the schwartz be with party chairs Libby Cagle and Lauren Taft, Kathryn Lott Neumann and Jeff Neumann, J. Michael Soliz and Michael Pilie, and Caroline Starry LeBlanc and Jared LeBlanc plus honorary chair Marita Fairbanks as they beam guests to a galaxy far, far away to laud the contributions of Don Mafrige Jr., Rebekah Johnson, Chris Johnson and Nancy Wozny.

    Costumed guests can expect high decibel entertainment from DJ Lady Bunny and the HaviKoro Crew plus the gravity-defying exploits of Vault aerial dancers. Organizers promise amusing surprises, among them a "bouncy" activity for thrill seekers — whatever that means.

    The suggested attire? Trekkie gear, Martian garb, space suits, Leia bikinis or the crew of Spaceballs. I hope someone goes as Mega Maid as she morphs from suck to blow. And please someone don a really big helmet.

    The skinny: Friday, 8-11 p.m.; Silver Street Studios; individual tickets start at $100.

    Houston Young Professionals and Briggs True present "The Houston Chili Cook-Off"

    We all know that young professionals are a force in Houston, frequently hosting socials that raise funds for this and that charity and volunteering their time to make this sprawling metropolis a better place to live. But can they cook?

    With Texas Independence Day in their minds, teams will flex their culinary muscles in cooking up what's considered the National Food of Texas: Chili. Join in the foodie feud or attend as a taste tester. Either way, you'll have a fiery blast.

    The skinny: Saturday, 10 a.m.-2 p.m.; Eleven XI; team entry fee is $50; guests tickets are $5 in advance, $10 at the door.

    1836 Fest at Cottonwood

    March 2, 1836 — you should know what this significant date is all about, right? If you are indeed not smarter than a fifth grader, this casual gathering is an elementary school crash course in a rowdy yet casual grown up ambiance that observes a day that bestowed another flag to the Lone Star State.

    Two stages, eight bands, 10 plus Texas craft breweries and more than 30 beers comprise this party that celebrates Texas Independence Day.

    The skinny: Saturday, noon-10 p.m.; Cottonwood Bar; general admission tickets are $25; VIP tickets start at $45.

    Houston Ballet presents Young Person's Guide to the Orchestra

    The mixed repertory performance bows to artistic director Stanton Welch as he celebrates 10 years with the Houston Ballet. The program includes a diverse playbill of works past and present, all choreographed by Welch. The company premiere of one of Welch's earliest works, Of Blessed Memory (1991), honors his mother. Maninyas (1996) was the first commissioned ballet that introduced Welch to American audiences. It was Maninyas that first inspired then artistic director Ben Stevenson to recruit Welch to create works for Houston.

    But all the buzz is about the world premiere of Young Person's Guide to the Orchestra. The music by Benjamin Britten is an orchestral favorite as it introduces the prowess of each family of musical instruments. In a similar fashion, Welch's choreography spotlights the company in its entirety.

    The skinny: Runs through March 16; Wortham Theater Center; tickets start at $19.

    10th Annual Houston Jewish Film Festival

    Needless to say, you don't have to be of the faith to enjoy the two-week film festival's 10th anniversary season, which kicks off on Saturday with the opening night screening of Bethlehem. Director Yuval Adler's story of an unlikely friendship that develops between a secret service officer and an informant frames a universal truth about world issues: Nothing is as simple and clear cut as it seems.

    The curated collection of international documentaries, dramas, comedies and musicals conveys that themes of the human condition are omnipresent in all religions, cultures and ethnicities.

    The skinny: Saturday through March 23; Museum of Fine Arts, Houston, Evelyn Rubenstein Jewish Community Center and Holocaust Museum Houston; price varies by screening.

    Trekkie gear, Martian garb, space suits, Leia bikinis or the crew of Spaceballs are some of the suggested for "The Space Ball" benefiting Fresh Arts.

    "The Space Ball" benefiting Fresh Arts
    Courtesy photo
    Trekkie gear, Martian garb, space suits, Leia bikinis or the crew of Spaceballs are some of the suggested for "The Space Ball" benefiting Fresh Arts.
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    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

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