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    Mark your calendars

    The switch up: Houston arts group changes its name, unveils a new lineup of more engaging concerts

    Joel Luks
    Feb 26, 2014 | 9:00 am

    After more than five decades of the same old look, Houston Friends of Chamber Music is freshening up its stylings to better represent what the volunteer-led classical music presenter does best: Bringing only the crème de la crème of chamber music ensembles from around the world to the Bayou City.

    As Houston Friends of Chamber Music unveils the 2014-15 season, it also reveals a new modernist logo and a more concise name to sound the beginning of new tuneful adventures for concert goers — Chamber Music Houston. The name change will simplify how the organization's mission is communicated to Houstonians, particularly as Houston Friends of Chamber Music has been confused for a philanthropic venture that supports Rice University's Shepherd School of Music, which it isn't.

    "The name Chamber Music Houston is easy to remember, expresses clearly what we offer, and is in a continuity with our former name," Lucile Agaisse, chair of marketing and communications, tells CultureMap. "It fits well with our new, fresh look while indicating that the organization will continue bringing the world's most celebrated chamber music ensembles to Houston."

    The lineup of performances for 2014-15, aptly themed "New season. New name. New experience," promises to offer engaging concerts with more interaction between the guest artists and the audience, a hallmark of the intimate genre that can be lost in more traditional concert settings.

    HOUSTON DEBUTS

    The name Kavafian-Schub-Shifrin Trio (Nov. 11) — violinist Ani Kavafian, pianist Andre-Michel Schub and clarinetist David Shifrin — may imply the kind of conservatism associated with chamber music. But expect this program of 20th century jewels, including Bartok's Contrasts and Bolcom's Afternoon Cakewalk, to evince why this 25-year-old hyper-virtuoso ensemble has been praised for its intriguing programming and fierce integrity.

    Friends Philippe Bernhard, Loïc Rio, Laurent Marfaing and François Kieffer comprise the Modigliani Quartet (April 9, 2015). It only took one year after the group formed in 2003 to earned international recognition, winning the Frits Philips String Quartet competition in 2004 and then the Young Concert Artists Auditions in New York in 2006. The "fab foursome" (Seattle Times) will perform Mozart's Quartet in D Minor, K. 421, Shostakovich's Quartet No 1 in C Minor and Dohnányi's Quartet No. 3 in A Minor.

    NEW FAVORITES

    The Austin-based Miró Quartet (Sept. 16) opens the Chamber Music Houston season. After last year's sincere and virile performance, consider this engagement as a sign that Chamber Music Houston has settled on a new favorite. Haydn's String Quartet in D minor, Op. 76, No. 2 "Fifths" plus Schuller's Houston premiere of his Quartet No. 5 are complemented by Schubert's famed Quartet in D Minor "Death and the Maiden." Music nerds will of course be wondering how the Miró will treat the opening of Schubert's work: To down bow or to up bow? That is the question.

    Cantus (Feb. 10, 2015) made its Chamber Music Houston debut in 2008. No word yet on the playbill for this men's a cappella troupe, but we suspect a melange of introspective choral, carefree songs and powerful scores performed with a superhuman breath of colors and textures.

    The Jupiter String Quartet (Dec. 2), which made its Chamber Music Houston debut in 2008, will be joined by violist James Dunham for Brahms' String Quintet in G Major. Also on the program are Schubert's Quartet in A Minor "Rosamunde" and Beethoven's String Quartet in F Major, Op. 135.

    GOOD OLE FRIENDS

    The Vienna Trio (March 10, 2015) returns for its fourth appearance with Chamber Music Houston. An evening of Austro-German works by Mozart, Schumann and Mendelssohn will test the threesome's "telepathic gifts of communications" (The Plain Dealer). We can only hope that Chamber Music Houston supplements the performance with Sachertorte at the reception. Too much to ask?

    The Canadian Brass (Jan. 20, 2015) should need to introduction. Arguably the world's most recognized brass quintet, these musicians are always out and about with concert programs that surprise and entertain, eh?

    Noted for dramatic and powerful performances, the Jerusalem Quartet (Oct. 21) returns with Beethoven's String Quartet in A Major, Op. 18, No. 5, Bartok's String Quartet No. 2 and Ravel's String Quartet in F Major.

    ENCORE, PLEASE

    At the current season's finale concert, set for April 29, Houston audiences will finally hear the new version of the Emerson since cellist David Finckel retired. With reviews that describe the veteran musicians plus cellist Paul Watkins as having a "new burst of energy," Chamber Music Houston once again hires the Emerson String Quartet (April 30, 2015) for the big bang of a curtain call.

    ___

    Chamber Music Houston full season subscriptions start at $185 for adults, $167 for seniors and $92.50 for students. Subscription packages ranging from three to seven concerts are available starting at $70 for adults and $63 for seniors. Tickets may be purchased online or by calling 713-348-5400.

    Philippe Bernhard, Loïc Rio, Laurent Marfaing and François Kieffer comprise the Modigliani Quartet.

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    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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