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    Worthy Symphony Valentine

    Loving Manilow's Mini-Me: Aiken stays true to the music while Lambert chasesfame

    Michael D. Clark
    Feb 14, 2011 | 11:46 am
    • Clay Aiken knows that he has to perform. Often.
    • Clay Aiken at Jones Hall on Monday

    Anybody vaguely familiar with my past summations of Adam Lambert and Susan Boyle might think I have nothing but venom to serve up for past American Idol's who perform in our fair city.

    Then again, you might be surprised by my new-found respect for Mr. Clay Aiken (aka Barry Manilow's Mini-Me) who performs at Jones Hall Valentine's Day night in a Houston Symphony presentation.

    Yes, it is true that I think the American Idol formula for star making is manipulative in the same way that I think Geico commercials make people think lizards are cute: Expose the masses to enough propaganda and they will eventually buy it.

    How else to explain seven Saw movies or an upcoming fourth season of Jersey Shore?

    But while other past Idols like Adam Lambert and Susan Boyle (she was on the English version, Britain's Got Talent) spent their Sunday evening waiting to see their dreams of Grammy gold dashed (and while another, Fantasia, actually won a Grammy against perhaps the weakest best female R&B vocal performance field in history), Aiken was packing his bags or already en route to Houston.

    Perhaps Aiken, the Season 2 runner up, has now discovered what Idol's two most legitimate past talents, Kelly Clarkson and Carrie Underwood, already know: To be a superstar with a sustainable career (as opposed to a one-hit wonder) one can't spend their life on red carpets talking to Ryan Seacrest and hoping to get their picture taken with Justin Bieber. One has to perform.

    A lot.

    In as many cities as possible. To as many people as possible. In as many venues that will sell tickets and promote the show.

    Clarkson and Underwood know this and it's no accident that they are the only past Idol's with multiple Grammys on the fireplace mantle.

    Aiken is starting to get it too. With his latest album, Tried and True, he has finally found his niche, reworking classic tunes from the '50s and '60s like "Mack the Knife" and "Unchained Melody." When Aiken's tried and true was released last summer, Tried and True debuted at No. 9 on the Billboard 200 albums. That's high enough to make Michael Buble notice the competition.

    If Aiken continues pursuing these recordings and keeps touring like a man who aspires to be the next Rod Stewart, Steve Tyrell ... or even Barry Manilow, I think it's highly probably that some future invitations to the Grammys could be in the cards for him.

    See that? Never let it be said that I don't have anything nice to say about American Idol alumni.

    Clay Aiken presented by the Houston Symphony, 7:30 p.m. at Jones Hall for the Performing Arts

    Tickets: $39.00-$89.00

    The Symphony is also offering special Valentine's Day packages that include a four-course dinner and a glass of wine at Lancaster that run from $79.99 to $129.99 depending on where you want to sit.
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    news/arts

    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

    houston balletbusiness
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