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    Calendar Highlights

    World premieres and big productions highlight new season at Ballet, Symphony, Opera and TUTS

    Tarra Gaines
    Feb 6, 2017 | 1:07 pm

    While the rest of Houston had our plates full with our diligent Super Bowl preparations (aka: we were partying), the major performing arts institutions of the Downtown Theater District were hard at work putting together their 2017-2018 seasons. The Houston Ballet, Houston Symphony and Houston Grand Opera, along with Theatre Under the Stars have now all announced their upcoming arts year of dance, music and drama.

    With these productions, you could almost spend every night downtown watching world class performing art, so check out their full seasons announcements. But if you’re looking for a cheat sheet, we've spotted some trends in these seasons and already know some of the highlights we won't want to miss.

    World Premieres
    Peruvian-born composer Jimmy López becomes the Houston Symphony’s new composer-in-residence, and to celebrate (September 22-24, 2017) Andrés Orozco-Estrada conducts the world premiere of López’s Violin Concerto that he composed for violinist Leticia Moreno and the Houston Symphony. The program also includes two Romantic symphonies by Schumann, Symphony No. 1, Spring and Symphony No. 2.

    Not exactly a world premiere, but Theater Under The Stars opens its 2017-2018 season on October 10 with the Broadway-bound revival of The Secret Garden which was a hit when it premiered in Washington D.C. The original Tony-winning musical with book and lyrics by Marsha Norman and music by Lucy Simon ran for 709 performances after its premiered in the early '90s. This brand new revival contains revisions from director David Armstrong and the original creative team. See it before New York does.

    Houston Grand Opera continues its annual new holiday opera series (November 30–December 17, 2017) with the world premiere of The House without a Christmas Tree based on 1972 television movie. From the composer/librettist team of Ricky Ian Gordon and Royce Vavrek, this brand new production will feature HGO Studio alumni soprano Lauren Snouffer and baritone Daniel Belchercomes as a daughter and father trying to come to an understanding about Christmas and family history.

    In the spring of 2018, the Houston Ballet debuts the new work by artistic director Stanton Welch as part Rock, Roll & Tutus (March 8-18), its evening of contemporary dance. Along with Welch’s Songs of Last Century, this international mixed repertoire event also includes the North American debut of Filigree and Shadow by another Australian choreographer, Tim Harbour and the humorous Tulle from Swedish choreographer Alexander Ekman.

    Old Favorites
    Next winter (January 19-February 2, 2018), we’ll see that daddy issues aren’t just a guy thing as HGO artistic and music director Patrick Summers conducts and Nick Sandys directs the revival of David McVicar’s production of Richard Strauss’s Elektra. This will be the first performances of Strauss’s one-act modernist opera from HGO in 25 years. Opera lovers will no doubt also welcomes back Soprano Christine Goerke, who received raves as Elektra in concert with the Boston Symphony Orchestra at Carnegie Hall and wowed Houston as Brünnhilde in HGO’s first Ring cycle (2014–17).

    After a 12-year hiatus, the Houston Ballet brings back Ben Stevenson’s Don Quixote. That inspiring, questing knight returns to tilt at windmills as he tries to win the love of Dulcinea once more while closing out the Ballet’s 2017-2018 season (June 7-17, 2018).

    Meanwhile, also in the summer of 2018 (June 12-24) over at the Hobby Center, we’ll find lots of boat rocking as TUTS brings back the classic American musical Guys and Dolls and that love rumble between gangsters, gamblers and upright women. TUTS director Nick DeGruccio, who directed last year’s In the Heights to exuberant reviews, has modern reimagining plans for the beloved musical born in the 1950s.

    Birthday Jamming with Lenny
    2018 marks the hundred years since the birth of iconic American composer and conductor, Leonard Bernstein, and both the Houston Symphony and Houston Grand Opera will be celebrating the centennial with special performances.

    In February and March of 2018, look for Bernstein three times on the Houston Symphony schedule including his Serenade for Violin and Orchestra, featuring master violinist, Hilary Hahn, on February 23-25 and his Symphony No. 2, The Age of Anxiety during the Easter and Passover season beginning on March 29.

    Meanwhile HGO tries the unprecedented, to be the first major American opera house to present one of the most beloved musicals of all time, Leonard Bernstein, Stephen Sondheim, and Jerome Robbins’s magnificent West Side Story (April 20–May 6, 2018). Directed by Francesca Zambello the production will feature HGO Studio alumni soprano Andrea Carroll and tenor Norman Reinhardt.

    Can’t-Miss Big Productions
    HGO always makes a big seasonal entrance, and this fall (October 20­–November 11, 2017) will be no exception with Verdi’s romantic opera, La traviata, Celebrated off-Broadway director Arin Arbus, who made her opera directorial debut with the 2012 HGO production of The Rape of Lucretia, stages this new production with Eun Sun Kim, making her American debut, conducting.

    Though this theatrical sun got eclipsed by Hamilton in 2016, Bright Star from Steve Martin and Edie Brickell held its own with five Tony nominations including best musical. Set in the south during the 1920s and '40s, this nostalgic love tale brought blue grass, banjos and fiddles to Broadway and next year (March 13-25, 2018) to Houston.

    As part of the Houston Symphony’s “Margaret Alkek Williams Sound + Vision” series Stravinsky’s Rite of Spring goes all in on immersive concerts as conductor Andrés Orozco-Estrada, choreographer Klaus Obermaier and the artistic-scientific think tank Ars Electronica Futurelab collaborate to bring lighting, video, dance 3-D visual effects to this Rite experience. (May 18-20, 2018)

    Quirky Fun
    For many years, holiday Panto has been a staple each December at Stages Theatre and now TUTS is getting in on the British-Christmas-tradition action with Sleeping Beauty and Her Winter Knight (December 6 - 24, 2017). Sleeping Beauty brings fairy tale fun for all ages along with a contemporary score and songs originally performed by Blondie, Bruno Mars, John Legend, Katy Perry, Mariah Carey. TUTS advises we should also be on the look out for local celebrities and comedy tailored to Houston audiences.

    Expect lots of fun concerts on the horizon from the Houston Symphony Pops and special series, including Totally ’80s! (October 6-8) and a showing of Alfred Hitchcock’s Psycho with live orchestra accompaniment, but we’re especially looking forward to that Amazonian songstress and Pink Martini member, Storm Large, singing all of our favorite one-then-done pop hits in a concert succinctly titled One-Hit Wonders (May 25-27, 2018). Get ready for hits like “Come on Eileen,” “Walking in Memphis and “Take on Me,” that we know all the words to but probably haven’t the slightest clue who first sang them.

    In March 2018, Theatre Under The Stars offers the multiple Tony-nominee Bright Star created by Steve Martin and Edie Brickell.

    Broadway cast of Bright Star
    Photo by Joan Marcus
    In March 2018, Theatre Under The Stars offers the multiple Tony-nominee Bright Star created by Steve Martin and Edie Brickell.
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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