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    Calendar Closeup

    Your weekly guide to Houston: Five (plus) don't-miss events — from pig feast to Mardi Gras

    Joel Luks
    Feb 6, 2015 | 11:50 am

    "I'm too busy." "I need more sleep." "I am stressed at work." "My boss is riding my derrière" — ugh, I've heard it all, folks.

    I am here to tell you to stop your kvetching. While you complain about life's woes, cool stuff is happening all around you, the kind of stuff that would bring a smile to your face. And I am confident my suggestions for what to do this week below will do that.

    Mardi Gras Galveston 2015

    With the weather having been so doom and gloom you may have forgotten that one big fat party is about to take over Galveston Island. Parades, balcony parties, concerts by Delta Rae and Danielle Bradbery and a ridiculous number of other talented musicians and a myriad other shenanigans are on tap for the two-weekend revelry. Check out the schedule here and plan head.

    Just remember to keep it classy (ish). If you have to show your boobs make sure they don't end up in a meme.

    The skinny: Friday through Feb. 17; participating venues in Galveston; prices vary by event.

    Alley Theatre presents As You Like It

    While not my favorite Shakespeare play — it's one of those convoluted scripts with way too many characters that make you go, "huh?" — Alley Theatre artistic director Gregory Boyd's take on The Bard never disappoints, particularly with comedies. You will gasp at the opulent monochromatic costumes and cackle at the contemporary allusions while falling in love with how fabulous Elizabeth Bunch, Chris Hutchinson and Todd Waite are in their respective roles.

    The skinny: Now through Feb. 22; Wortham Theatre at the University of Houston; tickets start at $26.

    Mildred's Umbrella Theatre Company presents Cloud Tectonics

    What starts as a contemporary fairy tale — perhaps what the Brothers Grimm would have penned had they lived in California and had they smoked too much weed — morphs into a really bizarre series of events that end exactly where they begun. Is time relative? Do you find pregnant women sexy? Does being in love screw around with your sense of what's real and what's imaginary?

    Mildred's artistic director Jennifer Decker directs this hypnotizing work, with a cast that includes Patricia Duran, Greg Dean and Darnea Olson.

    The skinny: Now through Saturday; Studio 101 at Spring Street Studios; $20 general admission $12 students, seniors and industry professionals.

    Houston African Film Festival

    With countless local film festivals that spotlight almost every culture imaginable, it was about time that someone brought to Houston a series that puts the second-most populous continent on the silver screen. The Houston Museum of African American Culture, in partnership with the Silicon Valley African Film Festival, to the rescue with a first-ever for Houston, a weekend of full-length features, shorts and documentaries and animated films that hail from Africa.

    The curated lineup focuses on first-voice works. That is, stories told by filmmakers from Africa about their world, experiences, culture, struggles and joys — from their point of view.

    The skinny: Friday through Sunday; Houston Museum of African American Culture; passes start at $25.

    Flower Man Day

    You couldn't help but smile in the presence of Houston's "Flower Man." Cleveland Turner's personal story of homelessness turned into creativity touched the hearts of everyone who cared to listen. And many did indeed listen. When Turner died in December 2013, he left an incredible found-art environment that was his house at 3239 Simmons St. Due to toxic mold creeping over many of the artifacts and the building, his home has to be demolished.

    Flower Man Day is a ceremony that celebrates his life and spirit. Alongside remarks, activities and performances, the event includes the demolition of the property. Time to say goodbye to his earthly posessions, but not to his charisma. That will stay with us as long as we live.

    The skinny: Saturday, 10 a.m.; Project Row Houses; free.

    Staff writer and resident gourmand Eric Sandler's pick: Cochon 555

    Eric says, "Five of Houston's most pork-obsessed chefs will be battling head to head in this culinary competition that celebrates heritage pigs, thoughtful cooking and well-crafted alcohol. Each of the chefs has been given a whole pig to turn into a maximum of six dishes to impress a panel of judges that includes both media members and their fellow chefs.

    "If that isn't enough, attendees will also get to sample a tartare bar manned by Oxheart's Justin Yu (serving meat?!?), oysters, cocktails and a live butcher demonstration. These tickets aren't cheap, but they would make a great early Valentine's Day present for someone who's obsessed with food."

    The skinny: Sunday, 4 p.m. (VIP) or 5 p.m.; JW Marriott downtown; $125 or $200.

    Parades, balcony parties, concerts by Delta Rae and Danielle Bradbery and other shenanigans are on tap for Mardi Gras Galveston.

    29th Annual Mardi Gras Ball
    Photo courtesy of Mardi Gras Galveston
    Parades, balcony parties, concerts by Delta Rae and Danielle Bradbery and other shenanigans are on tap for Mardi Gras Galveston.
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    Houston museum sounds off after vandals deface artist's painting

    Jef Rouner
    Jun 9, 2026 | 4:00 pm
    Clarence Heyward painting with damage at HMAAC
    Photo courtesy of HMAAC
    Clarence Heyward's Man in the Garden was intentionally damaged

    The Houston Museum of African American Culture (HMAAC) announced on Monday, June 8, that a museum visitor intentionally damaged one of its paintings on May 21. The damage included a puncture and large cut or scrape in a painting by North Carolina artist Clarence Heyward called Man in the Garden, part of the EDEN exhibition in the downstairs gallery.

    HMAAC CEO Emeritus and exhibition curator John Guess Jr. held a press conference at the museum on Tuesday, June 9, and said the vandalism was representative of continued bigoted attitudes in Houston.

    "If we're honest about it, this is a very racist town," he said. "We're the fourth-most economically segregated city in the country. Houston has the highest poverty rate of any of the 25 metropolitan cities. And no one talks about that.This town itself has some serious issues. We're demographically diverse, but we remain segregated."

    According to Guess, two young white men entered the museum carrying a large bag. They visited an exhibition of Kandy G. Lopez's work upstairs, where they asked a staff member to take a picture of them in front of a painting. When the staff member obliged, the two men made an obscene gesture at the work.

    Later, they briefly went downstair to the Heyward exhibit before quickly leaving. Afterwards, staff discovered the defacement. Unfortunately, the museum's cameras had malfunctioned the day before the attack, and a work order to repair them was placed hours before the suspects arrived.

    HMAAC says they have filed a report with HPD, but have not yet heard of any movement in the case. This incident is the first time that HMAAC has had a work defaced, though there have been previous incidences of threats against the museum in its logbook. A man also showed up at the museum in the past with a Bible claiming that God had told him to take vengeance on the museum, though he was removed before he caused any damage.

    After initially taking the painting down to start reconstruction, the museum said they returned it on the wall to illustrate the damage. Guess compared leaving the marred painting up to the mother of Emmett Till's mother insisting on an open casket funeral after her son was abducted and lynched. The exhibition ended Saturday.

    Heyward's painting highlights one of his signature techniques of portraying Black people, specifically his family members, with green skin. In his artist statement, the Brooklyn-born Heyward describes the techniques as linking skin tone to the cinematic process of green screening, where green backgrounds are used to project computer-generated new realities. "This provides an alternative entry into the conversation of existing while Black in America," he said in the statement.

    HMAAC vowed to continue displaying works by Black artists despite the vandalism.

    "Our immediate priority is supporting the artist and ensuring the proper restoration of the work,'" said CEO Davinia Reed in a statement. "At the same time, we remain committed to presenting exhibitions that encourage learning, reflection, and dialogue. Acts intended to intimidate, censor, or damage cultural expression will not deter us from our mission."


    Clarence Heyward painting with damage at HMAAC

    Photo courtesy of HMAAC

    Clarence Heyward's Man in the Garden was intentionally damaged

    museums
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