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    Pick Five (Plus)

    Your weekly guide to Houston: Opera arias, Irish stew & Darwin Deez

    Joel Luks
    Feb 2, 2011 | 3:13 pm
    • Darwin Deez at Fitzgerald's Friday
    • At Opera in the Heights, "Don Carlo" with Emily Newton as Queen Elisabetta
      Photo by Gwen Turner Juarez
    • Society for the Performing Arts: Ladysmith Black Mambazo performs Friday

    There was a lot of opera this week and in my humble opinion, it’s a good thing.

    Houston Grand Opera’s Lucia di Lammermoor opened with a bang as soprano Albina Shagimuratova redefined “crazy diva” in her interpretation of the traumatized bipolar title role. CultureMap opera divo,Ted Bale, thought so. The Moores Opera Center explored 3D technology in Mozart’s Magic Flute, making the fantasy story a little more believable than the composer could have staged with period technology. And Dead Man Walking kept on chilling audiences with Heggie’s realistic account of an execution by lethal injection.

    On a happier note, Diverseworks “Industry Night” was a blast. Giving the creative community, its supporters and fans an opportunity to co-mingle while looking at pictures of clowns peeing in what could be interpreted as grandmas-gone-wild newly decorated home/exhibit, I was more preoccupied with playing “paw” with Lemonade Day's social media maven Mandy Graessle’s new and adorable pup and talking to Diverseworks' Public Relations & Marketing Manager Shawna Forney’s three-legged dog. That just screams Diverseworks to me.

    And the conversation wasn’t disappointing.

    Other Sightings? Spacetaker’s Jenni-Rebecca Stephenson and K.C. Scharnberg, James Phelan, Sixto Wagan, Elizabeth Sosa and CultureMap’s sales gurus Chad Miller and Marielle Johnson Sokolowski (Mari), who bought me a beer (hugs).

    Thanks to Monica Danna (aka @cosmopolitician), I discovered wine-on-tap and an awesome place where you can make your own: Vintner’s Own, right here in The Heights.

    Our own food connoisseur Sarah Rufca checked out a Girl Scout cookie dessert contest while CultureMap’s sassy social media editor Fayza Elmostehi planned yet another adventure race. Happy and healthy Marci Gilbert was all over the Houston Marathon giving us tips on how to best support our fellow runners.

    It was a busy week, and this week isn’t letting up, and we like it that way.

    Houston Grand Opera’s "Concert of Arias"
    I know I have been talking abundantly about HGO lately. This is something that although may cost you a few bucks, it’s worth your dime. A type of operatic American Idol, HGO presents up-and-coming singers to a friendly competition, also bringing the audience to partake in choosing their favorite. Last year's competition winner and audience favorite, countertenor Anthony Roth Costanzo, had me at hello, but it sounded more like “Aure, deh per pietà” from Handel’s Guilio Cesare. Thursday at 6 p.m.

    Houston Symphony presents Gil Shaham and Beethoven Symphony No. 7
    Gil Shaham comes from a freak family of talented yet humble musicians. His sister Orli, a ridiculous pianist. Gil has a little bit of that Mathew Broderick syndrome: He never ages, always looks cute, young and innocent (check out his butt). Put a violin in his hands and one can’t help just fall for his musicianship. Throw in a beloved Beethoven Symphony — the second movement has been quoted many times in popular music — and you have a must-see program. Thursday, Saturday and Sunday.

    Society for the Performing Arts: Ladysmith Black Mambazo
    There is something about the open sonorities of this vocal ensemble that exemplifies the incredible spirit of South African music. Having stood the test of time, Ladysmith Black Mambazo has been around for 50 or so years and sung for such notables as Queen of England and Pope John Paul, II. That means they should exercise their vocal chords for you as well. You are worthy. Friday at 8 p.m.

    Houston Arboretum and Natural Center class: Edible Wild Plants
    I have been spending more and more time at the Houston Arboretum and must report that their program offerings are quite diverse. This class focuses on local plants you can identify grow and eat. Throw them in a salad or maybe use them as gorgeous colorful garnishes. Bring your own lunch, comfortable walking shoes and bug repellent. Saturday morning.

    Houston Young People for the Arts (HYPA) Gala "Andalusional: A Spanish Dream World"
    I’ll be out of town for this one (emcee and friend Chris Johnson has already given me enough grief) but in my absence, you should go. Last year’s Indian-themed gala sent me to the depths of the Harwin area in search for the perfect Indian outfit and scarf. This year, HYPA's Executive Director Heather Pray honors Kathryn Lott Neumann as they continue to encourage young professionals to partake in Houston’s diverse art scene. And you get to wear exotic Spanish garb as the theme is aligned with the Houston Symphony’s Ravel’s Bolero and Rhapsodie Espagnole concert. Olé! I say. Saturday at 7 p.m.

    And my colleagues picks:

    Indie music guru Jennifer Patterson's pick: Darwin Deez at Fitzgerald's
    Jennifer says: "This one-man show looks like a curly Devendra Banhart and sounds like a calmed-down Julian Casablancas. I was sold as soon as I heard 'Bad Day,' in which he sings to an anonymous frenemy, 'If you drop your keys/ I hope there’s a sewer very nearby,' and 'I would like to be your girlfriend/ so that I could dump you.' He’s not bitter or wishing death on an ex (that’s so tired). Instead, he just hopes a certain acquaintance of his leaves the windows down when it rains." Friday.

    Art columnist Nancy Wozny's pick: Opera in the Heights' Don Carlo
    Nancy says: "I'm jazzed about Don Carlo at Opera in the Heights for several reasons: It's directed by Brian Byrnes, who rocked the OH! house last season in his direction of La Bohème, his very first opera; the role of Elisabetta is sung by rising star and Lake Jackson native Emily Newton, who heads directly to the Metropolitan Opera to cover (operaese for understudy) Ortlinde in Die Walküre; and it's conducted by Enrique Carréon-Robledo, who is making is OH! debut and up for the job of artistic director." Through Saturday.

    Assistant Editor and bar savant Caroline Gallay's pick: Fourth Annual Rory Miggins Memorial Irish Stew Cookoff at the Continental Club
    Caroline says: "The annual cook-off, which begins at noon, remembers the son of one of Houston's oldest and most prominent Irish families. Miggins was a great music lover and this annual pre-event to the Saint Paddy's Day parade celebrates that with music from the Blaggards, Irish stew and other goodies from long-time competitors and, obviously, plenty of Jameson and Guinness." Saturday at noon.

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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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