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    Let's Talk

    Anna Deavere Smith sparks discussion of life, death, and dignity in Let Me Down Easy

    Tarra Gaines
    Jan 25, 2017 | 10:30 am

    An evening centered around death and dying would not usually also be filled with laughter and joy, but then the Baylor College of Medicine Center for Medical Ethics and Health Policy didn’t ask just anyone to headline their annual bioethics outreach event; they invited acclaimed playwright, author and film and television actress Anna Deavere Smith.

    Though for decades, Smith has been that frequent television guest star who commands every scene on shows like Black-ish, Nurse Jackie and The West Wing, the Tony and Pulitzer nominee’s plays have won her just as much renown. For this special event, An Evening with Anna Deavere Smith, The Center for Medical Ethics and Health Policy asked the actress/playwright to perform excerpts from her one-woman show Let Me Down Easy, and so to depict through drama that fundamental human need to live and die with dignity.

    Each year the Baylor’s Center for Medical Ethics offers a public outreach program that uses entertainment and arts to raise awareness of different bioethical issues. This year’s focus on the resilience of the human spirit and quality of life issues during life-threatening circumstances might at first seem rather abstract, but when seen through the perspectives of Smith’s characters, all based on real people, those issues become moving drama that we all can comprehend and find connections with in our own lives.

    As she has done with many of her previous plays, Smith spent years conducting hundreds of interviews, including in the Texas Medical Center, to get a better understanding of how humans deal with health, illness and death. She then wove those voices together to create Let Me Down Easy.

    In the excerpts she performed for the sold-out event at the Wortham Center, Smith portrayed doctors, patients, the late movie critic Joel Siegal, Governor Ann Richards and Matthieu Ricard,a writer and Buddhist monk, all of whom she interviewed for the project. None of the people she depicted had one definitive answer to that eternal question of mortality but taken together they give hope and solace even as they continued to question and live, sometimes as they prepared to take that final step through death’s doorway.

    The evening continued with a panel discussion moderated by Houston Public Media host Ernie Manouse, and consisting of Smith; Dr. Alicia Monroe, provost and senior vice president for academic and faculty affairs at Baylor College of Medicine, and Amy McGuire, director of the Center for Medical Ethics and Health Policy at Baylor College of Medicine. The final panelist, Dr. Eduardo Bruera, chair of department of Palliative Care and Rehabilitation Medicine at MD Anderson Cancer Center, was also one of the interviewees Smith had just portrayed in her play. Together, the panel members furthered the discussion on how we can live and die well.

    For 400 members of the audience, that discussion continued over dinner in the Wortham Center Grand Foyer. With open-seating and a conversation facilitator at each table, guests of different ages and from diverse backgrounds pondered those questions of life, death and dignity that concerns us all and connects us together. With stories and ideas shared at the dinner table, the dialog about death amid life continued late into the evening and, likely for some, into the weeks ahead.

    Anna Deavere Smith performed excerpts from her docudrama Let Me Down Easy at the event present by the Baylor College of Medicine Center for Medical Ethics and Health Policy.

    Anna Deavere Smith
    Photo courtesy of Baylor College of Medicine's Center for Medical Ethics and Health Policy
    Anna Deavere Smith performed excerpts from her docudrama Let Me Down Easy at the event present by the Baylor College of Medicine Center for Medical Ethics and Health Policy.
    theater
    news/arts

    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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