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    best january art

    9 vivid and eye-catching January art events no Houstonian should miss

    Tarra Gaines
    Jan 11, 2022 | 9:50 am

    New art exhibitions tend to hibernation in January before blooming in the spring, but the month also gives us a chance to catch up those big blockbusters sets to close soon. Yet this new year brings unusual art surprises as vast as outer space.

    From another kind of starry night immersive VR experience to steamrolled prints to the ultimate recycling art projects, we’ve got a lot of artistic ingenuity and innovation to see this month. Plus, Rice’s Moody Center puts on a sonic inspired show to celebrate its fifth anniversary.

    “The Infinite” at Sawyer Yards (January 13-February 20)
    The latest virtual reality multimedia experience to hit town previewed in December, but we’re ready to hop aboard for the official launch now. As CultureMap editor Steven Devadanam describes in our preview: This sprawling, 12,500-square-foot exhibition shuttles viewers into a never-before-seen perspective of life on the ISS, bringing an almost-too-real feeling of being in outer space.

    Along with the state of the art immersive rooms, look also for a large scale light installation from experimental electronic composer and visual artist Ryoji Ikeda that will mimic the experience of weightlessness and floating in the vast expanse of space.

    “Steamrolled VIII” at The Printing Museum (January 13-March 5)
    Back in October, Texas artists were invited to bring a carved 3-foot by 5-foot woodblock, which were inked and printed using a 2-ton steamroller as a printing press for PrintMatter’s steamroller event.

    Now the state can get a look at what art the steamroller wrought, with considerable help from the artists themselves, Sally Worthington,Yannina Taboada, Evan Leigh Rottet, Kenny Lantz, Sean Adler, Jesus De La Garza, Leaman Green, Gloria Sanchez-Hart, Robert James, Jessica Snow, Eileen McClellan, William Pangburn, Katarina Guzman, Chayla De La Garza, Exquisite Corpse Crew, and Andis Applewhite.

    “Materials of Empire: Colonial Narratives 1700-1860” at Museum of Fine Arts, Rienzi (January 15-July 31)
    This new exhibition, organized from objects in the Rienzi Collection, sheds light on the links between Europe, Africa, the Americas, and India.

    The exhibition examines the complex stories of exploration, war and scientific expeditions, and religious missions that objects reveal as well as conceal, and places them within the context of entangled legacies and experiences of empire.

    “The Body as Memory” at Foto Relevance (January 15-March 19)
    This group exhibition featuring the work of Nick Simko, Gabriel García Román, and Caleb Cole, explores concepts of identity and queerness, both reaching into the past and looking toward the future.

    The show investigates the ways in which the body interacts with the environment around it - the cultures it is born into, how it is viewed, how it views itself within that context, and how it imagines itself.

    “Undeniable” at Galveston Arts Center (January 15-April 17)
    This new 10-year survey of local artist, Nick Barbee's, paintings, sculptures and collages spans his creative years in Galveston. With his studio practice centering around historical figures and narratives, he often uses mundane objects with some personal connection to these histories.

    While Barbee’s art delves into times, places, and objects from the past, the mutual influence of a place like Galveston over the past decade is also evident.

    “Rings! 1968 – 2021” at Houston Center for Contemporary Craft (January 22-March 12)
    Showcasing a bling-fest of very wearable art, this exhibition captures the avant-garde notions of contemporary jewelry and represent the almost limitless potential of what a ring can be.

    The show dons a selection of over 100 rings with a range of creation techniques from traditional metalsmithing to experimental materials and examines the diversity of the cultural, political, and personal meanings a ring can possess.

    “Full Metal Jacket Diary” at Alta Arts (January 22-March 5)
    Cinephiles as well as photography-lovers might want to check out this show from actor/director Matthew Modine. The exhibition features large scale aluminum prints of photographs Modine took taken on the set of Stanley Kubrick’s 1987, now classic, war film, Full Metal Jacket.

    Ranging from candid photographs of actors and crew, scenes in progress, pyrotechnics, Kubrick, and of Modine himself, the images give insight into the making of the film while simultaneously speaking to the histories of photography, journalism, and war. Modine is scheduled for an in-person artist talk for the opening at Alta.

    “Soundwaves: Experimental Strategies in Art + Music” at Moody Center for the Arts (January 28 - May 14)
    Rice University’s interdisciplinary art haven begins its 5th anniversary season with this group show of contemporary artists who work at a sight and sound sensory intersection, where the sonic meets and influences visual arts.

    With some site-specific world premiere artworks and completed pieces specifically selected for the show, look for contributions by award-winning innovators like Nevin Aladağ, Raven Chacon, Jamal Cyrus, Spencer Finch, Idris Khan, Christine Sun Kim, Trevor Paglen, Anri Sala, Jason Moran and Jorinde Voigt. The show explores a range of themes from perception, memory, and the passage of time to our relationship to technology and the environment, and the struggle for racial justice and social change.

    “Nothing Goes to Waste” at Houston Center for Contemporary Craft (January 29-May 7)
    This themed show’s title explains it all with a survey of artists who create using scraps, castoffs and reused and repurposed materials from ceramic shards, cut paper, and marble remnants, and even plastic bags and postal security envelopes.

    HCCC states the exhibition will explore how salvaged material can inspire creativity and provoke curiosity about the impact various industrial and artistic processes have on the ecology of the planet. “Now, more than ever, we need to reevaluate how materials are collected and utilized in order to ensure the health and longevity of our planet,” says HCCC curator Kathryn Hall.

    Rice University's Moody Center celebrates its 5th anniversary with "Soundwaves: Experimental Strategies in Art + Music."

    "Soundwaves: Experimental Strategies in Art + Music" opening reception
    Photo courtesy of The Moody Center for the Arts
    Rice University's Moody Center celebrates its 5th anniversary with "Soundwaves: Experimental Strategies in Art + Music."
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    raise the baton

    Prestigious international conductor competition will debut in Houston

    Joel Luks
    Jan 23, 2026 | 4:00 pm
    Van Cliburn Conductor Competition
    Photo by Clayton Stephenson
    Conductor Marin Alsop will lead the judging panel.

    Houston is about to get a new baton in town, and this one comes with international ambitions.

    The Cliburn has announced the launch of the Cliburn International Competition for Conductors.

    Classical music cognoscenti might be asking what this has to do with Houston. After all, the Van Cliburn International Piano Competition has long been synonymous with Fort Worth. The answer lies in legacy, logistics, and a bit of full-circle musical fate: Houston is home to a world-class orchestra, a premier music school, and a deep-rooted connection to Van Cliburn himself, who made his orchestral debut here at age 12.

    The new program is set to debut in June 2028 in Houston. So there it is.

    Open to conductors ages 21 to 35, the competition marks the first major international conducting competition in North America, placing the city on the global podium for emerging musical leadership.

    The new initiative is a collaboration between The Cliburn, the Houston Symphony, and the Shepherd School of Music at Rice University. The Houston Symphony will perform with all competitors.

    “The event will bring people to Houston from around the world, enhancing our reputation as an international city with a thriving arts and cultural sector,” Gary Ginstling, executive director and CEO of the Houston Symphony, tells CultureMap.

    Competition rounds will take place at both the Shepherd School and Jesse H. Jones Hall for the Performing Arts.

    “Collaborations like this are central to who we are as a university,” Matthew Loden, dean of the Shepherd School of Music, says. “They build on a deep network of relationships we’ve established with renowned arts organizations in Texas and around the world, and they strengthen the multifaceted programs already in place at Shepherd.

    Loden frames Houston — and Texas more broadly — as uniquely positioned to lead in the arts. Often dubbed the Third Coast, he sees the region as more than a participant in the global cultural conversation. Instead, he views Texas as actively shaping a growing center for artistic innovation, making Houston a fitting home for the first major international conducting competition in North America. It’s a point of pride, he notes, but hardly a surprise.

    At the helm of the jury will be Marin Alsop, who also conducted the 2022 and 2025 Van Cliburn International Piano Competitions. An artistic advisory committee stacked with conducting prowess will help shape the competition’s structure and repertoire, including former Fort Worth Symphony Orchestra music director Miguel Harth-Bedoya (Shepherd’s resident director of orchestras), current Fort Worth Symphony Orchestra music director Robert Spano, Kent Nagano, Juraj Valčuha (Houston Symphony music director), and Xian Zhang.

    Applications will open in October 2026, with submissions due in November 2027. A screening jury will narrow the pool to as many as 25 applicants for live auditions in early 2028, ultimately selecting 12 competitors. All rounds will be open to the public, with tickets going on sale in early 2028, and performances livestreamed to a global audience.

    One grand prize winner will receive $50,000, concert engagements, and enhanced career support, while finalists will each earn $20,000.

    Building on the Cliburn’s digital reach, more than 100 million video views across 180 countries in recent years, the new competition aims to be a launchpad for the next generation of maestros, with Houston as the overture.

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