Houston Ballet’s fall repertory program features a world premiere by Stanton Welch to the music of Paul Hindemith alongside company premieres by two of the 20th century’s greatest choreographers. European master Jiří Kylián’s Falling Angels is a mesmerizing study in motion and minimalism showcasing eight female dancers. Set to a pulsating score by Philip Glass, In the Upper Room is a signature work for Twyla Tharp, which contrasts the power and energy of modern dance with the speed and aerial dexterity of a more classical langu cage.
Houston Ballet’s fall repertory program features a world premiere by Stanton Welch to the music of Paul Hindemith alongside company premieres by two of the 20th century’s greatest choreographers. European master Jiří Kylián’s Falling Angels is a mesmerizing study in motion and minimalism showcasing eight female dancers. Set to a pulsating score by Philip Glass, In the Upper Room is a signature work for Twyla Tharp, which contrasts the power and energy of modern dance with the speed and aerial dexterity of a more classical langu cage.
Houston Ballet’s fall repertory program features a world premiere by Stanton Welch to the music of Paul Hindemith alongside company premieres by two of the 20th century’s greatest choreographers. European master Jiří Kylián’s Falling Angels is a mesmerizing study in motion and minimalism showcasing eight female dancers. Set to a pulsating score by Philip Glass, In the Upper Room is a signature work for Twyla Tharp, which contrasts the power and energy of modern dance with the speed and aerial dexterity of a more classical langu cage.
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