Argentina is not the first place people might expect an evening of opera to originate, but it is the setting for Horacio Ferrer and Astor Piazzolla’s María de Buenos Aires, a darkly sensual and seductive tango operita opening. The opera, which premiered in 1968, is a collaboration between Piazzolla and Ferrer is an abstract telling of the evolution of tango personified in the character of María.
Argentina is not the first place people might expect an evening of opera to originate, but it is the setting for Horacio Ferrer and Astor Piazzolla’s María de Buenos Aires, a darkly sensual and seductive tango operita opening. The opera, which premiered in 1968, is a collaboration between Piazzolla and Ferrer is an abstract telling of the evolution of tango personified in the character of María.
Argentina is not the first place people might expect an evening of opera to originate, but it is the setting for Horacio Ferrer and Astor Piazzolla’s María de Buenos Aires, a darkly sensual and seductive tango operita opening. The opera, which premiered in 1968, is a collaboration between Piazzolla and Ferrer is an abstract telling of the evolution of tango personified in the character of María.