Using printmaking, drawing, painting and needlework Delita Martin (“Between Sisters and Spirits” exhibit) creates powerful, larger-than-life portraits that demand interaction with the viewer. Meanwhile, Joshua Hagler’s paintings (“In the House is a Room into which Every River Empties” exhibit) also ask the viewer to participate by creating tension with fractured visual layers. The final result creates a feeling of motion by visually bending time and place. I’m sure our collectors will find much to like in these exhibits.
Following the opening reception, the exhibits will be on view until January 6, 2018.
Using printmaking, drawing, painting and needlework Delita Martin (“Between Sisters and Spirits” exhibit) creates powerful, larger-than-life portraits that demand interaction with the viewer. Meanwhile, Joshua Hagler’s paintings (“In the House is a Room into which Every River Empties” exhibit) also ask the viewer to participate by creating tension with fractured visual layers. The final result creates a feeling of motion by visually bending time and place. I’m sure our collectors will find much to like in these exhibits.
Following the opening reception, the exhibits will be on view until January 6, 2018.
Using printmaking, drawing, painting and needlework Delita Martin (“Between Sisters and Spirits” exhibit) creates powerful, larger-than-life portraits that demand interaction with the viewer. Meanwhile, Joshua Hagler’s paintings (“In the House is a Room into which Every River Empties” exhibit) also ask the viewer to participate by creating tension with fractured visual layers. The final result creates a feeling of motion by visually bending time and place. I’m sure our collectors will find much to like in these exhibits.
Following the opening reception, the exhibits will be on view until January 6, 2018.