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Nameless Sound presents Éliane Radigue: Occam Ocean

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Photo courtesy of Nameless Sound

Occam Ocean is an ongoing series of solo and ensemble pieces composed by Radigue for individual instrumentalists in which a performer's personal performance technique and particular relationship to their instrument function as the compositional material of the piece. Citing the ocean as a calming antidote to the overwhelming nature of our vibratory wave-filled surroundings, Radigue has named the tributary components of her Occam series with the image of fluid water in mind.

Solo pieces are Occams, duo pieces Rivers, and larger ensemble pieces Deltas. The process of combining or over-laying the solos as small ensemble pieces, with only minor adjustments in the solos themselves, recalls Radigue's procedure in the early feedback works made as sound installations, in which individual feedback loops are to combined freely in slight non-synchronization such that combinations of loops rarely or never repeat. With the extreme simplicity of Occam's razor, continuous pieces that are iridescent on their own achieve a new radiance of interacting pulsation in their River and Delta configurations.

Occam Ocean is an ongoing series of solo and ensemble pieces composed by Radigue for individual instrumentalists in which a performer's personal performance technique and particular relationship to their instrument function as the compositional material of the piece. Citing the ocean as a calming antidote to the overwhelming nature of our vibratory wave-filled surroundings, Radigue has named the tributary components of her Occam series with the image of fluid water in mind.

Solo pieces are Occams, duo pieces Rivers, and larger ensemble pieces Deltas. The process of combining or over-laying the solos as small ensemble pieces, with only minor adjustments in the solos themselves, recalls Radigue's procedure in the early feedback works made as sound installations, in which individual feedback loops are to combined freely in slight non-synchronization such that combinations of loops rarely or never repeat. With the extreme simplicity of Occam's razor, continuous pieces that are iridescent on their own achieve a new radiance of interacting pulsation in their River and Delta configurations.

Occam Ocean is an ongoing series of solo and ensemble pieces composed by Radigue for individual instrumentalists in which a performer's personal performance technique and particular relationship to their instrument function as the compositional material of the piece. Citing the ocean as a calming antidote to the overwhelming nature of our vibratory wave-filled surroundings, Radigue has named the tributary components of her Occam series with the image of fluid water in mind.

Solo pieces are Occams, duo pieces Rivers, and larger ensemble pieces Deltas. The process of combining or over-laying the solos as small ensemble pieces, with only minor adjustments in the solos themselves, recalls Radigue's procedure in the early feedback works made as sound installations, in which individual feedback loops are to combined freely in slight non-synchronization such that combinations of loops rarely or never repeat. With the extreme simplicity of Occam's razor, continuous pieces that are iridescent on their own achieve a new radiance of interacting pulsation in their River and Delta configurations.

WHEN

WHERE

Christ Church Cathedral
1117 Texas St.
Houston, TX 77002
http://namelesssound.org/events/2019_12_11_Radigue_Occam_Ocean.html

TICKET INFO

Pay what you can; free for under 18 years old.
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