A Houston native, trained in classical opera and a graduate of The New School's Mannes College and the Manhattan School of Music in New York, Lisa E. Harris presents Import, a performative inquiry into the timely question: How can we start to value the creative work that generates exclusively from here and can being "still" be a creative asset instead of a demerit?
A Houston native, trained in classical opera and a graduate of The New School's Mannes College and the Manhattan School of Music in New York, Lisa E. Harris presents Import, a performative inquiry into the timely question: How can we start to value the creative work that generates exclusively from here and can being "still" be a creative asset instead of a demerit?
A Houston native, trained in classical opera and a graduate of The New School's Mannes College and the Manhattan School of Music in New York, Lisa E. Harris presents Import, a performative inquiry into the timely question: How can we start to value the creative work that generates exclusively from here and can being "still" be a creative asset instead of a demerit?