Mitochondria Gallery will present “The Possibilities of Becoming,” the second solo exhibition by Kenyan visual artist Nedia Were (b. 1989).
The body of work presented is centered around some of his observations on the intersection of class and masculinity, from the vantage point of the unequal distribution of odds in life. Were is focused on the hierarchical structure and disparities of power that have persisted over time. He examines the perceived distinctions of class relationships in his society, and the efforts to elevate, or sustain hierarchy in social class.
Were is exploring a more expressive application of oil paint to depict his subjects, it is a new series that builds on his previous “Mumwamu series,” as the richness in the skin tone of his subjects is still present. Were implements dress code as an anchor to convey the social status of the male subjects presented.
There is a recurring theme of leadership and mortality across this exhibition. Nedia focuses on three stages of masculinity that capture the subjects presented. The first stage revolves around self-betterment, attaining and implementing skills that can potentially elevate one’s status in society. The second stage begins when the individual is in a position of elevated societal status and influence. The third stage is the battle and acceptance of mortality.
The exhibition will remain on display through October 14.
Mitochondria Gallery will present “The Possibilities of Becoming,” the second solo exhibition by Kenyan visual artist Nedia Were (b. 1989).
The body of work presented is centered around some of his observations on the intersection of class and masculinity, from the vantage point of the unequal distribution of odds in life. Were is focused on the hierarchical structure and disparities of power that have persisted over time. He examines the perceived distinctions of class relationships in his society, and the efforts to elevate, or sustain hierarchy in social class.
Were is exploring a more expressive application of oil paint to depict his subjects, it is a new series that builds on his previous “Mumwamu series,” as the richness in the skin tone of his subjects is still present. Were implements dress code as an anchor to convey the social status of the male subjects presented.
There is a recurring theme of leadership and mortality across this exhibition. Nedia focuses on three stages of masculinity that capture the subjects presented. The first stage revolves around self-betterment, attaining and implementing skills that can potentially elevate one’s status in society. The second stage begins when the individual is in a position of elevated societal status and influence. The third stage is the battle and acceptance of mortality.
The exhibition will remain on display through October 14.
WHEN
WHERE
TICKET INFO
Admission is free.