Told through a constellation of places and temporal back-and-forths, "Mud + Corn + Stone + Blue" traces stories of the entangled lands of the United States and Central America. The traveling exhibition hinges on major conflicts that have scarred the region since the 1960s and how their histories are entwined with that of U.S. agriculture through the corn industry.

These conflicts include armed engagements in Guatemala (1960-1996), El Salvador (1980-1992), and Nicaragua (1979-1990); U.S. interventions in Honduras in the 1980s; and even the Tractorcade (1979) in the U.S. Corn Belt, when farmers drove more than 900 tractors to Washington, D.C. in protest of Cold War agricultural policy that had devastated small family farms across the Plains and Midwest. Across its long timeline, the exhibition centers on the years 1979-1981 to illustrate the overlap between the U.S. farming recession and the worst years of the armed conflicts in Central America, and how they are grounded in the same political and economic decisions around farming practices, ideas of land ownership and stewardship, migrant labor, and agricultural export.

"Mud + Corn + Stone + Blue" includes artwork from the U.S. Corn Belt and from Guatemala, Nicaragua, El Salvador, and Honduras. For the artists (many of whom have witnessed these events firsthand), it is important to make visible the connections between the natural world, agricultural reform, economic recession, military intervention, civil war, genocide, and mass migrations.

These entanglements resist national borders and leap across time to connect disparate experiences when, since much of the artwork made during these crises has disappeared, artists rely on their own familial experience to fill in the gaps. Where there are holes, absences, and intractable silences in these histories marked by intertwined traumas - by grief, by mistranslation, by forgetting - artists engage in speculation to imagine the acts of sharing that might have been.

The exhibition will remain on display through May 2.