Kinky Friedman’s album, The Loneliest Man I Ever Met, might be one of the longest-awaited follow-ups in recent memory. Not that fans have complained; the continued popularity of tunes such as “Sold American,” “Nashville Casualty and Life,” and “Ride ’Em Jewboy” (the Holocaust-referencing song that soothed Mandela in prison) prove Kinky is that rare talent whose work withstands the test of time. Friedman still delivers those songs — interspersed with his inimitable blend of politically incorrect quips, jokes and tales both tall and true — to appreciative audiences around the world.
Kinky Friedman’s album, The Loneliest Man I Ever Met, might be one of the longest-awaited follow-ups in recent memory. Not that fans have complained; the continued popularity of tunes such as “Sold American,” “Nashville Casualty and Life,” and “Ride ’Em Jewboy” (the Holocaust-referencing song that soothed Mandela in prison) prove Kinky is that rare talent whose work withstands the test of time. Friedman still delivers those songs — interspersed with his inimitable blend of politically incorrect quips, jokes and tales both tall and true — to appreciative audiences around the world.
Kinky Friedman’s album, The Loneliest Man I Ever Met, might be one of the longest-awaited follow-ups in recent memory. Not that fans have complained; the continued popularity of tunes such as “Sold American,” “Nashville Casualty and Life,” and “Ride ’Em Jewboy” (the Holocaust-referencing song that soothed Mandela in prison) prove Kinky is that rare talent whose work withstands the test of time. Friedman still delivers those songs — interspersed with his inimitable blend of politically incorrect quips, jokes and tales both tall and true — to appreciative audiences around the world.
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