The Moores School of Music presents AURA Contemporary Ensemble: Outer Limits. Emma O’Halloran considers the limits of one’s potential in “Constellations,” a work for mezzo-soprano, ensemble, and fixed media, while in "Glassworks," Sunny Knable explores a variety of phrases that use the word "glass." The audience will travel from deep ocean coral reefs in Gabriella Smith’s "Anthozoa," to the sky in Richard Meale’s "Lumen," which depicts the electromagnetic radiation that aids the human eye. Finally, the theme will be explored via world premieres by Antonio Sanz Escallon and J.E. Hernandez, winners of the UH Sarofim Composition Competition.
The Moores School of Music presents AURA Contemporary Ensemble: Outer Limits. Emma O’Halloran considers the limits of one’s potential in “Constellations,” a work for mezzo-soprano, ensemble, and fixed media, while in "Glassworks," Sunny Knable explores a variety of phrases that use the word "glass." The audience will travel from deep ocean coral reefs in Gabriella Smith’s "Anthozoa," to the sky in Richard Meale’s "Lumen," which depicts the electromagnetic radiation that aids the human eye. Finally, the theme will be explored via world premieres by Antonio Sanz Escallon and J.E. Hernandez, winners of the UH Sarofim Composition Competition.
The Moores School of Music presents AURA Contemporary Ensemble: Outer Limits. Emma O’Halloran considers the limits of one’s potential in “Constellations,” a work for mezzo-soprano, ensemble, and fixed media, while in "Glassworks," Sunny Knable explores a variety of phrases that use the word "glass." The audience will travel from deep ocean coral reefs in Gabriella Smith’s "Anthozoa," to the sky in Richard Meale’s "Lumen," which depicts the electromagnetic radiation that aids the human eye. Finally, the theme will be explored via world premieres by Antonio Sanz Escallon and J.E. Hernandez, winners of the UH Sarofim Composition Competition.