640 girls in Italy, 231 in Germany, 100 in France, 91 in Turkey, 1,003 in Spain. As the servant Leporello famously sings in his “Catalogue aria,” the eponymous fiend in Mozart’s sublime tragicomedy Don Giovanni has already been very busy when he beds the engaged Anna and then kills her father in a duel.
Even as he’s pursued by aggrieved parties on all sides, Don Giovanni sets about seducing the lovely Zerlina - on her wedding day. But the arrogant Spanish antihero everyone loves to hate meets his comeuppance, and in director Kasper Holten’s brilliant production, his descent into hell is not literal but mental, as depicted by Luke Halls’s projections onto Es Devlin’s minimalist set.
640 girls in Italy, 231 in Germany, 100 in France, 91 in Turkey, 1,003 in Spain. As the servant Leporello famously sings in his “Catalogue aria,” the eponymous fiend in Mozart’s sublime tragicomedy Don Giovanni has already been very busy when he beds the engaged Anna and then kills her father in a duel.
Even as he’s pursued by aggrieved parties on all sides, Don Giovanni sets about seducing the lovely Zerlina - on her wedding day. But the arrogant Spanish antihero everyone loves to hate meets his comeuppance, and in director Kasper Holten’s brilliant production, his descent into hell is not literal but mental, as depicted by Luke Halls’s projections onto Es Devlin’s minimalist set.