Houston Ballet presents Good Vibrations, featuring a triple bill program full of energy, elation, and a long-awaited world premiere. Good Vibrations features Mark Morris’ The Letter V, with music from Haydn’s Symphony No. 88 in G Major; Stanton Welch’s Red Earth, with original score from Peter Sculthorpe and artwork from set designer Kevin “Pro” Hart; and Arthur Pita’s Good Vibrations, set to a commissioned score by Christopher Austin with references to The Beach Boys' legendary song, "Good Vibrations."
Houston Ballet presents Good Vibrations, featuring a triple bill program full of energy, elation, and a long-awaited world premiere. Good Vibrations features Mark Morris’ The Letter V, with music from Haydn’s Symphony No. 88 in G Major; Stanton Welch’s Red Earth, with original score from Peter Sculthorpe and artwork from set designer Kevin “Pro” Hart; and Arthur Pita’s Good Vibrations, set to a commissioned score by Christopher Austin with references to The Beach Boys' legendary song, "Good Vibrations."
Houston Ballet presents Good Vibrations, featuring a triple bill program full of energy, elation, and a long-awaited world premiere. Good Vibrations features Mark Morris’ The Letter V, with music from Haydn’s Symphony No. 88 in G Major; Stanton Welch’s Red Earth, with original score from Peter Sculthorpe and artwork from set designer Kevin “Pro” Hart; and Arthur Pita’s Good Vibrations, set to a commissioned score by Christopher Austin with references to The Beach Boys' legendary song, "Good Vibrations."
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