Karen Navarro’s "The Constructed Self" is the Houston-based photographer and multimedia artist’s first solo exhibition at Foto Relevance. A vivid and even more tactile expansion of the artist’s earlier portfolio "El Pertenecer en Tiempos Modernos (Belonging in Modern Times)," Navarro’s "The Constructed Self" realizes meditations on self-representation and identity through dynamic photosculpture configurations.
Disrupting photography’s traditional two-dimensional presentation, these colorful new works come assembled in a multitude of ways - some stacked and spinning, others paneled and puzzled together. These geometric complexities illustrate the abilities we all have to reorder and rearrange the many facets of our public-facing identities.
The exhibition will remain on display through June 25.
Karen Navarro’s "The Constructed Self" is the Houston-based photographer and multimedia artist’s first solo exhibition at Foto Relevance. A vivid and even more tactile expansion of the artist’s earlier portfolio "El Pertenecer en Tiempos Modernos (Belonging in Modern Times)," Navarro’s "The Constructed Self" realizes meditations on self-representation and identity through dynamic photosculpture configurations.
Disrupting photography’s traditional two-dimensional presentation, these colorful new works come assembled in a multitude of ways - some stacked and spinning, others paneled and puzzled together. These geometric complexities illustrate the abilities we all have to reorder and rearrange the many facets of our public-facing identities.
The exhibition will remain on display through June 25.
Karen Navarro’s "The Constructed Self" is the Houston-based photographer and multimedia artist’s first solo exhibition at Foto Relevance. A vivid and even more tactile expansion of the artist’s earlier portfolio "El Pertenecer en Tiempos Modernos (Belonging in Modern Times)," Navarro’s "The Constructed Self" realizes meditations on self-representation and identity through dynamic photosculpture configurations.
Disrupting photography’s traditional two-dimensional presentation, these colorful new works come assembled in a multitude of ways - some stacked and spinning, others paneled and puzzled together. These geometric complexities illustrate the abilities we all have to reorder and rearrange the many facets of our public-facing identities.
The exhibition will remain on display through June 25.