In this performance Farrell Dyde is sharing with the audience the results of his last two years work alone in the studio to evolve new movement vocabularies and ways of shaping those dance lexicons into new works that seem to have a necessity for being as well as providing some level of entertainment for the viewer. They represent a kind of dialogue or wrestling to resolve the conflict between purely abstract dance and dance that has some form of narrative and character driven “plot.” And between something that is highly structured and complete improvisation – between freedom and security.
In this performance Farrell Dyde is sharing with the audience the results of his last two years work alone in the studio to evolve new movement vocabularies and ways of shaping those dance lexicons into new works that seem to have a necessity for being as well as providing some level of entertainment for the viewer. They represent a kind of dialogue or wrestling to resolve the conflict between purely abstract dance and dance that has some form of narrative and character driven “plot.” And between something that is highly structured and complete improvisation – between freedom and security.
In this performance Farrell Dyde is sharing with the audience the results of his last two years work alone in the studio to evolve new movement vocabularies and ways of shaping those dance lexicons into new works that seem to have a necessity for being as well as providing some level of entertainment for the viewer. They represent a kind of dialogue or wrestling to resolve the conflict between purely abstract dance and dance that has some form of narrative and character driven “plot.” And between something that is highly structured and complete improvisation – between freedom and security.