Sheila Pepe’s exhibition in Houston is a commissioned installation that serves as an open meeting space and platform for several events, including a video installation by current MFAH Core Fellow Sondra Perry. With an interest in carving out space within solo exhibitions for young artists, Pepe invited Perry, working in video and performance, to respond to her augmented reinstallation of Put me down Gently, 2015.
Each artist worked autonomously, yet their projects were hinged by shared resources, the color blue and an investment in improvisation within institutional frameworks. The exhibition evolved and two installations emerged – tethered to each other by ongoing conversations on craft, class, race, place and screens of projection.
Following the opening reception, the exhibit will be on display through August 6.
Sheila Pepe’s exhibition in Houston is a commissioned installation that serves as an open meeting space and platform for several events, including a video installation by current MFAH Core Fellow Sondra Perry. With an interest in carving out space within solo exhibitions for young artists, Pepe invited Perry, working in video and performance, to respond to her augmented reinstallation of Put me down Gently, 2015.
Each artist worked autonomously, yet their projects were hinged by shared resources, the color blue and an investment in improvisation within institutional frameworks. The exhibition evolved and two installations emerged – tethered to each other by ongoing conversations on craft, class, race, place and screens of projection.
Following the opening reception, the exhibit will be on display through August 6.
Sheila Pepe’s exhibition in Houston is a commissioned installation that serves as an open meeting space and platform for several events, including a video installation by current MFAH Core Fellow Sondra Perry. With an interest in carving out space within solo exhibitions for young artists, Pepe invited Perry, working in video and performance, to respond to her augmented reinstallation of Put me down Gently, 2015.
Each artist worked autonomously, yet their projects were hinged by shared resources, the color blue and an investment in improvisation within institutional frameworks. The exhibition evolved and two installations emerged – tethered to each other by ongoing conversations on craft, class, race, place and screens of projection.
Following the opening reception, the exhibit will be on display through August 6.