The film, The Micro, is a character-driven, hard-hitting film, directed, and pro- duced by Brian K. Burns. It examines police misconduct, urban crime, per- sonal responsibility, and race relations. The film also investigates the complex worlds of policing, family values (or lack thereof), civil indifference, and examines how they impact our society. This film is designed to continue social dialogue, to cause us to think and to pray – for ourselves and for those in power – and to consider how to re-make society in an image worthy of our children and our God. There are good police officers and bad police officers on the force, and good folks and bad people on the streets. All through the film they intertwine and clash. Some crash and burn, others make the right decisions as a rule, or make them before it is too late.
The film, The Micro, is a character-driven, hard-hitting film, directed, and pro- duced by Brian K. Burns. It examines police misconduct, urban crime, per- sonal responsibility, and race relations. The film also investigates the complex worlds of policing, family values (or lack thereof), civil indifference, and examines how they impact our society. This film is designed to continue social dialogue, to cause us to think and to pray – for ourselves and for those in power – and to consider how to re-make society in an image worthy of our children and our God. There are good police officers and bad police officers on the force, and good folks and bad people on the streets. All through the film they intertwine and clash. Some crash and burn, others make the right decisions as a rule, or make them before it is too late.
The film, The Micro, is a character-driven, hard-hitting film, directed, and pro- duced by Brian K. Burns. It examines police misconduct, urban crime, per- sonal responsibility, and race relations. The film also investigates the complex worlds of policing, family values (or lack thereof), civil indifference, and examines how they impact our society. This film is designed to continue social dialogue, to cause us to think and to pray – for ourselves and for those in power – and to consider how to re-make society in an image worthy of our children and our God. There are good police officers and bad police officers on the force, and good folks and bad people on the streets. All through the film they intertwine and clash. Some crash and burn, others make the right decisions as a rule, or make them before it is too late.