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    Live Music Now

    The 10 hottest acts to see at Houston's new In Bloom music festival

    Johnston Farrow
    Johnston Farrow
    Mar 22, 2018 | 2:37 pm

    Houston’s newest music festival, In Bloom, is set to launch its inaugural year in the confines of Eleanor Tinsley Park on Saturday, March 24, and Sunday, March 25 — only a stone’s throw away from downtown Houston. The two-day event features an eclectic lineup of internationally known acts across the alternative, hip-hop, and EDM genres, with a large amount of local and regional acts for those looking to discover new music across the festival’s four stages.

    For those gun-shy about buying tickets due to the weather incidents that have marred previous editions of the now defunct Free Press Summer Fest, there is only a 20 percent chance of rain in the forecast, with temps predicted to be in the comfortably manageable low ’80s.

    Here are the Top 10 acts we suggest seeking out during the course of the weekend.

    Saturday, March 24

    Beck, 9:30-11 pm, Bud Light Stage
    The Grammy-award-winning, alternative chameleon Beck is back on the road following the release of 2017 album Colors, bringing over 20 years of hits, dating back to the grunge-era game changer, “Loser.” It may have been awhile since he’s toured, but Beck’s live show has been acclaimed for its energy he brings to the stage and excellent backing musicians who make his sound and vision come to life.

    Cigarettes After Sex, 8:40-9:30 pm, Fauna Stage
    The Brooklyn, NY quartet Cigarettes After Sex is building a solid fan base after releasing their self-titled debut, one of the best albums of 2017. This will be an interesting to see if the band can convert over to a festival setting as they create dreamy, mid-tempo soundscapes with intimate lyrics. The night time set will lend some atmosphere to a film noir-like soundtrack, best listened to in the shadows.

    Lil Uzi Vert, 8-8:50 pm, Bud Light Stage
    The Philadelphia rapper, Lil Uzi Vert has been blowing up the last few years, releasing the U.S. chart-topping Luv Is Rage 2 last summer and appearing on the No. 1 single, “Bad and Boujee” with Migos in late 2016. Lil Uzi Vert seems a perfect fit for music gatherings as his music incorporates elements of trap and rock, feeding the musical appetites of a mass cross section of festival goers. If he shows up, this should be a highlight of the weekend in a city that loves hip-hop.

    Broken Social Scene, 7:40-8:40 pm, Flora Stage
    The legendary Toronto indie act, Broken Social Scene, is one of the most veteran acts to appear at In Bloom Music Festival this weekend and part of the fun is discovering which members of the massive collective of influential musicians will make an appearance. Will Leslie Feist be there to sing “Almost Crimes”? Will Metric’s Emily Haines be there to sing “Anthems of a Seventeen Year Old Girl”? How about Stars’ Amy Millan for “7/4 Shoreline”? Whatever combination shows up, these alt-rock lifers always put on an excellent performance.

    Wolf Alice, 5:10-6 pm, Fauna Stage
    Be ready for thousands of Houstonians to fall in love with U.K. quartet Wolf Alice. The band has put out two killer albums that are a perfect blend of hard-rock riffs, shoegaze psychedelia and angsty, romantic lyrics. Their debut, My Love Is Cool, garnered them a Mercury Music prize nomination, one the highest creative honors bestowed to bands in the United Kingdom, and songs from that album showed up on the Trainspotting 2 soundtrack. Last year’s release, Visions of a Life, might even be better. Trust us on this – go see this band.

    Honorable Mention
    Incubus, 9:30-11 pm, Flora Stage
    Grizzly Bear, 6:30-7:30 pm, Bud Light Stage
    Dhani Harrison, 3:30-4:20 pm, Fauna Stage
    Ying Yang Twins, 2-2:50 pm, Bud Light Stage

    Sunday, March 25

    Queens of the Stone Age
    , 8:30-10 pm, Flora Stage
    Don't call this a recommendation — not after Queens of the Stone Age after lead singer Josh Homme kicked a photographer in the face during a performance a few months ago, but if you’re one of those who can love the art — and not the artist — and look past that inexcusable move, you will see a band that is one of the best at what they do in a live setting. Drawing from nearly 20 years of excellent albums, including the 2017, Mark Ronson produced, Villians, QOTSA is hard-edged and fierce, recalling an era where guitar heroes and actually good rock music topped the charts.

    Martin Garrix, 8:30-10 pm, Bud Light Stage
    The baby-faced Dutch DJ and producer, Martin Garrix, is currently one of the world’s biggest EDM acts, despite being only 21 years-old. DJ Mag has named him as the No. 1 DJ the last two years running. Expect a mass dance party with driving house beats and synth melodies that will transport the crowd to sunrise sets at EDM Mecca, Ibiza, where Garrix is a resident DJ.

    21 Savage, 6:30-7:30 pm, Bud Light
    The Atlanta mix-tape artist 21 Savage played a headline set back in November and is set to bring his popular hip-hop style to In Bloom. His 2017 release Issa Album reached No. 2 on the Billboard charts and his hit “Bank Account” is sure to big one of the biggest singalongs of the weekend.

    Twin Shadow, 5:40-6:30 pm, Fauna Stage
    Los Angeles based Twin Shadow — aka George Lewis Jr. — is set to release his first album Caer, his first in three years this April, so this will be a good chance to hear new songs along with his beloved catalog of indie synth-rock that made him a much buzzed about music act. The first single off of Caer, “Saturdays” featured Haim, which gives you an indication that his new work is perfect for the festival setting.

    Sylvan Esso, 4:40-5:40 pm, Bud Light Stage
    Those who missed the amazing Sylvan Esso set this past week at White Oak Music Hall will get another chance to check out the amiably awesome North Carolina duo work their magic at In Bloom. The group is comprised of charismatic singer Amelia Meath and producer Nick Sanborn which mixes folk-influenced lyrics with cutting edge, dance, and synth beats that when combined, make a special brew of fun and grooves.

    Honorable Mention
    Houndmouth, 4-5 pm, Fauna Stage
    T-Pain, 3-3:50 pm, Bud Light Stage
    Mikky Ekko, 1:20-2:05 pm, Bud Light Stage

    Queens of the Stone Age headline the Flora Stage from 8:30-10 pm on Sunday night at In Bloom.

    ACL Festival 2013 Day One Queens of the Stone Age 6238
    Photo by Jon Shapley
    Queens of the Stone Age headline the Flora Stage from 8:30-10 pm on Sunday night at In Bloom.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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