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    Live Music Now

    The 10 hottest acts to see at Houston's new In Bloom music festival

    Johnston Farrow
    Johnston Farrow
    Mar 22, 2018 | 2:37 pm

    Houston’s newest music festival, In Bloom, is set to launch its inaugural year in the confines of Eleanor Tinsley Park on Saturday, March 24, and Sunday, March 25 — only a stone’s throw away from downtown Houston. The two-day event features an eclectic lineup of internationally known acts across the alternative, hip-hop, and EDM genres, with a large amount of local and regional acts for those looking to discover new music across the festival’s four stages.

    For those gun-shy about buying tickets due to the weather incidents that have marred previous editions of the now defunct Free Press Summer Fest, there is only a 20 percent chance of rain in the forecast, with temps predicted to be in the comfortably manageable low ’80s.

    Here are the Top 10 acts we suggest seeking out during the course of the weekend.

    Saturday, March 24

    Beck, 9:30-11 pm, Bud Light Stage
    The Grammy-award-winning, alternative chameleon Beck is back on the road following the release of 2017 album Colors, bringing over 20 years of hits, dating back to the grunge-era game changer, “Loser.” It may have been awhile since he’s toured, but Beck’s live show has been acclaimed for its energy he brings to the stage and excellent backing musicians who make his sound and vision come to life.

    Cigarettes After Sex, 8:40-9:30 pm, Fauna Stage
    The Brooklyn, NY quartet Cigarettes After Sex is building a solid fan base after releasing their self-titled debut, one of the best albums of 2017. This will be an interesting to see if the band can convert over to a festival setting as they create dreamy, mid-tempo soundscapes with intimate lyrics. The night time set will lend some atmosphere to a film noir-like soundtrack, best listened to in the shadows.

    Lil Uzi Vert, 8-8:50 pm, Bud Light Stage
    The Philadelphia rapper, Lil Uzi Vert has been blowing up the last few years, releasing the U.S. chart-topping Luv Is Rage 2 last summer and appearing on the No. 1 single, “Bad and Boujee” with Migos in late 2016. Lil Uzi Vert seems a perfect fit for music gatherings as his music incorporates elements of trap and rock, feeding the musical appetites of a mass cross section of festival goers. If he shows up, this should be a highlight of the weekend in a city that loves hip-hop.

    Broken Social Scene, 7:40-8:40 pm, Flora Stage
    The legendary Toronto indie act, Broken Social Scene, is one of the most veteran acts to appear at In Bloom Music Festival this weekend and part of the fun is discovering which members of the massive collective of influential musicians will make an appearance. Will Leslie Feist be there to sing “Almost Crimes”? Will Metric’s Emily Haines be there to sing “Anthems of a Seventeen Year Old Girl”? How about Stars’ Amy Millan for “7/4 Shoreline”? Whatever combination shows up, these alt-rock lifers always put on an excellent performance.

    Wolf Alice, 5:10-6 pm, Fauna Stage
    Be ready for thousands of Houstonians to fall in love with U.K. quartet Wolf Alice. The band has put out two killer albums that are a perfect blend of hard-rock riffs, shoegaze psychedelia and angsty, romantic lyrics. Their debut, My Love Is Cool, garnered them a Mercury Music prize nomination, one the highest creative honors bestowed to bands in the United Kingdom, and songs from that album showed up on the Trainspotting 2 soundtrack. Last year’s release, Visions of a Life, might even be better. Trust us on this – go see this band.

    Honorable Mention
    Incubus, 9:30-11 pm, Flora Stage
    Grizzly Bear, 6:30-7:30 pm, Bud Light Stage
    Dhani Harrison, 3:30-4:20 pm, Fauna Stage
    Ying Yang Twins, 2-2:50 pm, Bud Light Stage

    Sunday, March 25

    Queens of the Stone Age
    , 8:30-10 pm, Flora Stage
    Don't call this a recommendation — not after Queens of the Stone Age after lead singer Josh Homme kicked a photographer in the face during a performance a few months ago, but if you’re one of those who can love the art — and not the artist — and look past that inexcusable move, you will see a band that is one of the best at what they do in a live setting. Drawing from nearly 20 years of excellent albums, including the 2017, Mark Ronson produced, Villians, QOTSA is hard-edged and fierce, recalling an era where guitar heroes and actually good rock music topped the charts.

    Martin Garrix, 8:30-10 pm, Bud Light Stage
    The baby-faced Dutch DJ and producer, Martin Garrix, is currently one of the world’s biggest EDM acts, despite being only 21 years-old. DJ Mag has named him as the No. 1 DJ the last two years running. Expect a mass dance party with driving house beats and synth melodies that will transport the crowd to sunrise sets at EDM Mecca, Ibiza, where Garrix is a resident DJ.

    21 Savage, 6:30-7:30 pm, Bud Light
    The Atlanta mix-tape artist 21 Savage played a headline set back in November and is set to bring his popular hip-hop style to In Bloom. His 2017 release Issa Album reached No. 2 on the Billboard charts and his hit “Bank Account” is sure to big one of the biggest singalongs of the weekend.

    Twin Shadow, 5:40-6:30 pm, Fauna Stage
    Los Angeles based Twin Shadow — aka George Lewis Jr. — is set to release his first album Caer, his first in three years this April, so this will be a good chance to hear new songs along with his beloved catalog of indie synth-rock that made him a much buzzed about music act. The first single off of Caer, “Saturdays” featured Haim, which gives you an indication that his new work is perfect for the festival setting.

    Sylvan Esso, 4:40-5:40 pm, Bud Light Stage
    Those who missed the amazing Sylvan Esso set this past week at White Oak Music Hall will get another chance to check out the amiably awesome North Carolina duo work their magic at In Bloom. The group is comprised of charismatic singer Amelia Meath and producer Nick Sanborn which mixes folk-influenced lyrics with cutting edge, dance, and synth beats that when combined, make a special brew of fun and grooves.

    Honorable Mention
    Houndmouth, 4-5 pm, Fauna Stage
    T-Pain, 3-3:50 pm, Bud Light Stage
    Mikky Ekko, 1:20-2:05 pm, Bud Light Stage

    Cigarettes After Sex performs a 8:40-9:30 pm set on the Fauna stage on Saturday night at In Bloom

    Cigarettes After Sex band
    Facebook/Cigarettes After Sex
    Cigarettes After Sex performs a 8:40-9:30 pm set on the Fauna stage on Saturday night at In Bloom
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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