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    Out of this world exhibit

    Saudi prince celebrates the many Roads of Arabia — and space travel, too

    Tarra Gaines
    Dec 23, 2013 | 10:17 am

    Traders, pilgrims and kings, these are the people, some renowned in history, some lost in time, who once journeyed on the roads of Arabia. The remnants of these wanderers — the magnificent sandstone statues, the intricate decorated incense burner, the stone carving of a horse, the gold funeral mask — have now found a temporary rest at the Museum of Fine Arts, Houston in the exhibition Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia.

    Roads of Arabia is organized by the Arthur M. Sackler Gallery, Smithsonian Institution, in association with the Saudi Commission for Tourism and Antiquities of the Kingdom of Saudi Arabia, but the arrangement of the over 300 objects for the Houston stop on the tour accentuates the pieces as sculpture and art, alongside their remarkable archeological significance. This arrangement might be most beautifully realized with the grouping at the center of the exhibition of 9th-and-10th-century tombstones from the destroyed al-Ma’lat cemetery, north of Mecca — 20 in all.

    A prince of wanderers

    Also in town to introduce Houston to these works of art was the president and chairman of the board of the Saudi Commission for Tourism and Antiquities (SCTA), His Royal Highness Prince Sultan bin Salman bin Abdulaziz Al-Saud.

    Prince Sultan is a particularly apt champion of these ancient travelers because he is arguably the most traveled son of Arabia in its great history.

    Prince Sultan is a particularly apt champion of these ancient travelers because he is arguably the most traveled son of Arabia in its great history. Besides being a former Royal Saudi Air Force fighter pilot, he was the first Muslim and Arab in space when he was chosen for the crew of the Space Shuttle Discovery as a payload specialist in 1985, a mission that traveled 2.9 million miles.

    After an early viewing of the exhibition, which is thematically set around the two periods of roads, the incense roads of antiquity and the pilgrimage road with the rise of Islam, I had a chance to sit down with His Royal Highness and ask him what he hopes Houstonians will learn from these objects of beauty and history.

    Prince Sultan explained how the exhibition might shatter people’s preconceptions that contemporary Saudi Arabia sprang into being only once oil was discovered.

    “People have always thought of Saudi Arabia as a place of nothingness, that Islam came to a place of nothingness,” he says, but thousands of years before its oil wealth “spices and silk” transported by camels and caravans across the deserts made the cities that grew along these trading routes into economic powerhouses.

    Prince Sultan believes the exhibition illustrates that “Saudi Arabia was always very much active on the world stage. I’m talking about the world stage in terms of the ancient world and the modern world and will have a much bigger world going forward into the future, not just in region sense, but also in the international sense.”

    A change in perception

    When I asked if the pilot and former astronaut might have a different perspective on these ancient peoples on the move, he jokingly assured me that pilots always feel they have a different perspective “on everything,” before turning serious and into something of a poet.

    “I fly my U.S.-made Cessna Caravan over my country and I fly very low to the ground,” Prince Sultan described. “I see people in the desert. I find a place and put it down — I’m trained to do that. I get out of the airplane and talk to them, milk their camels with them, have a camel milk and dates. It changes your life. Your life is not formalize anymore. It becomes a good life. You really can go and see things and feel things nobody else can do.”

    “When you see Earth from space what you see is the beautiful blue and multicolored planet, but the most amazing thing is not the planet itself, the most amazing thing is the blackness of space."

    His time aboard Discovery also changed his perception when viewing the distances that separate people. He reiterated to me some ideas he first voiced after coming back to Earth: “The first day or two we all were pointed to our country. By the third or fourth day we were pointing to our continents. By the fifth day we were all pointing to one planet, one Earth. It was absolutely like a revelation. I still believe in this. I’m driven by this as a person in my political views, in my views about war and peace, in my views about people.

    “When you see Earth from space what you see is the beautiful blue and multicolored planet, but the most amazing thing is not the planet itself, the most amazing thing is the blackness of space. That’s what hit me the most, really. This beautiful planet but it’s right there by itself floating in this incredible universe.”

    Prince Sultan ended our conversation with a description of the latest wave of Saudi Arabian travelers, the students crossing oceans and continents to study at universities around the world and especially in the United States. Many of them are given Saudi government scholarships with the idea that they will come back “with knowledge, a degree and an understanding of the world. Though separated by millennia, perhaps these students are not so different from their ancient ancestors whose lives we may glimpse in this extraordinary exhibition.

    Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia is on display at the Museum of Fine Arts, Houston, through March 9.

    HRH Prince Sultan bin Salman bin AbdulAziz Al Saud

    3 Roads of Arabia HRH Prince Sultan bin Salman bin AbdulAziz Al Saud
    Photo by © Rachel Phoenix
    HRH Prince Sultan bin Salman bin AbdulAziz Al Saud
    unspecified
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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