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    Movie Review

    Star Wars: The Last Jedi forces its way into bold new territory

    Alex Bentley
    Dec 14, 2017 | 11:10 am
    Star Wars: The Last Jedi forces its way into bold new territory
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    Even though Star Wars: The Force Awakens made well over $900 million and was hailed as a return to strength for the series, there was a small but vocal group on the Internet that took it to task for having too many similarities to the original Star Wars. If different is what they wanted, they’re about to get a whole bunch of it with Star Wars: The Last Jedi.

    The film picks up in the immediate aftermath of The Force Awakens, with Rey (Daisy Ridley) trying to convince Luke Skywalker (Mark Hamill) to return from exile to help the Resistance. The First Order, led by Supreme Leader Snoke (Andy Serkis) and Kylo Ren (Adam Driver), is stronger than ever, and determined to kill every last member of the Resistance, led by General Leia Organa (Carrie Fisher).

    Poe Dameron (Oscar Isaac) is still a highly respected pilot, but he finds himself in hot water for disobeying orders on more than one occasion. Meanwhile, Finn (John Boyega) inadvertently teams up with maintenance worker Rose Tico (Kelly Marie Tran), and the two hatch a plan to help the Resistance in any way they can.

    With a series that now spans nine films over four decades (not to mention the boatload of ancillary properties), certain elements will be recycled. But in this case, that's a good thing because the audience's familiarity with what certain characters will do or say sets the stage for the story to move into some unfamiliar territory.

    The Force is an idea that has been omnipresent in the series since the beginning, but it’s rarely been dealt with the way it is in The Last Jedi. Different characters use it in a variety of ways never seen before, and each is highly effective dramatically and in moving the story forward.

    Writer/director Rian Johnson also has found new and interesting ways to conduct the battles in space. Most of the 2 1/2-hour movie takes place aboard various spacecraft, and the fact that Johnson keeps things exciting by, essentially, just maneuvering them around is a feat in and of itself. But he ups the ante exponentially during the battles, including an unforgettable attack late in the film.

    Most importantly, he isn’t afraid of taking some storytelling risks. Some twists and turns might raise a few eyebrows, but Johnson should be applauded for trying them. Not all of them work equally well, but the film is better because they exist.

    It does have a few faults. In a couple of sections, the survival of certain characters during epic battle scenes doesn't seem logical; there's no real reason for them to be spared other than as a convenience for the plot. And while the Porgs — the cute birds that actually go unnamed in the film — are undeniably adorable, they serve no real purpose and could have been excised easily.

    The connection among the newer main actors — Ridley, Driver, Isaac, and Boyega — only grows deeper in this film, with each expanding their characters. It’s great to see Hamill express himself in a full role this time around after being absent until the last second of the first film. And, heartbreakingly, Fisher is stronger than ever; the showcase Leia is given is a wonderful send-off for the actress, who died in 2016.

    The end of The Last Jedi hints at ways the series will be able to continue to thrive for years to come. For now, the story they’re telling is compelling and begs for another journey soon to a galaxy far, far away.

    Carrie Fisher in Star Wars: The Last Jedi.

    Carrie Fisher in Star Wars: The Last Jedi
    Photo courtesy of Lucasfilm
    Carrie Fisher in Star Wars: The Last Jedi.
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    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

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