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    The Review Is In

    When art organizations team up magic happens: A mind-blowing collision of music and dance

    Joel Luks
    Dec 13, 2013 | 9:53 am

    It's a darn shame that big art organizations don't collaborate with each other as often as medium and smaller groups do. Multi-disciplinary performances from avant-garde companies such as Liminal Space Contemporary Music Ensemble's concert this week at The Barn call to mind the virtues that surface when great minds from different artistic practices interchange ideas.

    At first, Frame Dance Productions director Lydia Hance felt hesitant, somewhat "terrorized" at the suggestion from Liminal Space founders, electric guitarist George Heathco and percussionist Luke Hubley, that Steven Reich's 2X5 could be presented with choreography. The relentless churning of the music's ear-splitting chordal textures posing a dilemma for creating a dance that both reflected on and added to the minimalist composition genuinely.

    Because if the layering of art atop of art doesn't somehow illuminate and transform — what's the point?

    Let's not discount that pieces such as Reich's mammoth 20-minute 2X5 are not by any means simple — they are deceivingly tricky. They require acute cerebral concentration to execute well and are exceptionally taxing for audiences to process, the music's subtle intricacies often floating in a hypnotic trance that blooms in bemusing gradations of sound color.

    Scored for two rock bands — all together two drum sets, two pianos, four electric guitars and two bass guitars — 2X5, written in 2008, was intended as a dialogue between popular and classical traditions. Liminal Space, as the composer suggests, chose to perform 2X5 with five musicians plus a recorded track, a feat that marked the work's Houston premiere.

    The dance provided an opportunity to better understand the score while juxtaposing an emotional abstract narrative that centered on how it feels to be released from a restrained environment.

    Hance, as she explained, responded to the music by creating a framework anchored by clearly defined matrices that expanded from their contained spatial area, both in terms of the use of space and the movement vocabulary. What began with four dancers walking in unison, which echoed the tonal center of the music, broke away into independent pathways that developed into leaping solos, duets and trios.

    Her approach mirrored the aesthetic of minimalism, which exploits what can be achieved with a limited number of elements.

    What was remarkable in Hance's choreography is that she offered another access point for listeners to synthesize the perceived monotony of Reich's work. Whether on purpose or by accident, the dance provided an opportunity to better understand the score while juxtaposing an emotional abstract narrative that centered on how it feels to be released from a restrained environment — a triumph for Liminal Space, Hance and dancers Jacquelyne Jay Boe, Laura Gutierrez, Ashley Horn and Alex Soares.

    Adding to the program was the world premiere of Robert McClure's Memory Variations for marimba and electric guitar, which was commissioned as part of Liminal Space's New Music Initiative. McClure, inspired by a conversation between author Nick Flynn and neuroscientist David Eagleman, fragmented a three-minute piece within another one as a commentary of the fickle nature of memory.

    Could the listener tie together the snippets into a cohesive work?

    Memory Variations had a different effect, however. If some music can be summarized as a sequences of questions and answers — think of the piano sonatas by Mozart and Haydn — McClure's work was experienced as a single lingering question that didn't have closure.

    Also part of the Liminal Space New Music Initiative, Eric Martin's You didn't built that! for marimba and electric guitar was masterful in blending contrapuntal lines to render a foot-tapping rhythmical foundation that grooved satisfyingly. Orianna Webb's Sustenance Variations for piano, saxophone, electric guitar and percussion maximized the points of intersection between the sustaining abilities of each instrument.

    Liminal Space Contemporary Music Ensemble and Frame Dance Productions perform Steve Reich's 2X5.

    Liminal Space Contemporary Music Ensemb le and Frame Dance Productions Reich
      
    Photo by Joel Luks
    Liminal Space Contemporary Music Ensemble and Frame Dance Productions perform Steve Reich's 2X5.
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    see these shows

    Musicals and comedies headline Houston's 12 best shows for April

    Tarra Gaines
    Apr 2, 2025 | 11:15 am
    The Wiz musical
    Photo by Jeremy Daniel
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    Drama, comedy and mystery bloom across stages throughout Houston, but we’ve also got a song in our heart for the many musicals and operas opening this month. Mamma Mia, is there a lot of theater this month from a new twist on our favorite detective to a world premiere, true biography of an unsung WWII hero. So as you ease on down the road to your favorite live theater venue, don’t miss these stellar shows.

    Baskerville: A Sherlock Holmes Mystery at Alley Theatre (April 4-May 4)
    Longtime Alley favorite and a staple of Houston theater, Todd Waite, takes his final bow as a member of the Alley resident acting company with his sixth time in the role of Sherlock Holmes. Waite always bring wit, intelligence, and a bit of mischief to his take on literature’s most famous detective. His interpretation should pair terrifically with playwright Ken Ludwig, who tends to bring surprising twists to any classic he adapts for the stage. For audiences who already know whodunit in this most beastly of Holmes cases, don’t worry that your fun will be spoiled. The biggest mystery of all will be discovering how five actors can play over 40 characters in this thrilling comic puzzle of a play.

    Dixie’s Tupperware Party hosted at Stages (April 8-20)
    The queen of Tupperware sales is back in Houston and goes back to her (tastefully dyed) roots, with this original show that made her an off-Broadway and fringe festival star. Hosted by the fast-talking, gum-chewing, southern spitfire Dixie Longate, the interactive show showcases the history and wonders of Tupperware as Dixie tells stories of her wild adventures as a pitch-woman. Over the years, Dixie has visited Houston with other themed theatrical rides, but her Stages stop might be Dixie’s last roundup for plastic kitchenware sales. The show’s creator and Dixie’s alter ego, Kris Andersson, has announced this will be the final Tupperware Party tour.

    Mamma Mia! presented by Broadway at the Hobby Center (April 8-13)
    Here we go again, as a new touring production of the feel-good musical sets sail to that Greek island paradise where the sun always shines and everyone is a dancing queen. On the eve of her wedding, a daughter’s quest to discover the father she’s never known brings three men from her mother’s past back to the island they last visited decades ago. For the ultimate fun theatrical experience “Take a Chance” on this jukebox musical set to the music of ABBA hits, like “S.O.S” and “Money.” This “Super Trouper” of a show is always an audience fav.

    How to Die: The Life of Dietrich Bonhoeffer at A.D. Players (April 9-May 4)
    The faith-based company presents this world premiere historical biography chronicling the life of the pastor and theologian who tried and failed to assassinate Adolf Hitler. While the play depicts the dramatic events of Bonhoeffer’s life and his place in history, it also will portray his inner struggles as he must work through the changing theology of a fractured German church, his obligations to his loved ones, and his core question of the sinful nature of killing a human being in order to stop evil. Part of A.D. Players’ Metzler New Works Series, this complex production is definitely a labor of love for the company as it was written by local playwright Andy Pederson, the company’s director of education and theater for young audiences, with company artistic producer, Kevin Dean, directing and a cast of some of Houston’s favorite actors.

    Three Sisters from Classical Theatre Company (April 10-26)
    The Houston theater company that specializes in fresh interpretations of works at least a century old will perform one of the world's greatest dramas. Anton Chekhov's play depicts the lives, loves, and suffering of the Prozorov siblings as they long for an idealized past far from their present circumstance in the midst of social and political upheaval that will change Russia forever. Directed by CTC artistic director John Johnston, this will be the first full-length Chekhov play they’ve produced in a decade. Three Sisters was originally set in the part of the Russian Empire that is modern day Ukraine, with the unhappy Prozorov family being native born Russian Muscovites. Look for Johnston to draw some thought-provoking themes and contemporary connections between the literary past and our own interesting times.

    Spill at Rice Moody Center for the Arts (April 11-12)
    On the 15th anniversary of the Deep Water Horizon explosion, Moody presents the Houston premiere of this documentary play that's written by award-winning The Laramie Project playwright Leigh Fondakowski and features a cast of phenomenal local actors. One of the largest environmental disasters in contemporary times, the Deep Water accident left 11 workers dead, many injured, and triggered the largest oil spill in U.S. history. Using real life stories taken from hundreds of hours of interviews, Spill memorializes how Deepwater Horizon changed lives, the region, and the oil industry, and invites audiences to consider the precarious balance of danger and beauty found on the Gulf Coast.

    Waitress from Theatre Under the Stars (April 15-April 27)
    This feel-good musical about the love and heartache of a plucky waitress is only a decade old, so you might expect this to be another touring production. Well, grab your pie forks because this is a semi-homemade show baked to perfection from a delicious collaboration between Theatre Under the Stars and The 5th Avenue Theatre in Seattle. Based on the hit film by Adrienne Shelly, the show follows Jenna, a master baker and waitress in an abusive relationship with her husband. After Jenna unexpectedly becomes pregnant, she begins an affair with her doctor. Looking for ways out of her troubles, she sees a pie baking contest and its grand prize as her chance.

    Breaking the Waves from Houston Grand Opera (April 19-May 1)
    One of the most provocative and acclaimed operas of the 21st century finally crashes onto the Wortham stage, with this dramatic co-production from HGO, Opera Ventures, Scottish Opera, Théâtre National de l'Opéra Comique, and Adelaide Festival. Based on the acclaimed Lars von Trier film, composer Missy Mazzoli and librettist Royce Vavrek’s opera transport audiences to a strict religious community in 1970s Scotland. HGO Butler Studio alumna soprano Lauren Snouffer takes the starring role of Bess, a devout young woman who dares to marry an outsider, the offshore oil rigger Jan, played by fellow Butler Studio alumnus Ryan McKinny. With their marriage, Bess embarks on a journey of sexual exploration that is tragically interrupted when Jan is paralyzed in an accident, setting off a series of shocking events. Prepare for the passion and explicit themes, as this is one of the rare productions that HGO labels as intended for adult audiences only.

    Tannhäuser from Houston Grand Opera (April 25-May 11)
    Richard Wagner’s romantic masterpieces gets a new production as HGO once again collaborates with longtime friend and internationally-acclaimed director, Francesca Zambello. Houston audiences will be the first in the world to experience Zambello’s beautiful new vision of the opera before it moves to the Washington National Opera, where she is artistic director. Tannhäuser explores the tension between lust and love within the title character’s psyche after he abandons his spiritual love, Elisabeth, for the carnal delights of the goddess Venus. Renowned tenor Russell Thomas takes the title role, with Grammy winning stars Tamara Wilson as Elizabeth and Sasha Cooke as Venus.

    Das Barbecü at Stages (April 25-June 1)
    If you still can’t get enough opera this month, try this performance with a decidedly Texas twisty twang, as Stages makes a hootenanny of Wagner's Ring Cycle. In this musical comedy, the convoluted saga of Norse gods, goddess, heroes, and heroines all fighting over jewelry chronicled across Wagner’s four monumental operas gets whittled down to a hilarious evening where five actors play three generations of feuding Texas families. Expect a musical mashup of Broadway standards and twangy country, with show-stopping numbers like "Hog-Tie Your Man,” “Barbecue for Two” and “Makin’ Guacamole.”

    Forbidden Broadway: Merrily We Stole a Song presented by the Hobby Center (April 24-27)
    As the Hobby Center makes a larger push to bring touring shows and performers to Houston beyond their Broadway series, look for unique treats like this one. This off-Broadway sensation has lovingly parodied its Broadway elders for 35 years, becoming a New York theater staple in its own right. From Frozen to Phantom to Wicked, the show has always been a satirical roast of big Broadway hits and features outrageous costumes, silly spoofs of the songs you know by heart, and hilarious impressions by a cast of musical know-it-alls. They’re always refreshing the lineup, so looks for spoofs of the classics in the mix with the latest Broadway smashes.

    The Wiz presented by Broadway at the Hobby Center (April 29-May 4)
    The Wiz eases down the road to its week-long home at the Hobby Center in another all-new Broadway tour, the first one in 40 years. This groundbreaking take on The Wizard of Oz changed the face of Broadway–from its iconic score packed with soul, gospel, rock, and 70s funk to its stirring tale of Dorothy’s journey to find her place in a modern world. This revival is directed by Schele Williams (The Notebook, revival of Disney’s Aida), choreography by JaQuel Knight (Beyoncé’s “Single Ladies”) with new additional material by Tony and Emmy-nominated writer and TV host Amber Ruffin. The Wiz’s dynamic infusion of ballet, jazz, and modern pop brings a “Believe in Yourself” philosophy we’ll all take home.

    The Wiz musical
      
    Photo by Jeremy Daniel

    Broadway at the Hobby Center presents The Wiz. (Kyle Ramar Freeman, Nichelle Lewis, Phillip Johnson Richardson, and Avery Wilson)

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