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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 12, 2018 | 9:02 am

    Holiday shopping is such a drag — the traffic, long lines, and Instead of presents that loved ones will surely forget by the end of January, give them the gift of music. It's scientifically proven to help one live a longer life - something that can't be wrapped in a bow.

    Take a break from the holiday stress and maybe take in one of the following shows. Here are CultureMap's best, biggest, and notable shows for the week:

    CultureMap show of the week: Brian Setzer Orchestra
    The annual holiday tradition returns to Houston as former Stray Cats star Brian Setzer and his orchestra will showcase holiday tunes set to a swinging beat at Jones Hall as part of his Christmas Rocks! tour. Setzer first made his name during the new wave era with the Cats, bringing a swing strut to punk rock that recalled a lighter version of The Clash.

    After that band broke up, he made an even bigger impact with his new gig as leader of the Brian Setzer Orchestra in the late-'90s at the forefront of the swing revival that earned him more notoriety and millions of album sales as a new generation discovered the fun in dressing up in flapper dresses and zoot suits, dancing to old-timey tunes, especially his "Jump, Jive & Wail." While the neo-swing era dissipated, Setzer created a cash cow by taking his band on the road to perform traditional holiday tunes in the key of swing. Not too bad, daddio.

    The Brian Setzer Orchestra performs at the Jones Hall for the Performing Arts, located at 615 Louisiana St., on Wednesday, December 12. Tickets start at $35 plus fees. Show starts at 7:30 pm.

    CultureMap recommends: Hayes Carll at Heights Theater
    Revered Americana singer-songwriter and Houston native Hayes Carll has been building quite the reputation over the past 10 years, garnering Grammy nominations, winning Americana Music Association awards, and releasing really good music. His new album, What It Is, is out in February, songs which will no doubt be featured at his headlining slot at the Heights Theater this week.

    He was recently announced as one of the performers at the Old Settler's Festival in Tilmon, Texas in April, so call this a preview of bigger shows to come. The best part is your ticket will buy you an opening set from the great Houston rock band, Vodi.

    Hayes Carll plays the Heights Theater, located at 339 W 19th St., on Thursday, December 13. Local act Vodi opens. Tickets start at $26 plus a $6 service fee. Doors open at 7 pm.

    Ministry at HOB
    It's hard to overstate how important Ministry and songwriter Al Jourgensen has been on industrial and synth-based music. Ministry got progressively harder and downright weirder over the years, but when the band first started in 1981 in Chicago, they were much closer to Depeche Mode than heavy metal. Hits such as "Everyday is Like Halloween," "The Nature of Love," and later, "Jesus Built My Hotrod," and "N.W.O." paved the way for acts like Nine Inch Nails and White Zombie to thrive in the '90s.

    Ministry headlines House of Blues, located at 1204 Caroline St., on Thursday, December 13. Carpenter Brut and Alien Weaponry open. Tickets start at $35 plus fees. Doors open at 6:30 pm.

    '90s buzz bin returns: Fastball
    Fastball is considered by most to be a one-hit wonder, but what a hit it was. "The Way" was one of the best rock songs of the '90s: a catchy AF tune that might be about running away from the daily grind, dementia in a pre-amber alert era, or a take on the Bonnie and Clyde story. But the three-piece that incorporated a healthy dose of Beatles melody, Texas blues, latin rhythms, and rock licks into their upbeat sound had been grinding it out on the Austin scene as a great live act for years.

    They hit it huge with the aforementioned song from their album, All the Pain Money Can Buy, which went platinum in an era when alternative acts could make money. They will celebrate the 20th anniversary of that album with an intimate show at the Dosey Doe.

    Fastball performs at the Big Barn at Dosey Doe, located at 25911 I-45 North, The Woodlands, on Friday, December 14. Tickets start at $28 plus fees - includes a three-course meal. Doors open at 6:30 pm.

    Jason Mraz
    Jason Mraz, the soft butter of pop-rock, will bring his chill vibes to Sugar Land for what is billed as an intimate acoustic concert (isn't this his thing?). "The Remedy (I Won't Worry)" singer will be joined by percussionist Toca Rivera. Mraz is touring behind his latest, Know, which has been garnering decent reviews from the music press. Fans of Dave Matthews Band, Jack Johnson, and other similarly so-so music will surely love this.

    Jason Mraz headlines the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Friday, December 14. Tickets start at $34.50 plus fees. Show starts at 8 pm.

    Sleep at White Oak
    Stoner rock fans, rejoice! California band Sleep, pioneers of the sludgy, grungy, Black Sabbath-indebted sound that influenced dozens of bands, including Queens of the Stone Age, are back with the critically acclaimed 2018 album, The Sciences, their first in 15 years.

    Loud, methodical, and high as a kite, Sleep are the definition of stoner rock — a band for metal heads that enjoy some herbal relaxation instead of leather pants and Jack Daniels. Sleep first broke up in 2003, but not before they launched countless acts aping their sound. Bring your earplugs to this one.

    Sleep is at White Oak Music Hall, located at 2915 N Main St., on Saturday, December 15. Pinkish Black opens. Tickets start at $25 plus fees. Doors open at 8 pm.

    Industrial pioneers Ministry is at the House of Blues on Thursday, December 13.

    Ministry
    Photo courtesy of Aztec Theatre
    Industrial pioneers Ministry is at the House of Blues on Thursday, December 13.
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    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

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