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    Chime at Main Street Square

    Pop-up sculpture lets you compose a special tune to share with downtown Houston

    Tarra Gaines
    Dec 5, 2016 | 11:12 am

    Ready to make beautiful music together, Houston? Then, let’s meet at Main Street Square to play a tune on the art, as the new pop up interactive sculptural installation Chime lets us all become musicians and compose our own special melody to share with all of downtown.

    Just recently popping up amid the Main Street Square Art Blocks, Chime looks a bit like someone built a cute wooden shack in front of the former Sakowitz department store building along the METRORail line between Lamar and Dallas Streets. That someone is Civic Harmony, a design team comprised of artist Dan Gottwald and urban designer Scott Watkins. Gottwald was in Houston for the Chime unveiling and talked about all the music we’ll be making this holiday season as Houstonians discover another reason to explore the streets of downtown.

    As a sound artist, with degrees in sculpture and electronic music Gottwald’s objective is “to provide sculptural music” to cities and communities.

    “I don’t like barriers of virtuosity or perfection or practice even,” he explained. “To release something like this into the world that you don’t need any specific musical training to make a really nice piece of music is kind of my goal. What I’ve done with Civic Harmony is to expand on that.”

    Chime began as an experimental art piece created for the Market Steet Prototyping Festival in San Francisco, but has evolved since then so that the Houston Chime is the largest version yet. Gottwald’s initially had an idea of a big wall of “things you could hit, a big percussion instrument” but he was “really, really hesitant to leave hammers out for everybody or moving parts exposed to the general public.” Thinking outside the box for a time, he came up with a giant box-like solution.

    “It just kind of dawned on me we could put everything on the inside of whatever it was we were doing and use a pendulum,” Gottwald described.

    Two sides of Chime consist of vertical panels, a bit like the peddles of a piano, but they’re meant to be gently pushed with hands. Within the giant wooden instrument, the panels cause the pendulums to swing and hit the interior chimes. Just by giving the panel a slight shove a passerby becomes a musician, but don’t be surprised if your solo soon becomes a duet.

    “You set the whole thing into motion,” said Gottwald, but also noted that both sides work “in conjunction with the other side. You push over here and it starts moving everything over there, in a one-to-one relationship. The size of this thing prevents you from seeing what’s going on on the other side and whether anybody is over there. You can generate some pretty surprising interactions.”

    When I asked Gottwald if there was one instrument Chime reminds him of or that inspired him, he explained that some people think of a piano when they play it, others a glockenspiel, but for him it most resembles simple wind chimes, with humans as “the the wind that enacts the motion of everything.”

    Chime will remain in Main Street Square until the first week of January, but we won’t necessarily hear the fading of its notes anytime soon. The Downtown District acquired this Chime version, and they plan to bring it back out to the streets of downtown on special and perhaps even everyday occasions. It takes a bit of dismantling and carting, but Chime is definitely transportable.

    “We were looking for some more pop up installations to complement the four, year-long [Art Block] installations that we had in Main Street Square, and Chime had been on our radar for almost a year,” explained Angie Bertinot Houston Downtown Management District director of marketing & communications. “I love the idea of moving it around downtown,” she said and hinted that while nothing is definite, the Super Bowl might be another great time for visitors and local residents alike to discover an artful Houston and chime right in their own creative musical compositions.

    The Chime interior consists of pendulums and chimes.

    Chime Art Blocks-interior
    Photo by Joel Luks
    The Chime interior consists of pendulums and chimes.
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    Best August Theater

    8 best new plays and musicals opening on Houston stages this month

    Tarra Gaines
    Aug 3, 2026 | 11:00 am
    Queensbury Theatre presents Mean Girls
    Photo by Alexander Cross
    Queensbury Theatre presents Mean Girls

    August tends to bring darkened stages across Houston theaters as our favorite local companies prepare for the big fall season. But this month, Houstonians still have lots of summer theatrical shows and musicals opening.

    Many of these productions spotlight family relationships and dynamics. From long lost twins to bickering sister Muses to awkward meet-the-parents family dinners, Houston stages show us families at their most dramatic and comic. In addition, Stages takes us to Vegas with a nun tour guide and Miller Outdoor brings us dance and acrobatics amid visual art masterpieces.

    The Tempest at Miller Outdoor Theatre (now through August 7)
    As one of Shakespeare’s final plays, this story of magic, regret, revenge, and forgiveness has always been a favorite of directors. After years exiled on an enchanted island with his daughter, the aging magician, Prospero, settles the score on those who put him there, including his brother. In this production, Prospero becomes Propera, and director Sharon Ott, who is also the UH director of the School of Theatre and Dance at University of Houston will emphasize themes of motherhood.

    “There have been many productions of this play with women playing the role, so it's not a novel idea of mine,” Ott says. “But as a woman, I read this play very personally. It's even more personal as I get older because the play was written at the end of Shakespeare’s artistic life. Our design team, choreographer, and composer/sound designer will bring Shakespeare's visual and aural magic to the Miller Outdoor Theatre.”

    Comedy of Errors at Miller Outdoor Theatre (now through August 8)
    The Shakespeare Festival alternates Tempest with one of Shakespeare’s first comedies. Hijinks will ensue, interlaced with scenes of shenanigans, in this mistaken identity comedy. With warring cities, an imprisoned father, two sets of adult twins who were separated by a tempest at sea as infants, angry wives, a lost bag of money, and a very confused town who’s going to blame all the madness on witchcraft, the story could not get much more convoluted on its way to a happy ending. According to Errors director, Jack Young, this Miller production will lean in on the farcical nature of the play with a 60s “vibe” and a “cap tip” to classic television sitcoms of that era, like The Honeymooners.

    A Nice Indian Boy from Aerial Roots Theatre Company (now through August 9)
    A new Houston theater company makes an auspicious debut with this delightful twist on the “bring the fiancé home to meet the parents” plot. In fact, playwright and noted screenwriter Madhuri Shekar’s regional hit play was recently adapted into a critically acclaimed Desi rom-com. Shy and unlucky in love, gay American Indian engineer Naveen, meets the man of his dreams, Keshav, at his local Hindu temple. The only hitch is that his new love is white, though adopted by a nice Indian family. When Naveen finally takes Keshav home to meet his traditional parents, his sister arrives to bring her own drama to a most awkward dinner. The Asia Society hosts this inaugural production from Aerial Roots.

    Late Nite Catechism Las Vegas: Sister Rolls the Dice! at Stages (August 4-16)
    This is one habit Houstonians just can’t break. Yes, Denise Fennell as Sister is back with another audience participatory adventure from the Late Nite Catechism theatrical universe. In this one, the church needs a new roof, so Father Murphy has decided that Sister, with her extensive gambling experience running the church sanctioned bingo game for the last 25 years, will organize a Las Vegas Night. Sister will tackle topics ranging from magicians to show girls, all the while reminding audiences that what happens in Vegas may stay in Vegas, but God sees and remembers everything.

    Mean Girls at Queensbury Theatre (August 6-16)
    Keeping with this summer's trend of musical fun, Queensbury brings audiences this fetching Broadway adaptation of Tina Fey’s most quotable and meme-able blockbuster comedy from the early 2000s. As a reminder, the musical introduces the naive Cady on her first day of American high school as she tries to break into the mean girls clique who rules the school. This production showcases a great local cast with some Texas musical theater heavy vocal hitters, like Abigail Bensman, Sara Sachi, Teresa Zimmermann, and Holland Vavra.

    Xanadu from Garden Theatre (August 14-30)
    The 2007 jukebox musical adaptation of the cult classic '80s hit Broadway tells the story of a Greek muse who descends to Earth to inspire a young painter and a former '40s big band musician-turned-real estate mogul to partner in opening a roller disco night club, plus added subplots involving sibling jealousy and demigoddess pranks among the muses. (Houston connection fun fact: Theatre Under the Stars artistic director, Dan Knechtges, was nominated for a Tony Award for his choreography of the original Broadway production of the show.) Since then, Xanadu has become a campy hit for regional theaters across the nation. Next up, Garden Theatre slips on the roller skates and weaves some “Strange Magic” for end of summer fun in the intimate Matchbox 3.

    Holly Street at A.D. Players (August 19-September 6)
    The Houston theater company that specializes in family-friendly productions with spiritual themes opens its 26-27 season a little early with this world premiere drama about a unique kind of love geometry. Set in the 1940s after World War II, the play tells the story of two sisters ,Virginia and Martha, as they prepare for a Christmas pageant in rural Kentucky. But the holidays are not so joyful, as Virginia recently lost her fiancée, Paul, during the war. As life sputters forward, two veterans and friends of Paul arrive unexpectedly having also fallen for Virginia through her letters when Paul read them aloud at the front. As Christmas nears, hidden truths surface, loyalties are tested, and affection and grief collide in surprising ways.

    Cirque-tacular: The Art of Circus at Miller Outdoor Theatre (August 28)
    Still celebrating its reopening, Miller Outdoor brings in Cirque-tacular, the New York based aerial and ground acrobatic performing arts company with a history of lots of off-Broadway and internationally touring hits. Its Art of Circus show surrounds performers with sets that recreate some of the greatest art masterpieces. From Van Gogh’s swirling skies, to Da Vinci’s all perceiving genius, Warhol’s pop images, and O’Keeffe’s beguiling natural forms, these colors, movements, and stories inside the paintings inspire the performers into dance, acrobatics, and aerial artistry.

    Queensbury Theatre presents Mean Girls

    Photo by Alexander Cross

    Queensbury Theatre presents Mean Girls

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