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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 4, 2018 | 2:20 pm

    The CultureMap weekly live music column is usually a chronological affair, taking readers through the biggest, best, and most noteworthy shows day-by-day. But this week, we're going to skip to the most important first because it's that big of a deal and will likely be some of the biggest shows of the year.

    The Rocket Man himself, Sir Elton John will make what he says to be his last appearance on a Houston stage as a performer this weekend, capping a legendary career with his Farewell Yellow Brick Road tour. While music retirements are usually as hard and fast as comic book character deaths, there is a legitimate chance this one will stick. The 71-year-old is a gazillionaire, has sold almost as many albums (over 300 million), influenced countless musicians, has little left to prove, and nothing more to accomplish. At this point, he's doing it because he was born to do it, music is simply the same to him as breathing (with big thanks to his mum in the recent poignant, tear-jerking Christmas ad).

    It would be nearly impossible to list all of his hits here, especially since he achieved at least one Top 40 song every year from 1970 to 1999. But expect to hear his biggest, "Candle in the Wind," "Bennie and the Jets," "Don't Let the Sun Go Down On Me," "Goodbye Yellow Brick Road," "Your Song," "I Guess That's Why They Call It the Blues," among many others.

    It's not shocking that both his Saturday and Sunday show are completely sold out. But if you are a fan and have access to a savings account, the money it will take to buy a ticket on the resale market it will be worth it to see one of most talented stars in the history of music tickle the ivories one more time. His talents as a live performer will be missed.

    Elton John says farewell to all the tiny dancers at the Toyota Center, located at 1510 Polk St., on Saturday, December 8 and Sunday, December 9. Tickets start at $195 on the resale market. Doors open at 7 pm.

    Born Ruffians at White Oak
    Toronto indie-rock act Born Ruffians made waves in their native land since their inception in the mid-aughts, but are making a play for relevancy in the U.S. The three-piece has toured with some of the indie-rock circuit's best including Franz Ferdinand, Peter Bjorn and John, and Caribou, their eclectic indie rhythms combined with folky melodies. Their latest is Uncle, Duke & the Chief.

    Born Ruffians play White Oak Music Hall, located at 2915 N Main St., on Tuesday, December 4. Little Junior opens. Tickets are $15 plus service fees. Doors open at 7 pm.

    CultureMap recommends: Nashville rising star Maggie Rose
    Singer-songwriter Maggie Rose is making big waves in her homebase of Nashville and beyond, gaining notices in major music publications, including NPR, Vogue, and USA Today, for her multi-genre style outside of country. She's touring with a 13-piece band, resulting in a blast of soul, funk, rock 'n roll, blues, gospel, and pop. Instead of Dolly, it's way more Arethra, allowing Rose's powerhouse voice to shine, embracing her inner diva.

    Maggie Rose performs at Warehouse Live, located at 813 St Emanuel St, on Friday, December 7. Oliver Penn opens. Tickets start at $10 plus service fees. Doors open at 7 pm.

    '70s R&B and soul with The Commodores and The Temptations
    It's an oldies double-bill at Arena Theatre this Friday as The Commodores and The Temptations are responsible for some of the biggest hits of the pop, R&B, and soul of the '60s, '70s, and '80s. The former act is mostly famous for when Lionel Ritchie was a co-lead singer and songwriter in the band before venturing off as a solo artist. Their song include the best of A.M. radio, "Three Times a Lady," "Easy," and "Nightshift." The Temptations are just as famous for their sweet, sweet melodies and dance moves to match. "My Girl," "Papa Was a Rollin' Stone," and "The Way You Do the Things You Do," are stone-cold classics and worth the price of admission.

    The Commodores and The Temptations are at Arena Theatre, located at 7326 Southwest Fwy, on Friday, December 7. Tickets start at $35.50 plus service fees. Show starts at 8:30 pm.

    Joy Williams (formerly of The Civil Wars)
    Unfortunately, the show at Heights Theater with the amazing blues act The Robert Cray Band on Friday is sold out, so let us point you in the direction of the upcoming performance by Joy Williams, formerly the singer of the acclaimed Americana act, The Civil Wars. She won four Grammy awards and hit No. 1 on the Billboard charts with her songwriting partner John Paul White before creative differences led to an acrimonious split in 2014. Williams has had a good solo career, which can be largely attributed to her gorgeous vocals, but the material veers more towards adult pop than her folksy back catalog. Regardless, she's a talent too good to pass up. She is touring in advance of her set-to-be released record, Front Porch.

    Joy Williams headlines the Heights Theater, located at 339 W. 19th St., on Sunday, December 9. Anthony Da Costa opens Tickets start at $26 plus a $6 service fee. Doors open at 7 pm.

    Stop and Stare at OneRepublic
    Pop-rock act OneRepublic last played at RodeoHouston earlier this year and seemed to find it difficult to fill the space, despite a good performance by lead singer Ryan Tedder. Their headlining slot at House of Blues will be the perfect venue for the "Counting Stars" and "Stop and Stare" band, allowing them to get up close and intimate with their die-hard fans as part of the Mixmas 96.5 holiday show.

    OneRepublic headlines the House of Blues, located at 1204 Caroline St., on Monday, December 10. Ocean Park Standoff, Matt Nathanson, and Brynn Elliott open. Tickets start at $59.50 plus service fees. Doors open at 6:30 pm.

    Joy Williams is at the Heights Theater on Sunday, December 9.

    Joy Williams Civil Wars
    Andy Barron
    Joy Williams is at the Heights Theater on Sunday, December 9.
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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