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    Music Matters

    This Week In Music: Lady Gaga does an H-Town encore, UK buzz act, and '90s heroes on tap

    Johnston Farrow
    Johnston Farrow
    Dec 1, 2017 | 10:00 am

    After a relatively quiet week on the live music scene during the Thanksgiving holidays, a full slate of shows are on the calendar this week with some big names, buzz acts and those tapping into the nostalgia of decades gone by.

    Best Show of the Week

    One of the biggest pop stars in the world, Stefani Joanne Angelina Germanotta, aka Lady Gaga, returns to the city that served as the scene of one of her biggest triumphs. In February, Gaga held the attention of millions of people worldwide as she “jumped” from the roof of NRG Stadium to the field below to perform during halftime of Super Bowl LI. It may be easy to forget, but at the time, Gaga had been fighting her way back to the top of the pop stratosphere after the misstep of her Artpop album and left-field, but acclaimed duet record with seasoned troubadour Tony Bennett.

    Her 13-minute halftime performance gave her career the boost she needed, firmly establishing her as an all-time pop artist, her sheer creativity on full display in terms of killer costumes and set-pieces with the pipes and sugary hooks to match. Expect more of the same at the Toyota Center on Sunday night as the late-2016 release Joanne world tour swings through town for an extended encore performance.

    Come for the expertly produced hits that made her famous, that Top 40 radio still plays years later, including “Just Dance,” “Poker Face,” “Bad Romance,” “Born This Way,” and many more from her four No. 1 albums. Stay for the insane, over-the-top outfits and visuals that Gaga has made a staple throughout her career.

    Lady Gaga performs at the Toyota Center on Sunday, December 3. Tickets start at $46. Doors open at 6:30 pm.

    Best Show to See ‘90s Rock Heroes

    There was a time in the mid-‘90s that Seattle band Candlebox was set to be one of the biggest rock acts in the world. Fairly and unfairly criticized for aping the best grunge acts, Candlebox shone as brightly, albeit briefly, as its namesake. Coming off over four million sales of its self-titled 1993 album that featured hit songs “You,” and “Far Behind,” the band – led by lead singer Kevin Martin and lead guitarist Peter Klett – then released Lucy in 1995, which failed to sell a fraction of their debut. The band continued to record and perform over the years, taking a six-year hiatus at the turn of the Millennium before reuniting in 2006.

    While the group looks nothing like its original lineup – only Martin remains – you can be sure they will bust out all the old hits from a time when bands like Pearl Jam, Live and Sponge (remember them?) were ruling the airwaves. The band will hit town behind its Disappearing In Airports album and should be a good time for those itching to dust off their baggy pants, flannel shirts and wallet chains for the occasion.

    Candlebox are at Proof Bar and Patio with American Fangs and To Whom It May on Sunday, December 3. Tickets start at $20. Doors open at 5 pm.

    Best Show to Hear Killer Riffs from the UK

    British power duo Royal Blood has the distinction of being one of the few bands from across the pond to make a sizable impact on rock radio since their debut album Out of the Black produced the similarly titled single along with “Figure It Out” back in 2014. They followed it up with the equally exciting and well-received single “Lights Out” and "I Only Lie When I Love You," from this year’s stellar How Did We Get So Dark? Fans of Queens of the Stone Age, Arctic Monkeys, Muse and the heavier side of White Stripes will enjoy having their faces being melted off by the chugging riffs of guitarist Mike Kerr and pounding rhythms of Ben Thatcher.

    Royal Blood plays Buzzfestivus with Highly Suspect and Sleeping With Sirens at House of Blues on Tuesday, December 5. Tickets are sold out but you can win them on the radio or get them on the resale market starting at $113. Doors open at 6:30 pm.

    Best Show to See If You Live and Die By Pitchfork Reviews
    If Morrissey and Brian Wilson of the Beach Boys were ever to have a love child, the result might be The Drums lead-singer and songwriter Jonathan Pierce. Heralded as the best new hope for indie-rock upon the release of 2010's Summertime EP, the New York-based band followed it up with the critically acclaimed self-titled album and has been producing equally excellent records since, including this year's Abysmal Thoughts. Filled with Pierce's disaffected lyrics of generational malaise and catchy as hell, pop-laden post-punk mixed with '60s sounds, there might not be a group that speaks to the jaded worldview of its fan base as strongly as The Drums. Check out excellent singles "Let's Go Surfing," "Down By The Water," "Money" as evidence.

    The Drums play the White Oak Music Hall (Downstairs) with Hoops on Wednesday, December 6. Tickets are $18 in advance. Doors open at 7:30 pm.

    Other shows of note
    Saturday, December 2
    Fantastically talented German electro producer and DJ Boyz Noize will lay down what is sure to be an amazing set at Stereo Live with Brodinski. Tickets start at $10. Doors open at 9 pm.

    Hard rockers Chevelle bring their gnarly radio-friendly tunes to Revention Music Hall with openers 10 Years. Tickets are available at $55. Doors open at 6:30 pm.

    Wednesday, December 6
    Alternative rock band Grizfolk plays at White Oak Music Hall (upstairs) as part of the Love Street Live showcase. The best part might be opener, Austin-based Walker Lukens, who has put out one of the best albums of the year with Tell It To The Judge, a multi-genre mash-up that recalls Beck jamming with Prince with a dash of Southern blues and doo wop. Tickets are only $8 in advance, $15 the day of the show. Doors open at 7:30 pm.

    Music blog fave Wye Oak brings its unique indie rock to The Secret Group. Hailing from Baltimore, the duo fits in with that scene's ethereal, synth-driven sounds that fans of Beach House and Lower Dens will be sure to enjoy. Openers are Bayonne. Tickets are $15 in advance. Show starts at 8 pm.

    Thursday, December 7
    The Monster Energy Outbreak Tour serves up its next edition of up-and-coming music groups at House of Blues. Previous acts to play these tours include Kendrick Lamar, Chainsmokers, and DNCE. Waterparks, As It Is, Chapel and Sleep On It will showcase at the event. Tickets are $18.50. Doors open at 5:30 pm.

    German uber-DJ/producer Boyz Noize brings his exciting electro rave-up to Stereo Live on Saturday, December 2.

    Boyz_Noize
    Boyz Noize/Facebook
    German uber-DJ/producer Boyz Noize brings his exciting electro rave-up to Stereo Live on Saturday, December 2.
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    Movie Review

    Supergirl fails to take flight in a movie weighed down by grief

    Alex Bentley
    Jun 26, 2026 | 3:15 pm
    Milly Alcock in Supergirl
    Photo courtesy of DC Studios and Warner Bros. Pictures
    Milly Alcock in Supergirl.

    Last year's Superman reboot brought a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

    When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

    Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

    Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

    Milly Alcock and Krypto in Supergirl Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

    To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

    Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

    Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

    While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

    ---

    Supergirl is now playing in theaters.

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