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    amazing grace

    Talented Houston teen graces top 10 finals on The Voice

    Johnston Farrow
    Johnston Farrow
    Nov 30, 2018 | 2:05 pm

    She's done it again.

    Sarah Grace, the 15-year-old Houston singer, has moved on to the final stages of the Emmy award-winning NBC music competition show, The Voice, after a performance of "Dog Days Are Over" by Florence and The Machine. Sarah Grace was voted to join the top ten finalists by viewers of the show across North America. She is in an exclusive group after approximately 30,000 people auditioned to be on the show.

    "I'm so excited," exclaims Sarah Grace from Los Angeles, where she's in rehearsals for next week's show. "I'm blessed to have this opportunity. I'm shocked out of my mind and obviously I'm very grateful that America sees something in me and wants to see me every week. So that's been really cool."

    The pressure will continue to build for Sarah Grace as the competition moves into the final three weeks, with a few contestants knocked off each episode until a winner is named. As long as she's on the show, the Houston native will live in Los Angeles, where she is joined by her father during the Cinderella run. Her days consist of school, video shoots, and rehearsals with mentor Kelly Clarkson and the live studio band.

    "Working with the band and Kelly Clarkson has been so amazing," Grace says. "I've learned so much but I've really enjoyed spending time with and collaborating with the other artists on the show. There's been so many great aspects to participating."

    Across Houston, watch parties are popping up to cheer the Houston native on. The most notable one, started by her mother and sister, Reagan, takes place at the BJ's Restaurant and Brewhouse in Webster weekly. This week will be no different, with a group gathering to see if Sarah Grace can move closer to The Voice crown on December 3. Her school, the High School for the Performing and Visual Arts, will also host a watch party that evening.

    "My friends back home have been so supportive," she says. "I couldn't have come from a better group of people. My school has been so great about supporting my time out here and being flexible with school work."

    The exposure has been a boon to her local music career as well. Her band, Sarah Grace and the Soul, in which she plays with her sister, will play the Big Barn at Dosey Doe on December 22 and they'll perform at the Old Settler's Music Festival in April alongside major touring acts like Jason Isbell and the 400 Unit, Brandi Carlile, and The Last Bandoleros.

    No matter the outcome, Sarah Grace feels like she's made the most out of her opportunity, even if performing for a TV audience for three minutes is much different than playing a 90-minute gig back home. The expereince is something she'll be able to take with her as she continues to pursue her music career.

    "I feel like I've gotten everything out of it that I've wanted," she says. "I've had a national platform every week, on Mondays and Tuesdays, for the past three weeks and that's opened me up to such a huge audience. There have been a lot of people who have reached out to me to collaborate or to book [the band]. That's exactly what I wanted out of this and it's been so much fun."

    She's also quick to remind people to tune in, when two more contestants will be sent home, but one can be saved by fan votes via social media.

    "Make sure you vote and make sure you're watching on Tuesday just in case I need you for the Twitter save," she says.

    Houston's Sarah Grace became a Top Ten finalist on the hit NBC show, The Voice, last week with a Florence and The Machine song.

    Sarah Grace The Voice
    Courtesy The Voice
    Houston's Sarah Grace became a Top Ten finalist on the hit NBC show, The Voice, last week with a Florence and The Machine song.
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    Movie Review

    George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

    Alex Bentley
    Nov 21, 2025 | 3:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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