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    Move Magic

    Hunger Games stars open up on the secrets, stresses and stunts of the movie series

    Tyler Rudick
    Nov 24, 2013 | 8:31 am

    At long last, ravenous Hunger Games fans can sink their teeth into Catching Fire, the long-awaited second installment in fantasy film franchise swiftly rivaling the empire built by that wizard kid with the glasses.

    CultureMap sat down with stars Alan Ritchson, Stephanie Leigh Schlund and Golden Globe-winner Jeffrey Wright at the Houston Four Seasons to hear how they developed three of the film's most formidable contestants in the gruesome 75th annual Hunger Games.

    While filming on location in Hawaii may sound like a Hollywood dream to most of us, Ritchson and Schlund — who play knife-wielding siblings Gloss and Cashmere — agree that the physical demands of their roles added a layer of stress to their extended stay in paradise.

    "I've never had to train as hard as I trained for this," explains Ritchson.

    "I've never had to train as hard as I trained for this," explains Ritchson, a Smallville alum recently cast as Raphael in Michael Bay's reboot of the Teenage Mutant Ninja Turtles series. "I thought I was in better shape than I was. In the first five minutes, I was dry-heaving and asking for a break.

    "Everyone was making fun of me . . . because it was just the warm up."

    With the exception of few dangerous falls, Schlund says that she and Ritchson did all their own stunts after months of knife training and rehearsals.

    "They set us up in a corner of this warehouse and there'd be weapons flying in every direction. If someone hollered 'duck,' you'd better duck," she laughs. "They taught us the basic moves, but you didn't know what you'll actually be doing until you're on set because of the rocks or sand or trees."

    For exploring the depth of their characters, cast members had the rare opportunity to refer to the original trilogy of young adult novels by Suzanne Collins, who co-wrote the screenplay and remained on set throughout the filming process.

    "Younger audience members don't have ownership of other films and stories like they do with The Hunger Games. I think ​it's going to blow the minds of fans."

    "[Suzanne Collins] has an incredible ability to reveal her characters with so few words," Ritchson says. "It was a huge advantage for us that the screenplay was so faithfully adapted from the novels. The author's intent was well preserved in the film, so the books became these wonderful resources."

    For Jeffrey Wright — known for playing Felix Leiter in the current James Bond series as well as for his starring role in the 1996 cult classic Basquiat — the book series not only provided insight into his tech-saavy character Beetee, but also helped to unravel the complex post-apocalyptic world created by Collins.

    "Francis Lawrence, the director, has this amazingly clear vision of the larger storyline," he notes. "Younger audience members don't have ownership of other films and stories like they do with The Hunger Games. I think ​it's going to blow the minds of fans."

    While the books may have been written for young adults, Wright says the mass appeal of the franchise stretches across generation lines thanks to its pointed social commentary.

    "At the spinal center of the film are these themes that will raise broader questions among viewers about themselves and the world around them. That's the best filmmaking you can have, this wonderful marriage of escapism and relevance."

    The Hunger Games: Catching Fire official movie poster (detail)

    The Hunger Games Catching Fire official movie poster November 2013 DETAIL
    Collider.com
    The Hunger Games: Catching Fire official movie poster (detail)
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    Movie Review

    George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

    Alex Bentley
    Nov 21, 2025 | 3:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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