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    New Cutting-Edge Performances

    Houston hits the arts jackpot as new entertainment company showcases cutting-edge performing artists

    Tarra Gaines
    Nov 19, 2015 | 12:45 pm

    Several hours before Bridget Everett, one of New York’s hottest cabaret stars and an Inside Amy Schumer frequent guest, took the stage at the MATCH, Kathryn Lott and Allison Lott, founders of Lott Entertainment Presents, were supervising the pre-show preparations of Matchbox 3, worrying over a string of light bulbs falling and a logo misprint in the programs. Of course, once showtime arrived and Everett entered singing songs of all-sized titty pride and using her own ample bra-less breasts as weapons of cabaret comedy terror, no one in the audience was paying much attention to the logos in the programs.

    There’s a new performing arts presenting company in town and with Everett as their first show, beautifully bellowing for us all to “Fuck Some Shit Up” as a kind of rallying cry, the Lott partners are making it clear that this is definitely not your grandma’s performing arts series, unless Gammy is really into bizarre and sexual explicate cabaret and off, off Broadway innovated and interactive plays.

    A Houston void?

    I went to talk with Allison and Kathryn as they did their debut show preparations, and soon found their fill-the-void philosophy for bringing acts to Houston was more than a motto.

    “Our goal is to be different and our goal in programming is to bring something that wouldn’t be here otherwise. That’s the first question we ask ourselves when we’re looking at shows,” explained Allison Lott.

    No, they’re not related, but the women became friends while working at Society for the Performing Arts. They later left to start their own consulting and special events firm, but still their performing arts experience kept calling them to do something alongside Lott Entertainment. A trip to New York to see the off Broadway play The Other Mozart and to catch shows at the iconic Joe’s Pub nightclub at the Public Theater made them realize that Houston is missing out on some great performing art.

    “We just couldn’t stop talking about how Houston doesn’t have this sort of thing,” described Allison Lott. After wondering why no one was bringing these kind of cutting-edge acts to Houston, they began to ask: Why not them? And so was born the non-profit offshoot of Lott Entertainment, Lott Entertainment Present.

    They were first determined to bring the one-woman play The Other Mozart, the little known true story of musical prodigy Nannerl Mozart, the sister of Wolfgang Amadeus. But early on they also started talks with some of the people behind the programming of Joe’s Pub.

    Opening their own pub

    Joe’s Pub has brought so many international-know and up and coming singers and performing artists to its intimate stage, while cultivating new acts and helping them to develop their work, that its gained a reputation as THE showcase for new talent. What Joe’s Pub does has never been completely duplicated outside New York, but now Allison and Kathryn are ready to see if it could possibly be loosely franchised with their Joe’s Pub Series. They’ll bring in some of the venue’s staple artists within the Lott Entertainment Presents season.

    “We started the conversation with Joe’s Pub thinking: No Way. But they actually bit really easily. They were really excited about it, and thought Houston was a great market,” explained Kathryn Lott, and adding “I think it’s going to a huge claim to our company and to our city to have the first Joe’s Pub outside from New York City.”

    The new year will bring the rest of this debut season, starting with The Other Mozart on January 7 and continuing with two more from the Joe's Pub Series with Daniel Koren (Feburary 18-20) and Bridget Barkan (April 7). The Method Gun (May 26-28) rounds out the 2015-2016 lineup. The shows of this first season don’t have any striking themes in common, but Team Lott promises they’ll all be “high quality art.”

    “The thought behind the first season is go really big and bold and show you what the brand is from the very first show, hoping you’ll trust me after that and you’ll have such a good time you’ll take even more risks with me,” said Kathryn Lott of her programming strategy.

    A Texas Method to the Madness

    They’ll end this inaugural season in May not looking to New York for inspiration but to some real Texas grown theater with the Austin based Rude Mechs and their joyous comedy The Method Gun, a work that’s part play, part dance and all weird tribute to acting and the volatile and inspirational student/teacher relationship. (I saw The Method Gun in Austin in 2014 and it was my favorite live performance of that year.) This last production will take place on the larger and more traditional Matchbox 4 stage.

    The Lott not-sisters are pleased with their fit into the MATCH and how easily Matchbox 3 could be turned into a Joe’s Pub-inspired space. Of the MATCH Kathryn Lott finds, “It was new. We were knew. They had this space which was just perfect, and we knew we could turn it into Joe’s Pub.”

    Still, the team is committed to “fluidity” in the future, explained Allison Lott. They want the freedom “to add and not be tied to that traditional model” of a set season like many performing arts organizations. Looking, hopefully, to coming years, they plan to explore putting shows in other venues around town.

    “There are going to be times when you won’t know where we’re going to pop up next. There eventually will be a big element of surprise,” promises Kathryn Lott, the woman who has just brought Houston a brimming eye-full of the faux-leopard-skin panty covered crotch of Bridget Everett. Here’s to seeing what’s next.

    Kathryn Lott & Allison Lott are set to bring innovative performing arts to Houston.

    Lott Entertainment Presents, Allison & Kathryn
    Photo by Julie Soefer
    Kathryn Lott & Allison Lott are set to bring innovative performing arts to Houston.
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    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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