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    Houston's Future Plans

    Want to see the plans for Houston's future? New vision for the city being laid out by power players

    Joel Luks
    Nov 14, 2014 | 12:01 pm

    How to change Houston's image from a city where someone comes to make a living to a place where one wants to live?

    With such a charge in mind, Mayor Annise Parker officially launched the City of Houston's Arts and Cultural Plan at a gathering at the Ensemble Theatre this week. In the presence of the who's who of the city's arts cognoscenti, Parker introduced the key players at the helm.

    Philanthropist Philamena Baird and Project Row Houses founder Rick Lowe will be volunteer chairs — whom Parker endearingly dubbing them "Batman and Robin" — while assistant for cultural affairs Minnette Boesel and lead consultant Debbie McNulty have accepted the responsibility of piloting the document. The last official plan that addressed Houston's cultural sector was completed in way back in 1993.

    Alongside a committee of 30-plus arts stakeholders, the team will lead an ambitious, open-sourced initiative that uses a portion of revenue from the hotel occupancy tax, from which the arts are allotted 1.3 percent of this tourism levy.

    "If Houston is truly a leading indicator for America's future, we want to make sure that the arts thrive, that the arts are appreciated and that the arts are supported."

    "In my time as major, I get eye rolls from other city officials when discussing Houston as the largest unzoned city in the country," Parker says. "Just because we don't have zoning, it doesn't mean we don't do planning — but we really don't plan as much as we should."

    The project is part of a Houston General Plan currently being developed by the Planning and Development Department. This overall framework, scheduled to be completed in the spring of 2015, will explore how the city needs to prepare to accommodate the more than one million residents who're expected to relocate to the Bayou City in the next two decades. The General Plan will comprise a blueprint for the future of libraries, parks and bike paths, in addition to arts and culture.

    "If you don't know where you want to be, how can you tell if you are on the right track?" Boesel says. "The first few months are all about listening. We're here tonight to listen and dialogue with each other, for city and organization staff to listen to the general public, and to activate arts and culture as an important topic of conversation throughout our city."

    Such a lively interchange of ideas began with the event guests that included Houston Symphony CEO Mark Hanson, Houston Ballet executive director James Nelson, Miller Outdoor Theatre Cissy Segall Davis, Houston Grand Opera managing director Perryn Leech, Fresh Arts executive director Jenni Rebecca Stephenson, gallerists Nicole Longnecker and Barbara Davis, Contemporary Arts Museum Houston director Bill Arning, Museum of Fine Arts, Houston director Gary Tinterow, Cynthia Woods Mitchell Center for the Arts executive director Karen Farber and Houston Arts Alliance president and CEO Jonathon Glus.

    ByYou City website is an online platform for civic engagement that will serve as an interactive tool to gather public opinion.

    Each was given green and red dots as a democratic exercise to vote on keywords that could limn the zeitgeist of Houston's arts and culture scene. While descriptors such as "collaborative" (next to which Andrea Cody of Dance Source Houston wrote in "synergy" as a relevant suggestion), "transformative," "multicultural," "education," "relevant," "meaningful" and "international" received the most endorsements. Terms such as "trendy," "hip" and "competitive" were overwhelmingly given the thumbs down.

    Others such as "faith" and "accessible" had enough representation on both sides that further powwow would be required to define their role within the strategic planning process.

    To collect input from outside the typical art consumer, Boesel announced the engagement of Black Sheep Agency's founder Aimee Woodall and chief strategy officer Monica Danna. The duo will be instrumental in driving Houstonians to the newly launched ByYou City website, an online platform for civic engagement that will serve as an interactive tool to gather public opinion.

    "Will the cultural plan address education? Will the cultural plan concentrate on the marquee organizations or will it support individual artists?" questioned Parker. "Fortunately, now we will know.

    "If Houston is truly a leading indicator for America's future, we want to make sure that the arts thrive, that the arts are appreciated and that the arts are supported."

    A green and red dot democratic exercise asked guests to vote on keywords that could limn the zeitgeist of Houston's arts and culture scene.

    Cultural Arts launch event at Ensemble Theatre
    Photo by David A. Brown
    A green and red dot democratic exercise asked guests to vote on keywords that could limn the zeitgeist of Houston's arts and culture scene.
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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