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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Nov 13, 2018 | 2:26 pm

    The concert season is slowing down ahead of Thanksgiving next week and the cold weather, but that doesn't mean plans aren't being made for sunnier and warmer days.

    This week, British trio and arguably the biggest rock band in the world, Muse, announced they would kick off their Simulation Theory world tour in earnest right here in in Houston. The fact that they will place the more intimate confines of the Toyota Center, as opposed to a music festival or ampitheater, will make this one of the hottest tickets of the 2019. Tickets are on sale now and come with a copy of their latest album and tour namesake, Simulation Theory.

    Meanwhile, there are plenty of shows to warm up with this week in the Bayou City. Here are CultureMap's biggest, best, and most notable shows of the week:

    Ben Rector
    Want to know how fast Americana/pop-rock singer-songwriter Ben Rector's star is rising? His latest album, Magic, debuted at No. 1 on Billboard magazine's Americana/Folk album chart, dethroning Chris Stapleton's 111-week run in that position. That's impressive. The Nashville-based piano player is on his biggest tour yet, Rector's new album isn't really Americana. It's more in line with the more upbeat odes by Coldplay or OneRepublic, so it's no surprise he's catching on in a big way.

    Ben Rector performs at the Revention Music Center, located at 520 Texas Ave., on Wednesday, November 14. The Band Camino opens. Tickets start at $30 plus service fees. Doors open at 7 pm.

    CultureMap recommends: Cory Henry and the Funk Apostles
    Considered one of the the best Hammond organ players in the game right now, Cory Henry rolls into town with his band, the Funk Apostles, a collective of top-rate players. The two-time Grammy award winner is a master at mixing genres, including jazz, soul, R&B, and pop, meaning it'll be necessary to do some stretching before this show at the intimate Heights Theater as the grooves are set to commence. The group is touring behind their debut album, Love Will Find a Way.

    Cory Henry and the Funk Apostles hit the Heights Theater, located at 339 W. 19th St., on Friday, November 16. Tickets start at $22 plus a $6 service fee. Doors open at 7 pm.

    CultureMap show of the week: AstroWorld Festival
    The biggest question on everyone's lips in the local music scene is who is going to play the AstroWorld Festival this weekend at NRG Park? We all know Houston's own Travis Scott will headline, promoting the album of the same name, and his partner, Kylie Jenner will be selling make-up. But organizers thus far abstained from revealing any other performers.

    Inside sources told CultureMap that Post Malone, Lil' Wayne, and Rae Sremmurd will make appearances with a potential surprise guest, but take that with a grain of salt until the official word comes down. That hasn't stopped fans from snatching up all the tickets to this thing that no one really knows much about. Maybe the mystery is the point (insert chin-scratching emoji here)? Although we're not sure what point organizers were trying to make in keeping it a secret.

    AstroWorld Festival takes place at NRG Park, located at 1 NRG Pwky, on Saturday, November 17. Tickets start at $119 (but may have to be purchased on the re-sale market). Gates open at noon. An after-party will go down at Spire Nightclub, located at 1720 Main St. Tickets are $50 plus service fees. Doors open at 10 pm.

    Glo-stick nation: DJ Irene
    Raver kids, time to pull out those phat pants, pacifiers, and candy necklaces. Houston had a pretty thriving underground rave scene in the late-'90s/early-2000s and very few DJs were more popular than house master DJ Irene. The Los Angeles-based producer has been a mainstay on the dance music circuit for 20 years and widely beloved by fans for her hard and funky beats and melodic, progressive interludes. There's no doubt that EDM wouldn't have blown up in the U.S. without her influence. This set will be a real treat for those who love to put their dancing shoes to the test.

    DJ Irene comes to Gravity Nightclub, located at 2401 South Main St., on Saturday, November 17. Tickets start at $10 plus service fees. Doors open at 9 pm.

    Iceage and The Black Lips
    Danish post-punk band Iceage rolls into town for its second show of the year, this time at the bigger White Oak stage, largely based on the reception of one of the best albums of the year, Beyondless. Mixing the throwaway vocal stylings that recall The Strokes, fierce melodic punk of The Clash and The Ramones, with a dash of Joy Division, Iceage is one of the most exciting alt-rock acts going right now. They'll be joined by Atlanta garage-rock act, The Black Lips, meaning lots of bang for your buck when purchasing a ticket.

    Iceage and The Black Lips co-headline at White Oak Music Hall, located at 2915 N Main St., on Sunday, November 18. Surfbort opens. Tickets start at $20 plus a $8.53 service fee. Doors open at 7 pm.

    Bone Thugs-N-Harmony
    "Wake up, wake up, wake up — it's the first of the month..." With that opening refrain from "1st of tha Month," Bone Thugs-N-Harmony blasted on the the radar of hip-hop fans everywhere, combining mind-blowing lyrical prowess with impressivly layered, well, harmonies into a multi-platinum selling package that made the group one of the most popular acts of the '90s with huge hits such as "Tha Crossroads," "Thuggish Ruggish Bone," and "Young Thugs." This show in the tiny space that is Scout Bar should make a certain subset of '90s kids very happy.

    Bone Thugs-N-Harmony meet you at the crossroads that is Scout Bar, located at 18307 Egret Bay Blvd., on Monday, November 19. Tickets start at $35 plus fees. Doors open at 8 pm.

    H-town's own Travis Scott headlines the AstroWorld Festival this Satruday, November 17 at NRG Park.

    Day for Night Travis Scott
      
    Courtesy photo
    H-town's own Travis Scott headlines the AstroWorld Festival this Satruday, November 17 at NRG Park.
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    Movie Review

    Houston native Wes Anderson shows off comedic side in The Phoenician Scheme

    Alex Bentley
    Jun 6, 2025 | 4:00 pm
    Benicio Del Toro, Mia Threapleton, and Michael Cera in The Phoenician Scheme
    Photo courtesy of TPS Productions/Focus Features
    Benicio Del Toro, Mia Threapleton, and Michael Cera in The Phoenician Scheme.

    If you were to do a poll of the best comedy filmmakers of the 21st century, writer/director Wes Anderson is not the obvious choice to come out on top, but there’s an argument to be made for him. His quirky style doesn’t yield the guffaws that more broad comedies do, but the absurd situations he creates in his films are often more consistently funny than anything else.

    Anderson’s inimitable approach is once again on full display in The Phoenician Scheme. At its center is Zsa-Zsa Gorda (Benicio Del Toro), a much-hated businessman who’s looking to complete a number of big projects in the fictional country of Phoenicia. As he seems to be the target of multiple assassination attempts, he appoints his daughter, Liesl (Mia Threapleton), as his heir to try to ensure his legacy.

    Both she and his new assistant, Bjorn (Michael Cera), accompany him around the country as he tries to enact a scheme to have others cover the bulk of the cost for the various projects. Those he attempts to convince include Phoenician Prince Farouk (Riz Ahmed), brothers Leland (Tom Hanks) and Reagan (Bryan Cranston), fellow businessman Marseille Bob (Mathieu Amalric), ship captain Marty (Jeffrey Wright), his Cousin Hilda (Scarlett Johansson), and Uncle Nubar (Benedict Cumberbatch).

    Put in Andersonian terms, the film is a mix between the madcap antics from The Grand Budapest Hotel and the impenetrable storytelling of Asteroid City. If you were to try to understand every detail of what’s going on in the story of The Phoenician Scheme, it might take three or more viewings to do so. But the film is still highly entertaining because Anderson fills its frames with his typical visual delights, great wordplay, and his particular version of slapstick.

    Much of the comedy of the film derives from Anderson inserting moments that initially come as a surprise and then utilizing them as running jokes. The film features more blood than usual for the filmmaker, but each time a character gets wounded (or worse), it gets funnier. The assassination attempts get broader as the film goes along, and the matter-of-fact way in which they’re treated by Gorda and others is also hilarious.

    Of course, Anderson is the cinephile’s comedy director, so the film is also full of high-brow things like allusions to paintings, tributes to other filmmakers, and classical music. Each time Gorda has an attempt on his life, he briefly finds himself in a version of limbo, depicted in black-and-white by Anderson. The cast of characters Gorda finds there - including Bill Murray as God - could come straight out of a 1950s Ingmar Bergman movie.

    Del Toro has delivered some great performances over the years, but this one is near the top for him. This is his second Anderson film (following The French Dispatch) and he nails the deadpan method. Also great is Cera, who uses a ridiculous accent to make a big impression. Threapleton, the daughter of Kate Winslet, makes the most of her first big film role. The list of supporting actors is too deep to properly laud everyone, but they all fit in seamlessly.

    Opinions will differ, but for this critic’s money, Anderson is at his best when he fully leans into the comedy of his films. He does just that in The Phoenician Scheme, to the point that it doesn’t matter that the story is overly complex. The combination of his eye for visual detail, a witty script, and committed performances make it a success.

    ---

    The Phoenician Scheme is now playing in theaters.

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