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    Cinema Arts Fest Guide

    Cheat sheet to Houston Cinema Arts Festival: Big attractions and weird, fun and original flicks

    Tarra Gaines
    Nov 12, 2015 | 6:00 am

    The myriad of Houston art festivals and fairs just seem to get bigger every year, and Houston Cinema Arts Festival, which kicks off Thursday night with the premiere of a biopic about legendary singer Janis Joplin, is no exception. With over 60 films, live performances, events and parties all happening at 10 venues over eight days (November 12-19), it’s almost impossible to keep track of it all.

    The festival is keeping its strong focus on films about artists, and includes several selections on its roster that we’ll probably be seeing again around Oscar time. This year officials have also added a new extraterrestrial dimension as it teams with NASA for CineSpace. So whether you’re planning on purchasing a festival pass and seeing as much as you can, or if you’re set on finding and seeing just a few choice films, you’ve got to have a plan.

    I recommend choosing one of two strategies. Either pick a subject matter that most intrigues, or graze the schedule to come up with a kind of cinema tasting menu to experience a wide range of films. This year, along with space, there’s an intense focus on music and even an architecture film fest within the Fest.

    If you are going to buy a pass or single tickets, here’s some advice for getting the full Cinema Arts experience.

    Come for the films; stay for the parties

    Many of the screenings present opportunities to learn more about the films, with Q&A sessions or musical performances. But there’s also lots of social events offered, beginning with the opening night party for Oscar-nominated director Amy Berg’s documentary, Janis: Little Girl Blue, the revealing look at Janis Joplin’s life and music.

    Also don’t miss Christopher “Kid” Reid and Christopher “Play” Martin’s recreation of the House Party rap battle scene. They’ll be joining the party at the Cinema Arts Celebration at Brasil, Saturday night, after a screening of the film at the MFAH that afternoon.

    Nibble on some Oscar bait

    Every years there’s always a few prestigious, star-studded films that will probably make many an Oscar list come January. This year Carol is already generating big buzz. The film is based on the novel by Patricia Highsmith, and stars Cate Blanchett as a 1950s upper class housewife in love with another woman (Rooney Mara). (November 15, 8 pm at Sundance Cinemas.)

    Youth–something neither Michael Caine’s composer character nor Harvey Keitel as a film director vacationing in the Swiss Alps possess–looks to have performances that could win some big awards. (November 14, 6:15 pm at Sundance Cinemas.)

    Houston, we have no problem. . .celebrating space through cinema

    With the first year of this new collaboration between Houston Cinema Arts and NASA, the fest is set to bring in some old favorites like Apollo 13 and new, (miles-above-the) ground breaking docs, like A Year in Space. Strap yourself in and await launch time on Friday night for the CineSpace: Awards Ceremony and Screening followed by the showing of Luke and Andrew Wilson’s film Satellite Beach.

    Sticking with the fest highlights will certainly keep cinema-fans immersed in fantastic films for a week. Yet, there’s so many other quality selections on the schedule, it would be a shame not to check out at least one or two oddballs that might not be on everyone’s radar.

    With an eye towards films and events that celebrate the weird, fun and original, I’m picking a few of the lesser-known films I don’t want to miss.

    Telos: The Fantastic World of Eugene Tssui
    November 13, 6:30 pm at Sundance Cinemas
    The first film of the ArCH (Architecture Center Houston) Film Fest, within the Cinema Arts Fest, Telos chronicles the life and design imagination of Eugene Tssui. Telos asks why live in the ordinary when we can live within structures that are extraordinary. Eugene Tssui will be present at the screening, and hopefully he’ll be making another of his distinct fashion statements.

    A Woman Like Me
    November 15 at 5 pm at Sundance Cinemas
    Here are two films in one, a documentary about the making of this movie and a fictional account of director Alex Sichel’s battle with terminal cancer. Both will doubtlessly be devastating. Sichel films and plays herself directing the film and Lili Taylor plays an idealize, fictional version of Sichel, as a woman who is “having much more fun having terminal cancer,” and dying in a much more whimsical, movie way.

    Traveling Light: An Animation and Matchbox Show
    November 15, 8 pm at Cinema on the Verge Gallery-She Works Flexible
    This event is both a screening of animated films curated by Laura Heit and a matchbox puppet show live performance by Heit, which will be projected on a large screen. Within each matchbox is a whole story, maybe even a whole quirky world, that Heit reveals.

    Between the Folds
    November 16, 11 a.m. at Sundance Cinemas
    Yes it’s a documentary about origami, but it looks to also be a film about how art, beauty and science meet, overlap and perhaps even fold within each other. What happens when scientists and mathematicians become artists, and is there much difference between the two outlooks on life?

    Desired Constellations
    November 16, 8 pm at the Menil Collection
    Part of the Cinespace Art Exhibition and Screenings program within the Festival, Jeanne Liotta is one of five artists featured who explore outer space through video and photography. Liotta curates and hosts this collection of films and videos from Joseph Cornell, Hollis Frampton, along with her own Observando el Cielo.

    Peggy Guggenheim: Art Addict
    November 18, 7 pm at Sundance Cinemas
    If one can afford it, and certainly Peggy Guggenheim could, art is certain one of the best addictions to have. The documentary examines Guggenheim as a both a fascinating “colorful character” but also an influential figure in the modern art movement with a focus on her history with some of the most important modern artists of the time.

    What will be your don't-miss film for the 2015 Houston Cinema Arts Festival? For the full schedule, visit the HCAF website.

    Cinema Arts and NASA join forces for CineSpace.

    CineSpace HCAF 2015
    Courtesy of the Houston Cinema Arts Society / NASA
    Cinema Arts and NASA join forces for CineSpace.
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    let's dance

    Houston Ballet leaps into 2026-2027 with world premieres and Swan Lake

    Tarra Gaines
    Feb 17, 2026 | 10:30 am
    Artists of Houston Ballet in Stanton Welch’s Swan Lake
    Photo by Lawrence Elizabeth Knox
    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    Announcing its 2026-2027 season, Houston Ballet leaps into an immersive wonderland with the world premiere ballet Where’s Alice? from co-artistic director Stanton Welch. This is just one of many dance adventures set for a season filled with spectacular story ballets, cutting edge contemporary dances, and world premieres.

    “This season reflects the full breadth of what Houston Ballet is — and where we’re going,” Houston Ballet co-artistic director Julie Kent said in a statement. “We are honoring the great choreographic voices that have shaped our art form, from Balanchine and MacMillan to Lubovitch and Peck, while simultaneously opening the door to new creative possibilities through world premieres and bold collaborations.”

    The season begins September 11 through 20 with a classic Texas twang for Pecos Bill, the title production of an eclectic mixed repertory program. Stanton Welch’s fun and rollicking dance follows the adventures of the folklore cowboy, Pecos Bill. The program also showcases a work from 20th century dance master, George Balanchine, with the elegant and dynamic Symphonie Concertante. And for the first time, the company will perform celebrated choreographer Lar Lubovitch’s Meadow, a piece Julie Kent herself once danced when it first debuted.

    Sir Kenneth MacMillan’s Manon returns September 24 through October 4. First performed by the company in 1994, the doomed love story between irresistibly beautiful femme fatale, Manon, and impoverished student, Des Grieux, has had audiences swooning for decades.

    Of course, it wouldn’t be a Houston Ballet season without the annual Margaret Alkek Williams Jubilee of Dance. And then closing out 2026, the company gifts Houston with Welch’s delightful and delectable Nutcracker Ballet.

    The new year premieres Where's Alice? , Welch’s brand new work will be a re-envisioning of Lewis Carroll’s Alice in Wonderland, February 25 through March 7. Describing it as one of the most ambitious undertakings in HB’s recent history, the company plans for Alice to become a fully immersive theater experience that incorporates cutting-edge audio and visual effects that will take audience down the rabbit hole into a living, breathing, wondrous world.

    Keeping with what looks to be the 26-27 season’s theme of blockbuster ballets from Welch, the company floats into spring, March 11 through 21, with the classic story of Madam Butterfly, a dramatic exploration of love, sacrifice, and cultural collision danced to Puccini’s heartbreaking score.

    Beginning May 27 through June 6, HB offers the second mixed repertory program of the season, The Rite of Spring, and with it another world premiere. First, the company brings back the hypnotic, contemporary ballet, Reflections, a piece it originally debuted by the dance world’s reigning rock star, Justin Peck. Company member and up-and-coming choreographer Jacquelyn Long will create a new ballet for the program. Another highlight of the evening and the title work, Welch’s The Rite of Spring, offers a a visceral and elemental reimagining of dance for Stravinsky’s score that shocked the music world when it first debuted.

    Artists of Houston Ballet in Stanton Welch\u2019s Swan Lake

    Photo by Lawrence Elizabeth Knox

    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    The season ends June 10 through 27 with one of ballet’s most beloved stories, Swan Lake. Stanton Welch’s celebrated production was first staged by the company in 2006 and has gone on to become an audience favorite. Inspired by Pre-Raphaelite painter John William Waterhouse’s painting “The Lady of Shalott,” the production features lavish sets and costumes.

    Reflecting on the whole season and his Alice in particular, Welch echo’s Kent’s belief that the programming offers a vision that connects the company’s history, present, and future.

    “Where’s Alice? is an example of that vision – a production that pushes the boundaries of ballet through immersive sets and thought-provoking storytelling that makes you question, 'Who in the world am I?' as Alice did, creating an entirely new world audiences can step into,” Welch said. “It’s work like this that allows us to welcome new audiences into the theater while continuing to challenge and inspire our longtime supporters.”

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