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    On The Market

    The ultimate bungalow? Lovingly restored Heights house turns heads — an $825,000 time machine

    Barbara Kuntz
    Barbara Kuntz
    Nov 11, 2014 | 1:54 pm

    Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

    A once small, three-bedroom, one-bath bungalow needing some TLC in the Brooke Smith neighborhood in the Greater Heights area now stands as an authentic, accurate and admirable tribute to the original American Arts and Crafts style.

    While celebrating its own open house, the local larger-scale "ultimate bungalow" even turned heads and attracted visitors during the recent American Institute of Architects Houston 2014 Home Tour. The house, located at 512 Archer St., is now for sale at $825,000.

    "It was the house that we first lived in together. We literally got married on the front porch of this house."

    The 2,460-square-foot residence blends period details with modern features. Taken to the studs, careful craftsmanship is evident throughout, from reclaimed hardwoods and shiplap; antique doors, windows, lighting fixtures and shutters salvaged from historic structures; to custom cabinets and bookshelves. The four-bedroom charmer also offers 400 square feet of covered and screened porches, including an outdoor kitchenette, making nature very much a part of the living experience on the 5,000-square-foot lot.

    So who is behind this local authentic American Arts and Crafts revival?

    Meet Anthony Harnden, president of The Contemporary Craftsmen, a company of six determined to meticulously represent classic Craftsman style in its projects.

    Harnden took time to respond to a Q&A email from CultureMap to share more about his latest creation — down to the nails.

    CultureMap: Tell us about The Contemporary Craftsmen. What are your inspirations and goals?

    Anthony Harnden: We started in 2008 right after the recession. I got my feet wet by moving a house from the Woodland Heights to a piece of property that we had purchased the previous year next to our residence. The Contemporary Craftsmen officially started about a year and a-half ago. I am the sole member of the LLC and have six full-time employees, mostly carpenters/painters.

    I started my second period restoration about two years ago. This was a house that (my wife) Kay bought for herself before we met. It was the house that we first lived in together. We literally got married on the front porch of this house. The house was what I call a working-class Victorian — T-shaped with three rooms total plus a bathroom that was added at some point.

    I really wanted to recreate the experience I had in some of the homes we visited in New Orleans. I wanted the screened-in porches, the court yards, the French doors, sun rooms and transoms. I wanted there to be a sense of having layers of history. I finished the house, and we had a pretty good amount of interest.

    I guess the goal of The Contemporary Craftsmen is to make a connection. My inspirations come from personal experiences. One of the three couples that have showed serious interest in the house at 512 Archer, my second house in this style, spoke with me. She told me that she was from Pasadena, Calif. She lived one-half a mile from The Gamble House. She said that the house that we built reminded her of the house that she grew up in. She was even tutored in a Greene and Greene house.

    It's difficult to describe what a gift she gave me by telling me these stories. Not many people have the chance to make that kind of connection with people. I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been.

    CM: What were the major steps you took in order to begin the process to create a true American Arts & Crafts house?

    AH: One of the challenges with this design were the 3-foot eaves. Greene and Greene houses typically have closer to 5-foot eaves. With 3-foot eaves plus a 12-foot-wide driveway, the location of the house on the lot becomes an important factor. So we had to move the house over about five feet. Since we were adding up, we decided to take that opportunity to build a proper foundation for the house, so we had the house lifted about six feet so we could get under there and rebuild the foundation.

    CM: Tell us about your favorite repurposed features incorporated into the house and where you found them?

    AH: We bought a building, a two-story brick building, in the neighborhood that was built in 1929 located at 1000 Enid, our current project. This property was originally a grocery store and had rental units upstairs. We scored four clawfoot tubs and several sinks from this building. We used two of the clawfoot tubs and one of the sinks at 512 Archer. One of the other sinks came from Adkins Architectural Antiques. Many of the sconces came from August Antiques on Heights Boulevard. We also used reclaimed oak floors.

    "I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been."

    One of the things that gets noticed the most are the industrial exposed track doors, but its the subtle things like the mortise sets and porcelain door handles that are my favorites because people don’t notice those things. They just experience them when they pull the door closed. It's not visual; it's sensory and subconscious.

    CM: American Arts & Crafts houses typically have furniture built specifically for certain areas of the homes. Is any of the furniture especially made for the house?

    AH: We built the dining table out of ash. We were kind of excited about it actually. We bought the wood from Clark’s Lumber. The ash had been left in the kiln for an extended time. causing the wood to turn a beautiful deep coffee color all the way through and giving it a wonderful smell, almost like a cigar. After it was finished, we decided to rub it down with mineral oil instead of putting a finish on it so you can smell that ash when you walk in the house.

    CM: Tell us about the other house you built in this fashion?

    AH: We have done two “California Craftsmen” on this street. The other one is located at 506 Archer. We were kind of proud of that house because it was actually a new construction. If we didn’t tell you, though, you wouldn't know it. We definitely used reclaimed material in that house, but it had an element that was greater than the sum of its parts. We felt like we breathed soul into it. It really felt like it had been there 100 years.

    CM Anything else you would like to add? I heard a lot of people on the AIA Contemporary Home Tour saw the house and liked it!

    AH: I wish I could take credit for planning this, but it was purely a coincidence that our open house was on the day of the AIA tour. Our friends and neighbors have a house that was on the tour. They live four doors down. They sent quite a few people down to see our house.

    It turns out that a lot of the people on the AIA tour have an appreciation for Early American Arts and Crafts as well as contemporary. Happy accident, and generous neighbors.

    Take a visual tour of 512 Archer St. by clicking through the slideshow above.

    Square footage: 2,460

    Asking price: $825,000

    Listing agent:Kay Harnden, Berkshire Hathaway HomeServices

    The second-floor landing leads to the bedrooms and baths.

    On the Market 512 Archer St. November 2014 Upper Hall and Landing
      
    Photo by © William Tadlock
    The second-floor landing leads to the bedrooms and baths.
    unspecified
    news/home-design

    the feel of cotton

    Designer-loved Houston company makes custom bed sheets affordable

    Emily Cotton
    Jun 6, 2025 | 3:00 pm
    Look Linen Co
    Photo by Michael Hunter
    The Diamond Pique Collection boasts clean lines and a luxurious, sophisticated texture.

    Cool, crisp, freshly-pressed white cotton sheets have secured themselves into the zeitgeist — it’s how the sensation of luxury actually feels, especially when retiring from Houston’s summer heat. Now, three local ladies with deep designer roots have joined forces to bring their attainable luxury bedding line, Look Linen Co., to market. Available online and through exclusive pop-ups, Look Linen Co. offers personalized products with personalized service.

    Sylvia Longoria Dorsey and daughter Elizabeth Dorsey Fertitta joined forces with longtime friend and designer Lizzie Kappler to create a linen line that filled a gaping hole in the bedding market: local, affordable, personalizable bedding with reasonable lead times. Look Linen Co. has quickly become a designer darling due to their classic styles and stately embroidery — luckily, it’s available to everyone.

    “It’s so complicated when you’re going through custom channels,” Kappler tells CultureMap. “Lead times are long and really expensive. We really wanted to bring luxury linens to the market that feel very custom and that are accessible and feel personal, but also attainable to our customer.”

    With a generous 12 luxe embroidery color options, customization is key. “We spent a long time curating the color selections just based on what sold best from both of our [design] backgrounds,” says Kappler.


    View this post on Instagram
    A post shared by Look Linen Co. (@looklinenco)


    All Look Linen Co. products are made of 100 percent long staple cotton, imported from Europe. Monogramming is done locally and completely in-house, which allows for their quick, two week (or less) turnaround time. Three classic styles — Banded, Scalloped, and Diamond Pique — are available, as well as a new floral addition, the Lucky Collection. The soft, delicate clover pattern found in Lucky is perfect for clients who prefer to mix-and-match their linens — especially pillows.

    One of the several things setting Look Linen Co. apart from other boutique lines is their Dorm Shop. Fertitta notes that dorm room and sorority house bedding has become a booming market.

    “These girls love to decorate their dorms,” she says. To cater to that market, Look Linen Co. offers extra-long twin bedding and a specialized, oversized pillow affectionately called “The Biggie” that can double as a headboard in a pinch. All customizable, of course.

    The runaway hit product from Look Linen Co is the wildly popular, hourglass-shaped pillow called “The Boobie Pillow.” Designed to assist ladies of a certain age keep delicate décolletage skin from creasing, it also found another life as a post-surgery neck and shoulder pillow, amazing travel pillow, and so much more.

    “We started hearing people were using them at MD Anderson: ‘I couldn’t make it through without this pillow,’ or ‘my husband used it after open heart surgery,’ etc. It has really taken on a life of its own,” says Fertitta. “It’s no longer what we intended it to be, but it’s so great, and a best seller. It makes a great gift, it’s almost like a lovey!”

    For anyone curious which collection and embroidery color has been most popular, the answer is the Scallop Collection in Baby Blue, a classic choice. “Everyone loves a scallop,” says Kaplan — we tend to agree.



    Look Linen Co
      

    Photo by Michael Hunter

    The Diamond Pique Collection boasts clean lines and a luxurious, sophisticated texture.

    home-design
    news/home-design

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