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    Book is surprisingly blunt and funny

    They don't make politicians like Bill Hobby anymore — and that's too darn bad

    Elizabeth Bennett
    Nov 7, 2010 | 10:13 am
    News_Texas_State_Capitol_building
    Texas State Capitol
    Courtesy photo

    In her introduction to How Things Really Work: Lessons from a Life in Politics, by Bill Hobby, Saralee Tiede calls Hobby an “improbable politician” who isn’t a good public speaker, doesn’t like small talk, and despite a career in newspapers, “gave a terrible interview.”

    Tiede ought to know. She covered the former lieutenant governor of Texas when she was bureau chief of the Fort Worth Star-Telegram and left her reporting job to become his aide. Now she has co-authored this new book, which is full of basic facts every Texan should know, and surprisingly blunt and funny.

    One of the amusing stories in the 214-page book, published by the Dolph Briscoe Center for American History in Austin, is about how “the ladies of the Chicken Ranch” helped him get elected in his first campaign in 1972. Hobby was a friend of popular Fayette County sheriff Jim Flournoy of Best Little Whorehouse in Texas fame, he writes, and Flournoy “had the ladies . . . address postcards endorsing me.”

    Hobby,who served a record 18 years in office, from 1973-1991, also tells funny stories about LBJ, Marvin Zindler (who was a Houston reporter before he became a flamboyant television personality), and various politicians in Austin. But his book is also a serious look at issues he focused on as lieutenant governor, including education, prisons and how to pay for state government.

    And he had good political models: His father, William P. Hobby Sr., had been both lieutenant governor and governor of the state before the author was born (in 1932); his mother, Oveta Culp Hobby, was parliamentarian of the Texas House from 1925 through 1931 and was President Eisenhower’s choice as the first secretary of Health, Education and Welfare from 1953-55. She was also publisher of the defunct Houston Post during most of my reporting days at the paper, and a formidable presence in the newsroom. (One of the wonderful photos in the book includes one of Ms. Hobby with her family in 1941 looking demure and domestic, neither of which quality we who worked for her had ever observed.)

    Bill had covered the police beat during his senior year at Rice — the Hobbys owned the paper for many years — and eventually became president before the family sold it in 1983. But during his years in Austin, Post reporters in Houston, at least in the feature department where I worked, had little contact with him and seldom saw him. Unlike so many colorful Texas politicians, he thought he could accomplish more by quietly working behind the scenes.

    One of the most interesting chapters in his book is about the Texas Capitol building, the largest state capitol in the country and taller than the U.S. Capitol. During Hobby’s time in office, the building had apartments for the Speaker of the House and the lieutenant governor, though Hobby and his wife Diana didn’t live there. But they often allowed guests to stay, and one night a fire broke out in the apartment, killing one guest and almost destroying the building. Hobby would later oversee the capitol makeover, long overdue in what was an old building showing its age.

    My eyes glazed over in some of the other chapters, including one on “How the Texas Senate Works,” but the book contains a wealth of information for political junkies.

    With so much of Texas now solidly Republican, for instance, it’s hard to remember that it was pretty much a one-party state when Hobby was in office, as he reminds us: “Liberal Democrats and conservative Democrats duked it out, but they were all members of the same party.”

    He also reminds us why we’ll never have an income tax in Texas: The state constitution requires that any such legislative measure be approved by the voters.

    And Hobby doesn’t mince words about a few of his fellow politicians, including Tom DeLay, who “was not only one of the most abusive majority leaders of the U.S. House in history, he was also one of the most corrupt.”

    The late Ann Richards, on the other hand, he called “one of my greatest friends – and worst critics.” They first met when Richards was a member of Rep. Sarah Weddington’s staff, and she would eventually pay him the ultimate compliment.

    “Of all the people I’ve known that have brought about change in Texas,” she said when she was governor, “Bill Hobby has been the most effective.”

    The chicken ranch in LaGrange, 1937

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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