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    The Arthropolgist

    The theatrical art of public speaking: Whether it's UP, TEDx or Poitier, it's become an obsession

    nancy wozny
    Oct 27, 2011 | 11:23 am
    News_Nancy_The Art of the Speaker_Angela Blanchard_of Neighborhood Centers_speaking at TEDx Houston
    Angela Blanchard of Neighborhood Centers speaking at TEDx Houston
    Photo by Ed Schipul

    One stage, one human and a handful of ideas . . . so it goes in lecture land. The talk or lecture, be it an hour or 18 minutes, has been a growing presence on these shores.

    This city is just teeming with smart people sharing their big thoughts. In fact, The UP Experience, featuring 16 big name speakers, is unfolding Thursday — the same day famous food guru Michael Pollen talks at The Progressive Forum of Houston.

    I have watched many people stand in front of a hungry crowd trying to enchant us with their ideas. There's something so elemental about public speaking. There's rarely anything but a podium to hide behind. It's a brutal art form, like stand-up comedy without the jokes.

    What makes a speaker compelling? I've heard the good, the great and the just plain incoherent.

    James A. Leach mumbled through a talk on manners and civility at Rice University, however linguist George Lakoff talked a mile a minute at UT Health Science Services. Neither were particularly refined speakers, yet their potent content surpassed any need for slickness. Some are all about polished corporate style, such as Michael Eisner. Others just have a really cool idea to share, Carrie Schneider of Hear Our Houston for example.

    Topics count too, but that's not enough. "Sometimes we love the topic, but the speaker lacks the passion to deliver it," Rapp says.

    Brene Brown brought me to tears during her 2010 TEDx Houston talk, and Sal Khan had me hunting down algebra videos on Khan Academy. Both are 2011 UPsters.

    Sheryl Rapp, co-founder of The UP experience, has the task of finding speakers who have something to say and can do it in 18 minutes, the short form format developed by TED.

    "UP is designed to offer many voices and different points of view on important topics that you may not have thought about," Rapp says. "It's a pure surge of energy, ideas and the best intellectual thinking for our times."

    Rapp diligently vets every speaker, either seeing them in person or via video, and it shows in the selection.

    "You can have have more than two ideas in that time, and you want to leave the audience wanting more," Rapp says. "You also want to learn something."

    Topics count too, but that's not enough. "Sometimes we love the topic, but the speaker lacks the passion to deliver it," Rapp says. She hopes UPsters leave charged and ready to change the world.

    "You are stuck with the performing arts writer," I once told Randall Morton, founder of the Progressive Forum. "Well, a lecture is a bit like a performance," he shot back.

    Morton is a man with a mission, to get fiercely intelligent progressive thought leaders out in front of Houston's public. His events have a festive atmosphere with like minds coming together. Morton leaves little to chance, as speakers have a structured agenda, with time to rest between a reception and dazzling the Wortham Center crowd.

    "It's heavily choreographed," Morton says. Flowers grace the podium adding dash and splash, as does the theatrical setting.

    Be Interesting, Not Staged

    For Scott Brogan, founding director of the Brilliant Lectures Series, the speaker must have a compelling life narrative. And just because you are famous actor, doesn't mean you have the chops to tell it, either. Luckily, the guy up next on Nov. 7 is Sidney Poitier, who will speak on all that his life has encompassed.

    "We need the lesson of the speaker's life," Brogan says. "I want them to impart their life story, the ups and the downs."

    TEDx Houston organizer Javier Fadul, of Culture Pilot, looks for speakers who connect to the community.

    "They need to talk with the audience, not to them," says Fadul, who has helped organized two TEDx events. Speakers are selected by a committee and vary widely in polish. Thus far, all have been Houston talent.

    Last year, Neighborhood Centers president and CEO Angela Blanchard combined charm and a stunning message to make a point on neighborhood building. Despite the broad spectrum of talent among the speakers, the event fosters a wonderful sense of belonging. People come to learn and connect.

    I found Wordpress founder Matt Mullenweg to be equally humble during his WordCamp keynote. That theory fell apart when Ed Schipul took the stage, sans PowerPoint.

    I find technology speakers to be uber low key. Wired and The Well founder Kevin Kelly hardly moved from his folding chair center stage while he told us about the remarkable dependability of the Internet.

    Dries Buytaert, founder of Drupal, just seemed to casually mention that the White House uses Drupal at SchipulCon 2011. Just another day at Drupal, I guess.

    I found Wordpress founder Matt Mullenweg to be equally humble during his WordCamp keynote.

    That theory fell apart when Ed Schipul took the stage, sans PowerPoint. Schipul was all passion, with bullet point take home ideas on business building from the trenches. I liked that he was unplugged, too.

    Do I really need a photo of a flexible person when you are talking about adaptability? Let's stop with the obvious images, all the rage in business settings.

    Sometimes, a theatrical performance borrows the form of a lecture, as in Suzanne Bocanegra's When a Priest Marries a Witch, directed by Big Dance Theater's Paul Lazar, on Nov. 1, presented by University of Houston Cynthia Woods Mitchell Center for the Arts at the Museum of Fine Arts, Houston's Brown Auditorium. Bocanegra's hybrid show combines an artist talk with a sound installation, as she delves into a story about a priest, an artist and a young girl from Pasadena, Texas.

    I'm jazzed about Bill Moyers coming to Houston on Nov. 17 through the Progressive Forum. With Moyers, it's all there, message and meaning, passion and context, a life lived and drama to tell. In the end, that's what makes a lecture come to life, and therein lies its artfulness.

    Brene Brown knocks it out of the park at the first TEDx, I suspect she will do it again at UP:

    Bill Moyers will rock the Wortham on Nov. 17 through the Progressive Forum.

    Daniel Pink is coming to The UP Experience 2011.

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    Movie Review

    Feuding couple fights for survival in dark comedy Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 2:00 pm
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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