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    In Pictures

    Not just pink ribbons: Shocking breast cancer photos show the real bravery of survivors

    Barbara Kuntz
    Barbara Kuntz
    Oct 24, 2013 | 7:04 am

    See the raw beauty, strength and character of breast cancer survivors as captured through the lens of fashion photographer David Jay in The SCAR Project: Breast Cancer is Not a Pink Ribbon on view through Oct. 28 at Gremillion & Co. Fine Art Inc.

    The exhibit, sponsored by the Pink Ribbons Project, displays through Jay's 35 large-scale visuals a shockingly real world of women patients ages 18 to 35, revealing their determination to win over breast cancer. The SCAR Project is an exercise in hope, healing and humanity and is one of many events recognizing October as National Breast Cancer Awareness Month.

    “For these young women, having their portrait taken seems to represent their personal victory over this terrifying disease."

    Jay's inspiration evolved after a dear friend of his was diagnosed with breast cancer at the age of 29. Within two weeks, she'd had a mastectomy. Jay, who had taken his friend's photo many times, knew he would take pictures of her again — his way as a photographer of confronting and accepting this personal adversity. He also realized shooting for The SCAR Project would be difficult in many ways.

    "I wanted the pictures to be raw, honest, sincere," he says in a written Q&A presented with the exhibition. "Yet, I knew why the subjects had come: They wanted something beautiful. They had already suffered greatly and although I desperately wanted to serve them, I knew in my heart that compromising the visual integrity of The SCAR Project for the sake of easily digested beauty would serve no one. Certainly not the people I hoped to be impacted by the images, the public at large who remain blissfully unaware of the risk or reality of the disease . . . anesthetized by pink ribbons and fluffy, pink teddy bears."

    Six years later, Jay has photographed more than 100 women for The Scar Project. Four of the subjects have passed away thus far. He still adds images to collection, but later ones tend to be reserved for some of the most unfortunate situations as many of the women recover — and many do not. As the disease progresses, Jay continues to shoot the subjects in their scarred glory. Final photos are then added to the exhibition.

    Jay adds, “For these young women, having their portrait taken seems to represent their personal victory over this terrifying disease. It helps them reclaim their femininity, their sexuality, identity and power after having been robbed of such an important part of it.

    "Through these simple pictures, they seem to gain some acceptance of what has happened to them and the strength to move forward with pride."

    Shante

    The SCAR Project breast cancer Shante October 2013
      
    Photo by © David Jay
    Shante
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    Movie Review

    Live action Lilo & Stitch remake offers up frenzied fun and nostalgia

    Alex Bentley
    May 23, 2025 | 2:30 pm
    Lilo & Stitch
    Courtesy of Disney
    Lilo & Stitch returns to theaters this weekend.

    The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.

    Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.

    Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).

    Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.

    But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.

    The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.

    Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.

    The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.

    ---

    Lilo & Stitch is now playing in theaters.

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