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    Movie Review

    Borat Subsequent Moviefilm reflects 2020 as well as any news coverage

    Alex Bentley
    Oct 23, 2020 | 3:30 pm
    Borat Subsequent Moviefilm reflects 2020 as well as any news coverage
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    When the original Borat film came out in 2006, the United States that the fictional reporter from Kazakhstan encountered was much different than the one that exists today. At that time, just five years removed from 9/11, a satirical skewering of American customs and beliefs still had the capacity to shock despite the rise of jingoism.

    Now, on the eve of a hugely consequential election, comes Borat Subsequent Moviefilm, a movie that may go down in history as one of the most accurate reflections of the United States in 2020. Borat (Sacha Baron Cohen) once again travels to America, this time not to report on “the greatest country in the world” but to deliver a present to Vice President Mike Pence.

    And thus sets in motion another wild trip into the outrageous and outrageously brave comedy mind of Cohen. When the original gift, a monkey, meets an unsavory end at the hands of Borat’s daughter (Maria Bakalova), Borat pivots to offer her up instead. The two travel all over the country, including a stop at the 2019 State Fair of Texas, to properly prepare her for her big moment.

    The film is guaranteed to offend, whether you know what’s coming or not, as Borat holds contemptible views on everything from women to Jewish people. Of course, the point in having the character spout his bigotry is to expose the casual way in which those opinions are accepted, such as when a bakery owner has no issue with putting “Jews will not replace us” as a message on a cake.

    Viewers may find themselves watching the film through their fingers at the multiple awkward situations. Targets include a Christian anti-abortion doctor, a debutante ball, and, naturally, Trump supporters. The biggest moment in the film comes when they somehow get Rudy Giuliani to sit down for an interview, leading to a scene that will unfortunately be seared on the brains of all viewers for weeks to come.

    Scenes are edited in such a way to maximize the cluelessness or bigotry of the unwitting participants, so it’s never clear if they’re in on the joke or not. The presence of a cameraperson would seem to be a big clue that something is amiss, but many times people seem to forget they’re being recorded.

    And then there’s the 2020 of it all. Somehow, Cohen didn’t let a pandemic stop him from forging ahead in his mission, and it pays off in an extended stay with two Trump supporters in the state of Washington. The men perfectly epitomize the degree to which conspiracy theories have infected right-wing politics, and a rally they attend with Borat — without a mask in sight — is as good a time capsule of this year as any news coverage.

    Borat Subsequent Moviefilm (subtitled Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan) may not have the bite of the original, but that’s merely because the times we live in are almost impossible to satirize. But Cohen still knows how to wring comedy out of almost any situation, making for another hilariously cringeworthy experience.

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    Borat Subsequent Moviefilm is streaming exclusively on Amazon Prime Video.

    Sacha Baron Cohen in Borat Subsequent Moviefilm.

    Sacha Baron Cohen in Borat Subsequent Moviefilm
    Photo courtesy of Amazon Studios
    Sacha Baron Cohen in Borat Subsequent Moviefilm.
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

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    The Drama opens in theaters on April 3.

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