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    Live Music Now

    These are the 8 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    Oct 23, 2018 | 2:30 pm

    Taylor Swift for 2020?

    That idea would be utter nonsense until a former reality TV star and huckster of mail order steaks hadn't claimed the most powerful position in politics in 2016. While it probably won't come to fruition (but never say never), Tay-tay released a statement a few weeks in which she endorsed her Tennessean Democrat candidates in the mid-term elections via social media. Reports show that over 65,000 people registered in the day after her Instagram post, proving that music still has the power to influence the masses.

    Meanwhile, a strong slate of live shows in Houston should bring out the masses this week, regardless of political affiliation. Also, don't forget to vote.

    These are the biggest, best, and most notable shows in Houston this week:

    A night of vocals: Josh Groban and Idina Menzel
    It's a face-off of the most beloved performers among suburban moms who shop at Pottery Barn and Barnes and Nobles as vocal powerhouses Josh Groban and Idina Menzel are at Toyota Center. Groban, who also dabbles in acting (see The Good Cop on Netflix) has sold over 25 million albums based on the strength of his operatic vocals that gained him tremendous fame the early-to-mid aughts.

    Menzel is most notably famous for being the voice behind the song that will never die in "Let It Go," in the Disney film, Frozen, while being an acclaimed Broadway star. Say what you want about their cool factor, but it's hard to think of two more talented singers to put together on a bill. Groban is touring behind his new album, Bridges.

    Josh Groban headlines the Toyota Center, located at 1510 Polk St., on Tuesday, October 23. Idina Manzel opens. Tickets start at $35 plus service charges. Doors open at 7 pm.

    CultureMap Free Show of the Week: Hayes Carll at Party on the Plaza
    The last performance of the year for the fantastic Party on the Plaza concert series at Discovery Green features The Woodlands native and Grammy Award nominee Hayes Carll and his fine Americana songwriting. Carll made a name for himself by contributing several songs to the 2010 Gwyneth Paltrow film, Country Strong. Showing his versatility, Carll's albums placed on the country, folk, rock, and indie charts.

    He'll be joined by Dallas-based blues act Charley Crockett, a troubadour in every sense, having hitchhiked and train hopped across the country at a young age before releasing his first album, A Stolen Jewel, in 2015. Admission is free to this early set. Take advantage of this unique series before it goes away until 2019.

    Hayes Carll headlines Party on the Plaza, at Discovery Green, located at 1500 McKinney St., on Thursday, October 25. Charley Crockett opens. Admission is free. Bands start at 6:45 pm.

    The ecstatic folksy pop of KT Tunstall
    Indie-alt-folk-pop rocker and Scottish performer KT Tunstall might be much bigger back home, but she has established herself on these shores with a songbook that has been included in a variety of TV shows and movies that you probably liked. Her 2005 hit, "Suddenly I See," featured in the Meryl Streep vehicle, A Devil Wears Prada, Grey's Anatomy, Ugly Betty, and American Idol (for better or worse).

    Her albums have hit the top ten on the U.S. Billboard charts and she headlines major festivals in Europe, making this intimate show at the Heights Theater a treat for casual and die-hard fans alike. She's touring behind this months album, WAX.

    KT Tunstall performs at the Heights Theater, located at 339 W. 19th St., on Friday, October 26. Maddie Ross opens. Tickets are $24 plus a $6 service fee. Doors open at 7 pm.

    Cloud Nothings at White Oak
    Ohio-bred Cloud Nothings are widely considered one of the best indie rock bands right now. The band released the strong 2018 offering, Last Building Burning, the latest in the long line of critically acclaimed albums dating back to 2010. The crunchy guitars give way to moody soundscapes, but infectious melodies buoy the songs above any arty pretension. Taking a bit of the best musical touchstones of the last 30 years of alternative rock — they've recorded with Nirvana producer Steve Albini — doesn't hurt either.

    Cloud Nothings headline at White Oak Music Hall, located at 2915 N. Main St., on Friday, October 26. Moths open. Tickets are $15 plus a $6.49 service charge. Doors open at 8 pm.

    Buzzfest without a lot of buzz
    Buzzfest? More like buzzkill. It goes to show you how far alt-rock radio has fallen. Once the most exciting formats when it burst into the mainstream nationwide in the mid-'90s, it was the place to go for those who wanted to escape the waning hair metal years and same old classic rock hits (see: "Hotel California"). Now, alt-rock is the stale cheese, with little-to-nary originality to be heard from its early days.

    Case in point: the Buzzfest line-up that features A Perfect Circle, a band whose biggest hit was at the turn of the century; Scott Stapp, the lead singer of Creed that played a huge part in alt-rock's overly commercialized turn; and Puddle of Mudd, a band with one big dumb song in "She Hates Me," which somehow found an audience way back in 2001. But hey, music taste is subjective and there are likely lots of people who like these bands. We hope they have fun.

    Buzzfest goes down at Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Saturday, October 28. Tickets start at $42.50 plus service fees. Gates open at noon.

    CultureMap recommends: Jon Batiste
    There are a few artists that exude so much talent, they could bottle it and sell it for hundreds of dollars an ounce at a fancy boutique store. New Orleans native Jon Batiste is one of them. There's a reason why the guy was handpicked by Stephen Colbert to lead the new Late Show band. He's worked with the foremost musicians in the world, including Stevie Wonder, Lenny Kravitz, and Prince. What makes him unique is his original takes on standard American classics, songs being morphed towards an entirely different direction, as shown on his new album, Hollywood Africans. Batiste does it all.

    Jon Batiste performs at the Heights Theater, located at 339 W. 19th St., on Saturday, October 26. Maddie Ross opens. Tickets are $25 plus a $6 service fee. Doors open at 7 pm.

    CultureMap show of the week: Maxwell
    The New York R&B star Maxwell shot to the top of the charts in the late '90s, quickly selling boatloads of albums of his silky, smooth, yet progressive approach to the genre while becoming a sex symbol. His first album, Maxwell's Urban Hang Suite, is considered by many critics to be a masterpiece.

    But then a funny thing happened. He practically disappeared for long stretches of times over the last 15 years, only producing two albums since 2016. Now he's back, touring behind his 50 Intimate Nights North American tour. Word is he'll be performing new material, including new single, "The Glass House (We Never Saw it Coming)."

    Maxwell performs at the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Sunday, October 28. Tickets start at $50.50 plus service fees. Doors open at 8 pm.

    British (tabloid) star Jessie J
    British singer Jessie J is an inarguable pop star. Case in point: she shared a stage with Queen at the closing ceremony of the 2012 London Olympics. Her hits haven’t translated to a massive American audience, but her cult here is strong, including alleged new beau Channing Tatum (he definitely has a type).

    If you’re into sugary Top 40, Jessie J’s hits, including, “Bang Bang,” featuring Ariana Grande and Nicki Minaj, “Price Tag,” and “Flashlight” from the Pitch Perfect 2 soundtrack have massive hooks and featuring a talented woman with a huge set of pipes. She's in the midst of releasing her new album as a series of EPs and is touting new single "Love Will Save the World." Call this show a guilty pleasure.

    Jessie J brings her powerful vocals to Warehouse Live, located at 813 St Emanuel St., on Sunday, October 28. Tickets are $27 in advance plus service charges. Doors open at 7 pm.

    A Perfect Circle leads a pack of rock acts at Buzzfest at Cynthia Woods Mitchell Pavilion on Saturday, October 26.

    A Perfect Circle
    A Perfect Circle/Facebook
    A Perfect Circle leads a pack of rock acts at Buzzfest at Cynthia Woods Mitchell Pavilion on Saturday, October 26.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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