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    Slice and Dice

    Director cuts up about "Mexploitation" madness & strong women in Machete Kills

    Ryan Lakich
    Oct 13, 2013 | 10:02 am

    At Fantastic Fest, fans got to see the world premiere of the newest action-packed film from director Robert Rodriguez, Machete Kills. It’s the anticipated sequel to 2010’s Machete, which itself began as a fake trailer in the 2007 Rodriguez/Quentin Tarantino double-feature Grindhouse. This weekend the movie opens in Houston and around the nation.

    Actor Danny Trejo once again plays the film series’ eponymous character, a gruff former Mexican federale. Joining Trejo for the sequel is a former co-star from Rodriguez’s Spy Kids film franchise, Alexa Vega. At a press conference, he director and his two stars offered a look behind the scenes of the latest “Mexploitation” movie from the mind of Rodriguez.

    For the Austin-based director, a major challenges was creating a bigger sequel at a quicker pace. “[Machete Kills] was a very short shoot. It was a 29-day shoot, which was 10 days less than the first Machete,” he said. As is the case with many of his projects, Machete Kills was filmed on-site at Troublemaker Studios in Austin. “People would say, ‘Where did you shoot the desert stuff?’" said Rodriguez. "There in the back, where [the former Mueller Airport] and the runways were. It’s all dirt.”

    At first, it was a bit awkward seeing Vega walk out on set in her revealing outfit. “It was like the first time your daughter stepped out in a bikini,” said Trejo, “but she was so secure with herself that it made everybody else secure.”

    Even with its challenges, Rodriguez was more than excited to return to the world of Machete. “I was excited about doing a couple of sequels. One in particular is that I always wanted to see Machete go into space. I would love to do two, but I would really love to do three.” Fans he talked to at Comic Con were excited by the Machete-in-space concept, so expect to see plenty of glimpses at the idea in Machete Kills.

    Rodriguez also had another unique inspiration when it came to the film’s eccentric, billionaire, space-obsessed villain, played by Mel Gibson. “I met a guy, Elon Musk, who created SpaceX, and I went to his factory to see how it would work, because I wanted to see realistically how we could send Machete into space,” says Rodriguez. Like Gibson’s character, Musk is a huge fan of Star Wars, inspiring Rodriguez to make his diabolical villain another sci-fi fanboy.

    It's not only successful business magnates who inspire Rodriguez’s characters. His films often feature strong female characters, which he credits to growing up with six sisters. “That’s just my worldview; I grew up with a lot of strong women.” He prefers that his female characters can be easily imagined as the leads in their own movies, and if the opportunity pops up, Rodriguez says he would “love” to do another spinoff of Machete, itself a spinoff.

    When asked how he embodies the character of Machete, Trejo simply responded, “I show up,” reminding everyone how the character came to Rodriguez some 20 years ago, when the actor starred in his film Desperado. “[Rodriguez] develops characters that kind of fits somebody’s personality and expressions,” said Trejo. Rodriguez recounts the first and best direction he gave to Trejo when they filmed the original trailer, saying, “Danny, this character is your Charles Bronson.”

    It took Vega, who played Carmen Cortez in the Spy Kids franchise, some time to convince Rodriguez to cast her in one of his more grownup features; he still saw her as the child actor from more family-friendly fare. “It’s such a sensitive area when girls are trying to make that transition from those younger characters to a more adult world," she said. "People just quickly put you down. But I am 25. I’m not 16 or 17.”

    As Trejo and Rodriguez recounted, it was a bit awkward at first seeing Vega walk out on set in her rather revealing outfit. “It was like the first time your daughter stepped out in a bikini,” said Trejo, “but she was so secure with herself that it made everybody else secure.” The director is known for using the same cast for many of his films, and Vega says that she was “in a very, very comfortable environment.”

    In characteristic fashion, Rodriguez focuses on the excitement of the film rather than its challenges. “We were going to run through the candy store and grab as much stuff to put in your pockets before they close the store.”

    Poster for Machete Kills

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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