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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Oct 8, 2019 | 1:40 pm

    Is Houston a bad live music city?

    The uglier side of local audiences reared its head again this weekend at the Raconteurs show at Revention Music Center with several complaints coming from crowd members on social media that accused others of being discourteous and loud during a show by a band that's known for being, well, loud.

    What's even stranger is that the show was a no-phones space, meaning that the band's management required every ticket holder to place their cell phone in a lockable pouch, which only unlocked if the patron moved to a designated area. Maybe it was a case of everyone discovering the joys of no screen time and felt inclined to share their every waking thoughts with those around them.

    Let's practice a little common courtesy, folks. A concert space should be like going to the movies — keep the speaking to a soft whisper and let people through if they are trying to get to their friends/significant others if they had to use the restroom or refill their beverages.

    CultureMap's biggest, best, and most notable shows of the week are as follows:

    CultureMap recommends: Mumford & Sons at Toyota Center
    You can thank Mumford & Sons for the popularization of "whoa-oh-ohs" that have pervaded pop and rock music like an invasive species. Arcade Fire may have started the current trend on their debut album Funeral, but it was the London act that brought it to the mainstream with their huge first album Sigh No More that produced the inescapable singles, "Little Lion Man," and "The Cave," which mixed Arcade Fire's driving rhythms with furious acoustic folk strums. They rode those "whoa-oh-ohs" to international fame and celebrity wives (lead singer Marcus Mumford is married to actress Carey Mulligan).

    Their latest is the experimental Delta, which seems to be less of the "whoa-oh-ohs" and has been seen as a critical misstep. Go figure. But this band has too many hit songs to discount and it will surely pack out the Toyota Center this Tuesday night.

    Mumford and Sons perform at Toyota Center, located at 1510 Polk St., on Tuesday, October 8. Gang of Youths open. Tickets start at $29 plus service fees. Doors open at 6 pm.

    Great Van Fleet at Smart Financial
    Greta Van Fleet, the second coming of Led Zeppelin comes to Houston promoting the release of their second album, Anthem of the Peaceful Army. While universally panned for their output due to its die-hard allegiance to the House of Plant and Page, the Michigan based act found an audience early on with their Zep-aping debut From the Fires, landing on the covers of music magazines and even a slot on Saturday Night Live.

    It could have been a case of young musicians playing to their influences, but Anthem... was more of the same. These guys have talent, to be sure, let's hope that they find their own sound as they grow as musicians.

    Greta Van Fleet headlines Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Wednesday, October 9. Shannon and the Clams open. Tickets start at $39.50 plus fees. Show starts at 8 pm.

    CultureMap show of the week: Billie Eilish at Toyota Center
    Not since Nirvana have we seen an artist or group touch a cultural nerve like Los Angeles native Billie Eilish. Starting at a grassroots level, releasing singles sporadically, all produced by her brother in his bedroom, Eilish grew her audience through smart marketing in a digital sphere. Her sound incorporates dark elements and skittering pop beats, a mix of Nine Inch Nails, and Ariana Grande that sits comfortably on the Billboard Top 100 as it does on alternative radio.

    Did we mention she's only 18 years old and she holds the record as the first artist born in the 2000s with a No. 1 song ("Bad Guy")? And that she forgoes any sense of sex appeal, wearing ultra baggy clothing to place the focus on her music? Celebrities and teenagers alike are flocking to her shows, she's selling out tours, defying gravity on Saturday Night Live in a clip that will go down in music history, and she has one of the biggest albums in recent memory with When We Fall Asleep, Where Do We Go? What were you doing when you were 18?

    Billie Eilish performs at Toyota Center, located at 1510 Polk St., on Thursday, October 10. Duckwrth opens. Tickets start at $39.50 plus service fees. Doors open at 6:30 pm.

    Banks at HOB
    Like James Blake, who played House of Blues last Sunday, Banks plies her trade in alternative pop and R&B with heavy emphasis on synths and manipulated vocals. Like Billie Eilish, the California native used the power of the internet to rise to fame, attracting pop, R&B, EDM, and indie fans alike, her first album, 2014's Goddess landing high on the Billboard charts. Her progressive pop adventures continue on the critically acclaimed third album, aptly named III, which features the killer dance-inflected first single, "Gimme."

    Banks plays House of Blues, located at 1204 Caroline St., on Thursday, October 10. Kevin Garrett opens. Tickets start at $26.50 plus fees. Doors open at 8 pm.

    Jon Pardi at White Oak Music Hall
    Fast-rising country singer Jon Pardi rolls into Houston armed with a new album that includes some well known credits. First single from his new album Heartache Medication, "Don't Blame it on the Whiskey," features the songwriting talents of Eric Church and Miranda Lambert among other Nashville hitmakers.

    The California native — it seems to be California week on Houston stages — made significant inroads with his second album, California Sunrise, which earned No. 1 status on country charts and No. 1 singles "Head Over Boots," "Dirt On My Boots" and "Heartache on the Dancefloor." Expect big things from Pardi in the future, who is now playing to mid-sized venues across the country.

    Jon Pardi plays the White Oak Music Hall lawn, located at 2915 N. Main St., on Friday, October 11. Riley Green opens. Tickets start at $39.50 plus fees. Doors open at 7 pm.

    Judah and the Lion
    Nashville band Judah and the Lion hit the mainstream in 2017 with the widely heard No. 1 alt-rock single "Take It All Back" before releasing this year's Pep Talks. The album's material is a classic look at the attempt of handling success through the viewpoint of lead singer Judah Akers. It also helps that the No. 2 alt-rock album features chanteuse du jour Kacey Musgraves. They're on a headlining tour following opening slots with Twenty One Pilots, Incubus, and Jimmy Eat World.

    Judah and the Lion are at the Revention Music Center, located at 520 Texas Ave., on Friday, October 11. Tickets start at $35 plus fees. Doors open at 7 pm.

    Alt-indie singer-songwrite Banks is at House of Blues on Thursday, October 10.

    Banks_singer
    Thomas Whiteside
    Alt-indie singer-songwrite Banks is at House of Blues on Thursday, October 10.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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