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    Movie Review

    Daniel Craig bids farewell to James Bond in No Time to Die

    Alex Bentley
    Oct 7, 2021 | 12:25 pm
    Daniel Craig bids farewell to James Bond in No Time to Die
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    The last we saw of James Bond, it was in 2015’s Spectre, an altogether disappointing affair that seemed to have more interest in looking backward than forward. It’s been a long road to get to the follow-up film, No Time to Die, not least because the release of the 25th official 007 movie was delayed 18 months due to the pandemic. But if that time between movies accomplished anything, it was to ensure the filmmakers didn’t repeat the mistakes of their predecessors.

    The film finds Bond (Daniel Craig, for the final time) living in semi-retirement bliss with Madeleine (Lea Seydoux), his love interest from Spectre. He gets drawn back in to the spy life after an unexpected attack, finding an MI6 that’s at once familiar and drastically different. People like M (Ralph Fiennes), Q (Ben Whishaw), and Moneypenny (Naomie Harris) are still in charge, but an agent named Nomi (Lashana Lynch) has usurped Bond’s position in more ways than one.

    Bond and Nomi essentially team up to find the source of the attack, which could be the imprisoned Blofeld (Christoph Waltz), somehow pulling strings from behind bars, or the mysterious Lyutsifer Safin (Rami Malek), who also has a connection to Madeleine. With help from American agents Felix Leiter (Jeffrey Wright) and Logan Ash (Billy Magnussen), they unfurl a plan that’s as dastardly as expected in a 007 film.

    Directed by Cary Joji Fukunaga and written by Fukunaga, Phoebe Waller-Bridge, and longtime Bond writers Neal Purvis and Robert Wade, the film is sprawling, not just in the number of locations it visits but in sheer length, clocking in at 163 minutes. It’s a lot to take in, but the filmmakers keep things relatively focused, taking the story in a straight line instead of veering off into unnecessary tangents. It appears as if they wanted to give Craig as big a farewell as possible, and he gets many showcases throughout the film.

    Even more so than usual, however, Bond shares the spotlight. The series has always given the character a female costar, usually as a love interest, but this time around the women are much more empowered. There’s much speculation whether the character of Nomi will take over Bond’s mantle, but whether that happens or not, she more than holds her own in the action department in this film. Ana de Armas shows up in a brief but impactful appearance as Paloma, a Cuban agent who assists Bond in his visit there.

    The action scenes are plentiful but not as breathtaking as in past films. Fukunaga and his team take their time getting to any significant sequences, with the opening credits coming a good 30 minutes into the film. Craig is as unflappable as ever, although the scenes don’t call for him to do quite as much as in past films. Bond’s famous gadgets only come into play a few times, but his dry wit while the action is going on is as present as ever.

    Opinions will differ, but for my money, Craig has made for a great Bond, making him brawnier than previous iterations but equally as suave and charming. The supporting cast are all fantastic, especially the standbys of Fiennes, Whishaw, and Harris. While the villain characters still don’t pop as much as they should, both actors are good, even Malek, whose acting style is an acquired taste.

    The James Bond/007 series has been the most enduring property in movie history, and it will be interesting to see what direction they go in now. No matter what they do, they’ve given Craig a great send-off in No Time to Die, even if it’s not as spectacular as some of his earlier entries.

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    No Time to Die opens in theaters on October 8.

    Daniel Craig in No Time to Die.

    Daniel Craig No Time to Die promo shot MGM
    Photo by Nicola Dove/MGM
    Daniel Craig in No Time to Die.
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    Movie Review

    Offbeat drama Pillion features command performance by Alexander Skarsgård

    Alex Bentley
    Feb 20, 2026 | 4:30 pm
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

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    Pillion is now playing in theaters.

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