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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jan 29, 2019 | 3:35 pm

    For those who are willing to take a break from watching musical disasters in the form of televised documentaries, there is plenty to catch in the real world in this week of live music.

    Then again, it's pretty tough to look away from the train wrecks that are Surviving R. Kelly series and both Fyre Festival docs — one on Netflix and the other on Hulu.

    Perhaps these shows will be a nice palate cleanser, showcasing artists performing music the way it was intended — with limited-to-no controversy and the utmost professionalism.

    Here are CultureMap's biggest, best, and most notable shows of the week:

    CultureMap recommends: Joan Osborne at Heights Theater
    Yes, you'll probably remember her from the '90s VH1 smash hit "One of Us," but the one thing that has made Joan Osborne's career is her killer set of pipes. She's on the road, showcasing her critically acclaimed "Joan Osborne Sings the Songs of Bob Dylan" series she garnered critical acclaim for in New York City in 2016. That might seem like a weird dichotomy with Dylan known for his gravelly voice, but if anyone can shed new light on classics like "Tangled Up in Blue," or "Highway 61 Revisited," it's the Grammy Award-nominated, multi-platinum selling artist.

    Joan Osborne sings the best songs of Bob Dylan at Heights Theater, located at 339 W 19th St., on Friday, February 1. Sherita Perez opens. Tickets start at $24 plus a $6 service charge. Doors open at 7 pm.

    Eric Johnson Electric Band
    Fans of guitar riffage will be drawn to the Eric Johnson Electric Band at House of Blues on Friday. Widely considered one of the best guitarists on the planet, Johnson spent his early years as a session musician for songwriters such as Cat Stevens and Carole King before striking a chord with audiences for his intricate fretwork in the early '90s, especially on the 1990 platinum album, Via Musicom, which earned him a Grammy award. Anyone who is a devotee to the six-string or just admires those with technical fortitude on the axe, this is a must-see show.

    Eric Johnson Electric Band delivers the riffs to House of Blues, located at 1204 Caroline St., on Friday, February 1. Filmore opens. Tickets start at $25 plus fees. Doors open at 7:00 pm.

    Rachael Yamagata
    Alternative pop chanteuse Rachael Yamagata make songs perfect for late nights after the chaos of the nightclub or for lazy Sunday afternoons. Her ethereal hushed voice has won her fans, including Ryan Adams, Conor Oberst, and Rhett Miller of the Old '97s. Based on that list alone, it's no wonder her work is critically acclaimed, including her new EP, Porch Songs. Fans of quieter, soul-bearing pop music will find something to love here.

    Rachel Yamagata is at White Oak Music Hall, located at 2915 North Main St., on Friday, February 1. Radnor and Lee opens. Tickets start at $25 plus fees. Doors open at 8 pm.

    CultureMap show of the week: Peter Murphy and David J of Bauhaus
    It's hard to overstate the importance of Bauhaus in the annals of music history. Named after the German art school, Bauhaus formed in the fertile post-punk years of the late-'70s in Northampton, UK. The original line-up only lasted five years, but their impact was huge, influencing countless goth, new wave, and industrial acts through their most well known songs, "Bela Legosi's Dead" and "The Passion of Lovers." Inter-band discord ultimately led to their demise, but they've lived on with lead singer Peter Murphy and bassist David J touring their songs. Without them, there would be no Nine Inch Nails, Marilyn Manson, Smashing Pumpkins, and countless other beloved rock acts. Consider this show a musical history lesson of the highest order.

    Peter Murphy and David J of Bauhaus are at White Oak Music Hall, located at 2915 North Main St., on Saturday, February 2. Tickets start at $35 plus fees. Doors open at 8 pm.

    Rebelution at Revention
    For those who still bust out those Sublime albums on the regular, Rebelution is here to fill in the hole in your Bradley Nowell missing heart. The California band has recently built an audience looking for easy-going roots rock that goes well with herbal refreshment, topping the Billboard Top 200 with their Live at Red Rocks album in 2016. They followed up that hit with their latest, Free Rein.

    Rebelution play Revention Music Center, located at 520 Texas Ave., on Saturday, February 2. Tickets start at $29.50 plus fees. Doors open at 8 pm.

    CultureMap free show of the week: '90s Night at The Rustic
    Check out one of the city's best new venues — The Rustic — when it hosts '90s Night with DJ Gracie Chavez on Saturday night, playing your fave hits from the decade of plaid flannel, wallet-chains, and baggy jeans. The best part? It's free.

    ‘90s Night featuring DJ Gracie Chavez goes down at The Rustic, located at 1836 Polk St., on Saturday, February 2. Admission is free. Show starts at 9:30 pm.

    Rebelution is at Revention Music Center on Saturday, February 2.

    Rebelution
    Rebelution/Facebook
    Rebelution is at Revention Music Center on Saturday, February 2.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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