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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jan 29, 2019 | 3:35 pm

    For those who are willing to take a break from watching musical disasters in the form of televised documentaries, there is plenty to catch in the real world in this week of live music.

    Then again, it's pretty tough to look away from the train wrecks that are Surviving R. Kelly series and both Fyre Festival docs — one on Netflix and the other on Hulu.

    Perhaps these shows will be a nice palate cleanser, showcasing artists performing music the way it was intended — with limited-to-no controversy and the utmost professionalism.

    Here are CultureMap's biggest, best, and most notable shows of the week:

    CultureMap recommends: Joan Osborne at Heights Theater
    Yes, you'll probably remember her from the '90s VH1 smash hit "One of Us," but the one thing that has made Joan Osborne's career is her killer set of pipes. She's on the road, showcasing her critically acclaimed "Joan Osborne Sings the Songs of Bob Dylan" series she garnered critical acclaim for in New York City in 2016. That might seem like a weird dichotomy with Dylan known for his gravelly voice, but if anyone can shed new light on classics like "Tangled Up in Blue," or "Highway 61 Revisited," it's the Grammy Award-nominated, multi-platinum selling artist.

    Joan Osborne sings the best songs of Bob Dylan at Heights Theater, located at 339 W 19th St., on Friday, February 1. Sherita Perez opens. Tickets start at $24 plus a $6 service charge. Doors open at 7 pm.

    Eric Johnson Electric Band
    Fans of guitar riffage will be drawn to the Eric Johnson Electric Band at House of Blues on Friday. Widely considered one of the best guitarists on the planet, Johnson spent his early years as a session musician for songwriters such as Cat Stevens and Carole King before striking a chord with audiences for his intricate fretwork in the early '90s, especially on the 1990 platinum album, Via Musicom, which earned him a Grammy award. Anyone who is a devotee to the six-string or just admires those with technical fortitude on the axe, this is a must-see show.

    Eric Johnson Electric Band delivers the riffs to House of Blues, located at 1204 Caroline St., on Friday, February 1. Filmore opens. Tickets start at $25 plus fees. Doors open at 7:00 pm.

    Rachael Yamagata
    Alternative pop chanteuse Rachael Yamagata make songs perfect for late nights after the chaos of the nightclub or for lazy Sunday afternoons. Her ethereal hushed voice has won her fans, including Ryan Adams, Conor Oberst, and Rhett Miller of the Old '97s. Based on that list alone, it's no wonder her work is critically acclaimed, including her new EP, Porch Songs. Fans of quieter, soul-bearing pop music will find something to love here.

    Rachel Yamagata is at White Oak Music Hall, located at 2915 North Main St., on Friday, February 1. Radnor and Lee opens. Tickets start at $25 plus fees. Doors open at 8 pm.

    CultureMap show of the week: Peter Murphy and David J of Bauhaus
    It's hard to overstate the importance of Bauhaus in the annals of music history. Named after the German art school, Bauhaus formed in the fertile post-punk years of the late-'70s in Northampton, UK. The original line-up only lasted five years, but their impact was huge, influencing countless goth, new wave, and industrial acts through their most well known songs, "Bela Legosi's Dead" and "The Passion of Lovers." Inter-band discord ultimately led to their demise, but they've lived on with lead singer Peter Murphy and bassist David J touring their songs. Without them, there would be no Nine Inch Nails, Marilyn Manson, Smashing Pumpkins, and countless other beloved rock acts. Consider this show a musical history lesson of the highest order.

    Peter Murphy and David J of Bauhaus are at White Oak Music Hall, located at 2915 North Main St., on Saturday, February 2. Tickets start at $35 plus fees. Doors open at 8 pm.

    Rebelution at Revention
    For those who still bust out those Sublime albums on the regular, Rebelution is here to fill in the hole in your Bradley Nowell missing heart. The California band has recently built an audience looking for easy-going roots rock that goes well with herbal refreshment, topping the Billboard Top 200 with their Live at Red Rocks album in 2016. They followed up that hit with their latest, Free Rein.

    Rebelution play Revention Music Center, located at 520 Texas Ave., on Saturday, February 2. Tickets start at $29.50 plus fees. Doors open at 8 pm.

    CultureMap free show of the week: '90s Night at The Rustic
    Check out one of the city's best new venues — The Rustic — when it hosts '90s Night with DJ Gracie Chavez on Saturday night, playing your fave hits from the decade of plaid flannel, wallet-chains, and baggy jeans. The best part? It's free.

    ‘90s Night featuring DJ Gracie Chavez goes down at The Rustic, located at 1836 Polk St., on Saturday, February 2. Admission is free. Show starts at 9:30 pm.

    Rebelution is at Revention Music Center on Saturday, February 2.

    Rebelution
    Rebelution/Facebook
    Rebelution is at Revention Music Center on Saturday, February 2.
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    Movie Review

    Summer camp drama The Plague proves middle school is still pure horror

    Alex Bentley
    Jan 2, 2026 | 2:30 pm
    Everett Blunck in The Plague
    Photo courtesy of IFC
    Everett Blunck in The Plague.

    Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

    A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

    Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

    Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

    No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

    Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

    The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

    Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

    ---

    The Plague is now playing in theaters.

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